Reviews . . . M - Z
JAZZ . . . and other obsessions - Bruce Crowther's Website
And more ... as before, most of the records shown here are, of course, available from many on-line stores.
Mostly, Jazz Instrumentalists and Jazz Singers, but also a few superior pop singers and some smooth jazz artists, and several musicians from Central and South America, and others hard to categorize.
A - L ... click here > ...
M Bill McBirnie, Alexander McCabe, Eugene McDaniels, Tom McIntosh, Chris McNulty, Carmen McRae, Manhattan Ragtime Orchestra, Nancy Marano, Marguerite Mariama, René Marie, Claire Martin, Sue Matthews, Tina May, Eddie Mendenhall, Pablo Menéndez, Carol Mennie, Hendrik Meurkens, Paul Meyers, Andy Middleton, Dom Minasi, Yoko Miwa, Monk's Music Trio, Barbara Montgomery, Oscar Moore, Bob Mosher, Moutin Reunion Quartet, Mozayik, Mozik, Rob Mullins, Matt Munisteri, Mark Murphy
N Nanette Natal, National Youth Jazz Orchestra, Negroni's Trio, Richard Nelson, New England Conservatory, New World Jazz Composers Octet, New York Standards Quartet, Hilary Noble & Rebecca Cline
O Luis Mario Ochoa, Bill O'Connell, Arturo O'Farrill, Olavi Trio, Brian 'Mr Ho' O'Neill, Junko Onishi, Mary Osborne
P Kat Parra, Rebecca Parris, Rosa Passos, Patrizia, Mary Pearson, Luis Perdomo, Oscar Perez, Denise Perrier, Jorge Pescara, Ted Piltzecker, Leslie Pintchik, Carlos Pingarilho, Ron Polson, Odean Pope, Jonathan Poretz, Chris Potter, Bill Potts, Prana Trio, Dafnis Prieto, Peter Primamore, Paula Prophet
R Bruno Råberg, Natalie Rae, Django Reinhardt, Michel Reis, Del Rey, Hanna Richardson, Carol Robbins, Sherri Roberts, Tad Robinson, Bob Rodriguez, Louise Rogers, Erienne Romaine, Rick Rosato, Jim Rotondi, Ellen Rowe, Jimmy Rushing, Sandi Russell, Jackie Ryan
S Glauco Sagebin, Marcelo Salazar, Spider Saloff, Saltman Knowles, Massimo Sammi, Michelle Samuels, Jody Sandhaus, Phil Sargent, Adam Schroeder, Jim Seely/Arturo O'Farrill, Gene Segal, Janet Seidel, Jim Self, Vince Seneri, Sara Serpa, Benny Sharoni, Ian Shaw, George Shearing, Marcus Shelby, Daryl Sherman, Mark Sherman, Art Sherrod Jr, Rebecca Shrimpton & Eric Hofbauer, Judi Silvano, Steve Slagle, Carol Sloane, Carrie Smith, Daniel Smith, Ronny Smith, Stephen Smith, Lisa Sokolov, Solar, Bob Stewart, Chip Stephens, Joan Stiles, Harri Stojka, Rick Stone, Colin Stranahan, Jim Stranahan, Dave Stryker, Maxine Sullivan, Tierney Sutton, Steve Swell, Harvie S
T Martin Taylor, Clare Teal, Clark Terry, Laura Theodore, Rob Thorsen, Lisa Thorson, Sumi Tonooka/Erica Lindsay, Toph-E & The Pussycats, Trio Da Paz, Trio Mundo, Ike Turner
U UoU
V George VanEps, Marlene VerPlanck, Vicious World, Geoff Vidal, Ramana Vieira, Jerry Vivino, Roseanna Vitro, Larry Vuckovich, VW Brothers
W Bea Wain, Wayne Wallace, Rosella Washington, Ben Webster, Frank Weder, Ezra Weiss, Walt Weiskopf, Jens Wendelboe, Magni Wentzel, Westchester Jazz Orchestra, Carla White, Wesla Whitfield, Tommy Whittle, Patti Wicks, Lee Wiley, Joe Williams, Phil Wilson & Makoto Ozone, Deanna Witkowski, Andrea Wolper
Z Glenn Zaleski, Denny Zeitlin, Pete Zimmer
Bill McBirnie Paco Paco (Extreme Flute 04)
Widely acclaimed for his remarkable flute playing, Bill McBirnie has comfortably stretched his repertoire to include bop and the classics, by way of Latin music and his own original compositions. Here, Bill is featured in duo and quartet pieces and throughout his melodic leanings are vividly apparent and his improvisation demonstrates an enviable fluidity. The composers represented include Thelonious Monk, John Coltrane, Keith Jarrett, Sonny Rollins and Hank Mobley. Very attractive music, played with skill and warmth. It is not hard to see why classical flautist James Galway says of Bill McBirnie, 'I have never heard anyone play like this'.
Alexander McCabe Quiz (Consolidated Artists Productions CAP 1023)
Alto saxophonist Alexander McCabe's new album is a vibrant mix of contemporary improved music and established values of jazz including melodic awareness and powerful swing. This set also displays Alexander's compositional skill as all but two tracks are his originals. There are two sessions hereon; at one recorded in 2009 the leader is joined by Uri Caine, Ugonna Okegwo and Greg Hutchinson, the other is from 2010 with Rudy Royston replacing Greg. Fine solos abound and the ensemble playing demonstrates a meeting of minds as all members of the quartet respond to the others with exciting and emotionally meaningful music.
Eugene McDaniels Screams And Whispers (Genepool GPR 235)
Thirty years on from dynamic music making that included hits like 'Compared To What' and 'Feel Like Makin' Love', as well as his politically-charged lyrics that earned him the displeasure of the Nixon administration, Eugene McDaniels has lost none of his vigour. Here, there are lyrics that reveal not only his retention of that early spark, but also demonstrate how little has changed in the political world and how much a talent like his is still needed. Active in the intervening decades in the production side of the music business, this recording also proves that Eugene's liquid vocal sound is still intact. Although much latterday pop music making lacks depth and historical perspective, Eugene vividly demonstrates here that it is still possible to be soulful and funky and deliver a meaningful message.
Tom McIntosh With Malice Toward None (Ipore IPOC 1005)
Veteran trombonist and composer Tom McIntosh has gathered around him some outstanding players for a CD of songs composed mostly by him, some of which have been in the jazz repertoire for decades. Here, in his debut album as leader, Tom directs a star-studded band including Jimmy Owen, Benny Golson, James Moody, Kenny Barron, Buster Williams and Stefon Harris. Ranging through the mainstream with ever-present boppish touches, the set features fine ensemble playing and many solos that are fluidly inventive. It has taken a long time for Tom to make this very welcome debut album; we must hope that he does not wait long before the next.
Chris McNulty Dance Delicious (Elefant Dreams ED 4746) * Whispers The Heart (Elefant Dreams ED 4549)
An inventive and thoroughly engaging jazz singer with an especially attractive touch with ballads, Chris McNulty has been delighting audiences for the past two decades. She is a singer of considerable character and vast experience who brings to every song she sings an originality often lacking in the work of better-known contemporaries. On the first of these sets, Chris is accompanied by a team of very good instrumentalists drawn from the foremost ranks of today's jazz and session players, among whom are Mulgrew Miller, Gary Bartz, Eric Friedlander, Billy Hart, Ugonna Okegwo and Paul Bollenbeck. The songs are a pleasing mix of standards and originals composed by Chris. For the second CD, Chris has with her Paul Bollenbeck again, Frank Wess, Ingrid Jensen and Gary Versace among many fine players. Chris's repertoire mixes standards with some of her own original compositions and these warmly recommended CDs clearly demonstrate her considerable singing talent.
Carmen McRae Birds Of A Feather (Verve 589 515-2)
To take just one example from this CD by Carmen McRae, consider 'Skylark': composed by Hoagy Carmichael with lyrics by Johnny Mercer, it is here arranged by Ralph Burns. Carmen bathes the evocative words in that beautifully limpid sound she could produce with such seeming effortlessness. If her interpretation of this fine song were all, describing the result would still need superlatives, but it does not end there. For example, there is a fleeting moment of Mundell Lowe's wonderful guitar; and above all there is Ben Webster. Mostly, on this song, Carmen chooses to deliver the material in an almost straight fashion, but then, at the end of a phrase, she bends a note that sends the tenor saxophonist soaring majestically into flight for a short but perfectly shaped solo. That the rest of this set comes close to the remarkable standards - of writing, improvisation, and performance - set by the treatment of 'Skylark' testifies to this being a very special recording.
Manhattan Ragtime Orchestra Euphonic Sounds (Stomp Off CD 1402)
Formed in 2004 by clarinetist Orange Kellin, who was a founder member of the similarly-oriented New Orleans Ragtime Orchestra back in the late 1960s, the inspiration and repertoire of the Manhattan Ragtime Orchestra comes from the pre-jazz years. The line-up follows the format of many dance hall groups that played the popular music of the day a century ago and includes a front-line violin, played here by Skye Steele. Among others on hand are trumpeter Jon-Erik Kellso, trombonist Brad Shigeta and pianist Terry Waldo. The repertoire includes compositions by Scott Joplin, Armand J. Piron, Luckey Roberts, Sidney Bechet, Tim Brymn, Ford T. Dabney, W. C. Handy. These composers and their music will not be forgotten so long as musicians of this quality are dedicated to bringing their work to contemporary audiences.
Nancy Marano You're Nearer (Munich BMCD 427)
On this fine CD recorded in The Netherlands late in 2003, Nancy Marano ably demonstrates why musicians such as Dick Hyman and Dave Frishberg hold her in high regard. Nancy's performances are assured, her sound mature and the songs she chooses are treated with respect and authority. In addition to her busy singing schedule, Nancy is also an in-demand teacher and it is good to note that a future generation of singers is learning from someone as accomplished as this in the art and craft of a difficult career choice. That Nancy makes it seem so easy is testament to her gifts. Accompanied by a very good sextet of Dutch musicians, Nancy here presents a set that should have very wide appeal.
Marguerite Mariama Wild Women Never Get The Blues ... Well, Not Anymore! (Power Light unnumbered)
Marguerite Mariama hails from Chicago and brings to her singing a tough reflection of the urban blues for which the city is rightly famed. This set draws from what is clearly a wide-ranging repertoire and throughout Marguerite is accompanied by front-rank instrumentalists, including Chico Freeman, Jimmy Sigler, Eric Reed, Lonnie Plaxico and Buster Williams and Jeffrey Haynes. Marguerite's vocal sound is rich and warm and she embraces her material with confidence.
René Marie How Can I Keep From Singing? (MaxJazz MXJ 109) * Vertigo (MaxJazz MXJ 114) * Live At Jazz Standard (MaxJazz MXJ 116) * Serene Renegade (MaxJazz MXJ 120)
Supremely talented, singer René Marie delivers on the first three of these CDs a pleasing mix of mainly standards with a few of her own compositions. A distinctive and hugely attractive vocal sound combine to make every track a delight. From up tempo swingers to evocative ballads, René invariable finds the right approach. No track is less than very good indeed, but her daring combining of 'Dixie' and 'Strange Fruit' on Vertigo borders on the miraculous. Throughout these CDs, whereon she is backed by instrumentalists such as Chris Potter, Mulgrew Miller, Jeremy Pelt, and other front rank players, René delivers a striking lesson in the art of contemporary jazz singing that is thoroughly grounded in the best of the past.
René is a mature and polished artist whose talent deserves universal recognition and thanks to rave reviews for her live appearances she is attracting the attention she so richly deserves. Impressions of her live dates can be gained from the third CD, which was recorded live at a New York club. Here, unlike on the studio recorded CDs, she is backed by her then regular working trio and again offers a richly varied and always stimulating programme of songs. For the fourth of the CDs, the aptly titled Serene Renegade, René gives full rein to her songwriting talent. All but two of the tracks are her original songs and very good they are too. Mostly, their lyrics draw from her experiences in life and are delivered with integrity and passion. René Marie is the most exciting jazz singer to come along in many years and if you have yet to hear her, any one of these CDs is an excellent place to start. All of them would be better.
To learn more about René Marie, read my interview with this remarkable singer. Originally, this appeared on the AllAboutJazz web site, where it still remains. However, the interview can now also be seen on my Article/Interview page.
Claire Martin Too Darn Hot! (Linn AKD 198) * A Modern Art (Linn AKD 340) * Claire Martin & Richard Rodney Bennett Witchcraft (Linn AKD 359)
On the first of these CDs, Claire Martin offers a richly varied selection of songs; a few standards, some show tunes, some seemingly improbable choices, and a handful of originals. Claire performs all of these songs with care, skill, lithe swing, and a measure of reflective interpretation few other singers can achieve. A portentous mood is set by the instrumental opening of the first track, 'Something's Coming', and both this and the expectation implicit in the song's title are fully met by everything that follows on this excellent CD. The charts throughout are inventive and bestow upon even very familiar songs, such as 'These Foolish Things' and 'Black Coffee', a shining new surface that never destroys the original core. Similarly, a song from the pop world of a generation past, such as 'It's Raining In My Heart', becomes a plaintive ballad thanks to a subtle arrangement for string quartet. Among new material is 'Noir', a song with an excellent, inventive and difficult lyric that Claire brings off with great aplomb.
Claire has never made an album that was less than excellent and A Modern Art, released late in 2009, somehow manages to improve even upon the extraordinary qualities of those that went before. With an intriguing and exploratory repertoire, she offers witty, wry and thought-provoking songs that are simultaneously entertaining and filled with examples of her subtle skills. She is aided here by a fine backing band that includes Gareth Williams, Phil Robson, Laurence Cottle, James Maddren, Chris Dagley, Mark Nightingale and Nigel Hitchcock. (Sadly, Chris Dagley was killed in a traffic accident in August 2010.) All the compositions are treated with care and respect, the material being delivered with elegant yet deeply-rooted jazz sensibilities. An admirable set that should appeal to all who love superior jazz singing.
The third CD teams Claire with classical composer Richard Rodney Bennett in a thoroughly enjoyable set of songs composed by Cy Coleman. Claire and Richard, unlikely musical companions on paper, have performed together for several years, delighting audiences in London and New York (and beyond) with artful explorations into many aspects of popular song. With this set, released in early 2011, they vividly demonstrate how skilled musicians from whatever field can work together with superb results when hearts and minds are in the right place. There is not a weak moment on this CD, whereon Claire and Richard sing some songs separately and others in duet and in all cases provide what must surely prove to be lasting interpretations.
Sue Matthews One At A Time ... (Renata Music 7014)
Much admired, Sue Matthews is a talented singer with seemingly effortless delivery, allied to a smoky yet rich vocal sound that freshens the standards she sings. These standards are just one part of her repertoire, which ranges outwards from a jazz core to encompass the jazzier end of pop, the blues, and that often misunderstood art, the torch song. Among the gems here are a delightfully sensitive version of 'How Insensitive', a lovely unaccompanied reading of 'Caledonia', the lithely swinging 'One At A Time ...', and an eloquently moving 'Amazing Grace'.
Tina May I'll Take Romance (Linn AKD 202) * Tina May/Nikki Iles/Tony Coe More Than You Know (33 Jazz 100)
Ever since her first appearance on the British jazz scene, Tina May has set her distinctive mark on the songs she sings. A flowing swing and a thoroughly delightful vocal sound combine to make every track on the first of these CDs, from thoughtful ballad to extrovert swinger, an immensely enjoyable experience. Adding immeasurably to the proceedings is tenor saxophonist Scott Hamilton and he and Tina blend superbly with intuitive warmth. The pair are backed here by bassist Alec Dankworth, drummer Tristan Mailliot, with Nikki Iles and Robin Aspland sharing duties at the piano. If you have yet to here this very gifted singer, this is an excellent place to start. You will not stop with just one CD, though, so read on ... The second CD finds Tina in company with two artists with whom she has worked in live performances, pianist Nikki Iles and clarinetist/saxophonist Tony Coe. The verve and invention these three bring to a splendid set of un-hackneyed songs is a source of constant delight.
Eddie Mendenhall Cosine Meets Tangent (Miles High Records MHR 8614)
A gifted pianist, composer and teacher, Eddie Mendenhall spent many years in Tokyo before returning to the USA where he has led small groups with distinction while concurrently directing the jazz department at Monterey Peninsula College. The material on this, his first CD, is mostly his own and reveals a musician with a gift for presenting intellectually provoking music in a manner that is accessible and rewarding. He is joined hereon by Mark Sherman, John Schifflett and Akira Tana.
Carol Mennie I'm Not A Sometime Thing (CDM Records CDM 1004)
Carol Mennie applies her mature, tough-edged vocal sound to a repertoire that blends classic popular songs with jazz standards and originals, the latter the work of guitarist-arranger Dom Minasi. Carol is ably complemented by high calibre instrumentalists, including guest horns Patience Higgins and Valery Ponomarev. Carol's approach to the material is adventurous, engaging and always thought provoking. Throughout, Dom Minasi's arrangements not only frame Carol's voice but also offer insightful ideas on the material.
Paul Meyers World On A String (Miles High MHR 8608) * Quartet Featuring Frank Wess (Miles High MHR 8609)
On the first of these CDs, guitarist Paul Meyers is displayed not only as a front-rank soloist but also as a composer of merit. He is joined in a sparkling display of contemporary small group jazz by Donny McCaslin and Helio Alves, both of whom match Paul in inventive soloing. All of these musicians have a taste for Latin music in general and that of Brazil in particular and their inclinations are allowed many admirable moments on this CD. Among Paul's compositions are the lively 'Stars' and the languid 'Twilight'. This wholly admirable set is very warmly recommended. On the second album, Paul is joined by veteran Frank Wess for a relaxed and flowing set that pleasingly blends mainly standards, such as 'My One And Only Love', 'Who Cares?' and 'I Cover The Waterfront' with some originals: Paul's 'Blue Lantern' and 'One For Miss D' and Frank's 'Menage A Bleu'. There is also the agreeable presence of singer Andy Bey on 'Lazy Afternoon'. Altogether, this is a delightful, low-key set of fine music that should find many admirers.
Andy Middleton The European Quartet Live (Q-rious Music QRM 109-2)
This release by tenor saxophonist Andy Middleton presents driving contemporary jazz played with verve and lyricism. The four musicians are skilled and well-matched. Principal soloist is Andy, an American living in Austria, and he plays with fire and passion. Andy is joined by Croatian-German pianist Tino Derado, and Americans Paul Imm and Alan Jones, bass and drums respectively. If your taste in jazz leans towards the improvised music of today then you will find this an excellent example of the form. As the title indicates, the set was recorded live but the audience is remarkably discreet.
Dom Minasi Quick Response (CDM Records CDM 1005) * The Vampire's Revenge (CDM Records CDM 1006)
A guitarist of distinction, Dom Minasi has a questing imagination and seemingly limitless ideas. He also has the technical ability to bring his concepts to vivid life. He is accompanied on the first of these CDs by alto saxophonist Mark Whitecage, organist Kyle Koehler and drummer John Bollinger, all three of whom are equal to the musical tasks set by Dom's original themes of which there are six here. When the group do turn to standards, such as 'What Is This Thing Called Love' and 'Softly As In A Morning Sunrise', it is with similar invention and they breathe new life into this music. The second CD (a double album) is even more strikingly original and more than a little challenging. Taking the legend of Dracula as his theme, Dom weaves a tale that is every bit as imaginative as that of Bram Stoker. With long time companions Ken Filiano on bass and Jackson Krall on drums on all tracks and a host of guest musicians lending their support, Dom paints a vivid, dramatic, subtly menacing (and occasionally tongue in cheek) portrait that remains in the mind long after the music has ended. Far too little of Dom's music has been readily available in recent years. His disenchantment with the recording industry in the 1980s led to many years on the edges; now, though, he is back in the spotlight, which is where he belongs. This is contemporary jazz playing that demands and deserves attention.
Yoko Miwa Live At Scullers Jazz Club (Own label unnumbered)
This strikingly good pianist here performs a live set at the famous Boston club and ably demonstrates her considerable ability. Yoko Miwa plays with subtle power and throughout displays her technical command, which she employs with graceful care. Yoko's accompanists here are bassist Greg Loughman and drummer Scott Goulding, who have been her musical companions now for some years. Although this is Yoko's fifth CD, this is the first to be readily available outside Japan and it offers an opportunity for those who love to hear post-bop mainstream jazz piano at its very best.
Monk's Music Trio Think Of One (CMB Records CB 102841) * Monk's Bones (CMB Records CB 102842)
The name adopted by this San Francisco-based trio makes clear their affiliation to Thelonious Monk. The three are pianist Si Perkoff, bassist Sam Bevan and drummer Chuck Bernstein, who leads the trio and is also the producer. These able musicians draw interestingly from the rich storehouse of music left by one of jazz's most remarkable individuals, a legacy that deserves its loved and respected place in the jazz canon. On the second CD two trombone players are added: Roswell Rudd and Max Perkoff. The result expands upon the possibilities signposted by the composer and, as Rudd comments: 'It's a challenging adventure, but we have our hearts, minds and ears open and no end of passion for this glorious work.' Rudd's enthusiasm for the material allied to that of his fellow trombonist (who is Si's son), matches that of the trio. The result is joyous music and both CDs are worth your time.
Barbara Montgomery Trinity (Bjazz.Com Records MBB 005)
Underlying the songs sung here by Barbara Montgomery is a measure of spiritual intensity that goes far beyond that of performances by many of today's jazz singers. Concerns dealt with include the twin and often interlinked losses: freedom and life. But this CD is not a polemic; rather it is a musical and heartfelt examination of the human spirit. Barbara's deep voice is rich and fluid, and draws the listener in to the emotional depths of the music. Several gifted instrumentalists accompany the singer in different formations, prominent among whom is pianist Aaron Graves who also arranged the music and co-produced with Barbara. Reflective and mature, this is music making of high quality.
Rob Mosher The Tortoise (Old Mill Records MILL 233)
A very pleasing set of original music by Rob Mosher draws in the listener with its subtle conception and interpretation. First rate playing by Rob's 10-piece band, Storytime, has effective solos and skilful ensemble passages. Rob, who plays soprano saxophone, oboe and English horn, is a Canadian and under 30 when the record was made; clearly a musician to watch out for. The music is scored in a manner that not only takes full advantage of the various instruments at Rob's disposal but also at times creates a broader effect, hinting not only at the composer’s awareness of jazz composers of the recent past but also at the field of classical music. Overall, this is a very rewarding CD.
Moutin Reunion Quartet Something Like Now (Nocturne NTCD 375)
After many years playing in bands led by others, identical twin brothers François and Louis Moutin formed their own quartet in 1990. More appearances with others followed and then, in 1998, the brothers teamed up again to form this group, the Moutin Reunion Quartet. Bassist François and drummer Louis are both virtuoso players and they have brought into their band two other highly gifted instrumentalists, pianist Pierre de Bethmann and tenor saxophonist Rick Margitza. Playing with flair and imagination a repertoire that is drawn almost exclusively from music written by the brothers, the quartet has built a solid reputation in the past few years. Vibrant and dynamic, this is a striking contemporary jazz group.
Rob Mullins Standards & More (Planet Mullins RME 06-01 ACD)
Concentrating on piano after mainly playing various keyboard instruments, here Rob Mullins delivers a vibrant set that mixes standards with originals. Recorded live at Steamers Jazz Club in Fullerton, California, Rob is joined here by bassist David Levray, drummer Evan Stone and tenor saxophonist Jimmy Roberts. Dynamic and driving, Rob plays with verve and enthusiasm and although known internationally through his CDs (of which this is his 16th) remains best known in the USA. Surely this must change and this CD might well provide the necessary impetus that will make the difference. Fine playing, always interesting improvisations, and fluid swing combine to make this an exceptional CD.
Matt Munisteri Love Story (Old Cow Music 0001)
An unusual and original singer, guitar player and songwriter, Matt Munisteri is hard to pigeonhole. This CD features Matt and his band, Brockmumford, in an engaging blend of ingredients that are folkish, with a pinch of country, topped off with a Gallic flavouring. This latter quality is due in large part to accordionist Will Holshauser. Add to all of this a hint of jazz through the admirable trumpet playing of Jon-Erik Kellso and you have something that is disarmingly different and immensely entertaining. In short, it is ... well ... it's Matt Munisteri. If that is not enough for you, take a look at Matt Munisteri's own site.
Mark Murphy Memories Of You (HighNote HCD 7111) * Once To Every Heart (Verve 06024 9872410)
The first of these releases by Mark Murphy is dedicated to the memory of Joe Williams and is an excellent example of the fine work done over many years by one of the best of all male jazz singers. By now, Mark's voice has a lived-in sound and admirably suits the material, which is awash with the blues. Mark is very ably accompanied by a band led by pianist/arranger Norman Simmons and completed by Paul Bollenbeck, Darryl Hall, Grady Tate, and Bill Easley. There are no weak moments on what is a highly recommended CD, but mention must be made of 'Memories Of You' that is given an interpretation ranking with the best you are ever likely to hear. The second CD, released in 2005 but recorded some three years earlier, teams Mark with an excellent German trumpeter, Till Brönner. The selections are all ballads and are taken with appropriate introspection and are filled with instances of how a good jazz singer, and Mark is certainly that, can make a song his own without damaging the concepts of the composer and lyricist. On most tracks a concert orchestra is featured, appropriately arranged by Nan Schwartz to frame the singer. All in all, this is a real treat and vividly demonstrates that the passing of the years have not in the least dimmed this exceptional artist's talent. It should also send many jazz fans on a search for Brönner's own recordings. Mark's many fans will not need urging, but anyone who has yet to hear him should correct that oversight without delay with either one - or preferably both - of these CDs.
Nanette Natal My Song Of Something (Benyo Music BY 3333) * Is Love Enough? (Benyo Music BY 3338) * It's Only A Tune (Benyo Music BY 3339) * I Must Be Dreaming (Benyo Music BY 3341) * Sweet Summer Blue (Benyo Music BY 3342)
Nanette Natal has a vibrant and polished singing style and her vocal technique is excellent but she never uses it merely for effect. The first of these CDs, a reissue of a 1980 release, consists of seven of her own compositions and is by turn exuberant and reflective. On the second CD, a 2000 recording, she presents a pleasing mixture of of standards, show tunes and her own compositions. On the third CD, a July 2003 recording, Nanette is warmly eloquent and an air of relaxed yet sultry sophistication surrounds the session. Here, Nanette offers a selection of delightful ballads all of which are her own compositions and are melodic and lyrically insightful. The fourth CD, released in June 2007, finds Nanette's musical palette widening to accommodate the atmosphere of much that has gone before in jazz - blues and gospel for example - but the lyrics reveal that this is very much music for today. Nanette has chosen to address issues about which she feels strongly: poverty, prejudice, fear, injustice and the lies with which they are cloaked. Somehow, though, she has contrived to do so in a manner that retains her essential musicality. On the most recent CD, released in 2011, Nanette again brings her insightful talent to bear on a wide range of musical styles. There are touches of the blues, post-bop jazz, and also, and perhaps surprisingly, country. Maybe it is the unexpectedness (to me) of this influence that made 'Silver Night' and 'Deep In My Memory' two very memorable tracks to which I shall often return.
The National Youth Jazz Orchestra Something Old, Something New (NYJCD 023) * London Pride (NYJCD 026) * When You're Ready (NYJCD 026) * ... for Dick & Chris (SROB 1)
The first of these CDs was released in celebration of NYJO's 40th Anniversary and presents one of its relatively rare vocal albums. In showcasing singer Atila Huseyin, NYJO's founder and director Bill Ashton followed a request by the band: 'We'd all like to do something for Atila.' The result is a set that splendidly blends NYJO's powerful big band music with the vocal sound of a young man with his heart and mind set firmly in the great tradition of sophisticated song styling. Thanks to superbly crafted arrangements, the result is very much music for today. Peppering the charts are some fine solos by instrumentalists who make clear why NYJO continues as a hot-bed for front-rank jazz talent. This talent it even more vividly on display on the crackling London Pride set that presents the band in some scorching compositions as well as some delightfully melodic numbers. Among the instrumental soloists on hand are Will Bartlett, Freddie Gravita, Henry Armburg-Jennings, Tommy Laurence, Dave Shulman, Nik Carter, Simon Meredith, Jon Stokes, Alistair White and James Maddren. There are also vocalists Atila Huseyin, Francesca Lewis and, making a special appearance, Cleo Laine. Sparkling big band music by a group that maintains the extraordinarily high standards it set itself way back in the 1960s.
The third CD presents the outstanding talents of Evan Jolly, a trumpeter with the band who is also a key arranger and as is demonstrated here a very effective composer. Half of the dozen tracks here are his work alone, while on the rest he is either co-composer or arranger (or both). As is now expected, the playing is first rate throughout with tight ensemble work and sparkling solos. The latter include James Arben, Richard Shepherd, Rob Barron, Henry Armburg Jennings, Rory Simmons and Freddie Gavita, and there is a guest appearance by John Dankworth. This is a fine example of NYJO's work.
As most fans of NYJO will already know, drummer Chris Dagley, a star of the early 1990s band, died in a road accident on 28 July 2010. Recently, NYJO moved offices for the first time in its 43-year history and during the move forgotten tapes of a 1990 appearance by the band, with Chris on drums, surfaced. The set was recorded at the Buxton festival and features veteran tenor saxophonist Dick Morrissey (who died in 2000). The band is in fine form, exhilaratingly punched along by Chris's driving drumming with crisp solos and overall an air of joyous enthusiasm. The album, ... for Dick & Chris (SROB 1), is available directly from NYJO's old address and founder Bill Ashton OBE states that every penny paid will go to Chris's dependents. In case you do not have it to hand, the address is: Stanza Music, 11 Victor Road, Harrow, Middlesex, HA2 6PT. Cheques for £12.50 (which includes p&p) should be payable to Stanza Records (Chris Dagley memorial fund).
Richard Nelson Pursuit (Heliotrope 1011)
Guitarist Richard Nelson leads a skilful and entertaining big band through a fine performance of his suite, 'Pursuit'. In five movements, the suite seamlessly blends the traditions of big band jazz with contemporary ideas that melds jazz of many styles and eras with hints of classical form allied with free. The movements of the suite feature soloists Don Stratton and Pamela Jenkins; Steve Grover; Tim O'Dell and Cassidy Holden; Frank Mauceri and Bill Moseley; Nelson and Grover. This admirable album is rounded out by two further compositions by Richard, this time for his quintet. Interesting charts and exceptional playing make this an album that should appeal to a wide range of fans of contemporary jazz.
New England Conservatory ART-i-facts (NEC 2009JZ40)
The subtitle of this excellent CD tells all: Great Performances from 40 Years of Jazz at NEC. As most jazz fans are aware, the Jazz Studies program at the NEC has tutored many fine musicians over the years, while the faculty members include some truly important artists from the jazz world outside this exceptional academy. The 14 tracks hereon, dating from 1973 to 2008, offer an entertaining glimpse of what has been happening at the NEC. Clearly, the NEC is not trapped in a stylistic corner but ranges widely and confidently across the jazz spectrum and in the course of this CD there are unaccompanied soloists through small groups to big band. Among the guest artists heard here are Jaki Byard. Steve Lacy, Bob Brookmeyer, Dominique Eade, George Garzone and Ran Blake. There is also the NEC's fine orchestra, directed by Gunther Schuller and George Russell and Ken Schaphorst. The music is exciting and inspiring and it is a great pleasure to hear these examples of what has been done, and who has been doing it, during the existence of the NEC. On this showing, the organization has every reason to be proud of its achievement.
New World Jazz Composers Octet Breaking News (Big and Phat Jazz BPJ 1022)
Led by Boston-based saxophonist Daniel Ian Smith, this group has established itself over the past few years and two previous CDs as a leading voice in composing and playing contemporary jazz to a very high standard. The other musicians in the band are Ken Cervenka, Walter Platt, Felipe Salles, Tim Ray, Keala Kaumeheiwa, Mark Walker and Ernesto Diaz. Thoroughly engaging solos, tight and powerful ensembles all come together on compositions by Matthew Nicholl, Jeff Friedman and Richard Lowell as well as Walter Platt. Everything hereon is written and played with considerable intelligence and flair; especially appealing is the three-movement suite, Trilogy, composed by Ted Pease and paying tribute to pastmasters of jazz composition, Thad Jones, Billy Strayhorn and Bill Holman. This is an exceptionally attractive CD that should appeal to those who appreciate a contemporary twist on the important qualities of the past, qualities that these men clearly admire and respect.
New York Standards Quartet Unstandard (Challenge CR73307)
As this group's name suggests, music is drawn primarily from the great cache of standards from classic pop and jazz. The musicians, all leaders and composers, are pianist David Berkman, saxophonist Tim Armacost, bassist Yosuke Inoue and drummer Gene Jackson. Throughout, these men take familiar themes upon which they build new concepts, weaving always interesting improvisations, sometimes creating new melodic lines. The distinctive solos played by all four not only stand as striking examples of their ideas but also provide inspiration to their colleagues. Very good contemporary jazz, with constant musical reminders of fine compositions that help keep newcomers in touch with familiar sources.
Olavi Trio Triologia (TUM Records CD 026)
Formed by a group of musicians who happen to share the same middle name, the Olavi Trio is a Finnish band that presents music of today and which also hints at how music might well sound tomorrow. Jari Olavi Hongisto plays trombone, Teppo Olavi Hauta-aho plays bass and Niilo Olavi Louhivouri plays d5rums. Most of the music here is composed by the core trio who are joined on two tracks each by trumpeter Verneri Pohjola, tenor saxophonist Juhani Aaltonen and guitarist Kalle Kalima. Very much music for those who appeciate today's Scandinavian improv scene.
Brian 'Mr Ho' O'Neill Third River Rangoon (Tiki 002)
Vibraphone player Brian O'Neill has taken exotica to new regions in this exploration of musical forms as diverse as third stream, space age pop, chamber jazz, Latin dance and classical. Hereon, he is joined by Geni Skendo, Noriko Terada and Jason David, with added guest Tev Stevig on two tracks. On the fringes of jazz perhaps, but this set should appeal to many with its melodic and rhythmic subtleties.
Junko Onishi Piano Quintet Suite (Blue Note CDP 7243 8 36483 2 0)
A very satisfying hard bop session led by strikingly gifted Junko Onishi, a powerful and dynamic pianist. Whether as soloist or accompanist, her playing is always inventive. Some of the music played here is Junko's own work, including the 10-minute title track, and shows her deep affinity with the genre. She is the driving force in what is an already strong group of musicians. Bassist Rodney Whitaker and drummer Tony Rabeson provide strong support while trumpeter Marcus Belgrave and alto saxophonist Eiichi Hayashi are in fine form. Although recorded in 1995, for Somethin' Else Records, this new release should draw much wider attention to an exceptional pianist.
Kat Parra Birds In Flight (JazzMa JMR 1001) * Azucar De Amor (Patois PRCD 005) * Dos Amantes (JazzMa JMR 1003)
Singer Kat Parra deserves a far wider audience than that she presently enjoys in South and North America. Rich and flowing, her voice demands attention and she delivers wholly satisfying interpretations of a an interesting selection of songs. Although everything is suffused with Latin sounds, Kat drawns songs from jazz, the standards and from the rich song books of Brazil and Cuba. Examples on the first CD are Juan Tizol's 'Caravan', 'Softly As In A Morning Sunrise', 'Mas Que Nada', and 'Óleo De Una Mujer Con Sombrero'. On the second can be heard 'A Night In Tunisia', 'Misty' and 'Canción Con Todos'. Also on the second disc, and demonstrating the breadth of Kat's musical interest, are songs reflecting the musical heritage of the Sephardic Jews of old Spain. There are also songs of her own that display Kat's songwriting talent.
For Dos Amantes, Kat delves deeper than before into the music of the Sephardic Jews of Spain. Blending this ancient form with contemporary jazz and Afro Caribbean styles is a leap for the imagination, yet Kat achieves this with seeming ease. Her singing voice has a sinewy edge that suits the material well, be it from 15th century Spain or 20th century Latin America. All the apparently un-mixable ingredients are brought together by Kat to provide 21st century music that should appeal not only to lovers of contemporary jazz but also to the world music audience, the latter being sure to find here music and words that are emotionally rich and moving. Altogether, this album, with its fiery flamenco, lively Hanukkah, richly rhythmic Caribbean airs is a delight and very warmly recommended.
Rebecca Parris You Don't Know Me (Saying It With Jazz SIWJ 1206)
Rebecca Parris's vocal sound is mature and immensely satisfying; she delivers lyrics with care and affection, with wit and flair, and her phrasing is exemplary. She has full command of her remarkable voice and swings with that appearance of ease that only the best singers can accomplish. Every track hereon is a delight; the songs include 'Weaver Of Dreams', 'Lush Life', 'Don't Go To Strangers', 'My Ship', and 'Too Late Now'. Rebecca is accompanied by a core piano, bass, drums trio and there are also guest instrumentalists on hand, accompanying and soloing with understanding and invention. These guests are Houston Person, Gary Burton and Jerry Bergonzi. There is not an indifferent note on this exceptional CD and must surely bring Rebecca to the admiring and deserved attention of a yet wider audience.
Rosa Passos Amorosa (Sony Classical SK 92068) * Romance (Telarc CD 83677)
Rosa Passos is one of the best known internationally of Brazil's many fine singers and the first of these CDs ably demonstrates why this is so. Rosa sings with eloquent grace, interpreting the lyrics of the songs, several of which are by Antonio Carlos Jobim (to whom the CD is a tribute) with care and understanding. Accompanied by gifted instrumentalists, Rosa delvers a set of delightful performances. As can be heard throughout, Rosa is also an accomplished guitarist. This CD will add to the lustre of this gifted artist. The second CD has a very strong jazz feel, aided immeasurably by Rosa's excellent phrasing. Once again, the songs are likely to be more familiar to lovers of Brazilian music but the jazz pulse widens the CD's appeal. Rosa is again accompanied by fine instrumentalists. Anyone unfamiliar with Rosa's work will find either of these CDs will be a very pleasing introduction, although jazz fans will probably favour the second one.
Patrizia All The Things You Are (Patrizia 937 750 020-0)
A mature voice and forceful singing style mark this debut by Patrizia, who has been around for a while but who until now has not recorded. Ably supported by Richard James, Bob Magnusson, Ronnie Stewart and Daniel Jackson, Patrizia swings through a selection of standards with considerable aplomb. The songs Patrizia has chosen include 'It Shouldn't Happen To A Dream', 'An Occasional Man', 'Lover Man', 'Blue Skies' and, of course, the title song of the CD. Nice, earthy interpretations and a sense that a very good time was being had by all make this a lively introduction to this singer.
Mary Pearson You And I (Arkadia Jazz 71325)
This CD is founded in a daringly rare concept, and it is testimony to Mary Pearson's talent that she pulls it off superbly. Every track is a duo, but that alone would not make it a rarity. What does is the fact that Mary has six partners on this CD; three of them are pianists (Lynna Arriale, David Lahm and Fred Hersch), one guitarist (John Hart), one bass player (Harvie Swartz) and one drummer (Steve Davis). The result is a richly varied, intricately shaped and wholly satisfying CD that you will return to again and again.
Denise Perrier The Second Time Around (Chez Perrier CD 53007)
Although hailing originally from New Orleans, Denise Perrier has long been resident in Northern California. There, she has built a solid reputation as a solo singer building upon some decades as a group member and backing singer for many noted artists. Denise's vocal sound is mature and huskily effective. Her phrasing and timing is very good and she brings worldly awareness to this selection of standards. On this CD, she is backed by a solid trio: Tammy Hall, piano, Bootsa Necak, bass and Kent Bryson, drums, with several guest appearances from veteran tenor saxophonist Houston Person. You might have to look hard to find this CD, but the effort will be amply repaid.
Ted Piltzecker Steppe Forward (Corner Mushroom CMM 1)
Hitherto best known for his role as a member of George Shearing's quintet, vibraphone player Ted Piltzecker here leads his own band, TP & Company, through an engaging set that vibrantly displays Ted's skill as a composer. His sidemen here are young musicians who play with verve and enthusiasm. Comfortably allied to the jazz pulse is a subtle touch of Braziliana and the whole set is a relaxed and flavourful experience. If you encounter difficulty is finding this CD, try Ted's website.
Leslie Pintchik We're Here To Listen (Pintch Hard CD 001) * Live In Concert (Pintch Hard DVD+CD)
A skilled composer and subtly inventive pianist, Leslie Pintchik draws in the listener with her intriguing repertoire that mixes original material with a few standards and pop favorites. In the case of the latter, Leslie's interpretations cast new light on familiar themes while never losing sight of the essence that made them popular. This 2010 CD is Leslie's third and she is joined here by her regular musical companions, bassist-guitarist Scott Hardy, drummer Mark Dodge and percussionist Satoshi Takeishi, all of whom blend with the leader in ways that underline their mutual respect and understanding.
Also released at the end of 2010 is a DVD + CD package capturing the same four musicians live in concert at New York's March 2010 Shandelee Music Festival. Only one piece of music is duplicated here, and the concert is a fine display of the musicians' rapport with one another and with their audience. These sets are fine examples of contemporary jazz that appeal to mind and heart.
Ron Polson That Old Feeling (Louron LR 1)
A pleasing stroll through the Great American Song Book by Ron Polson, an experienced Australian singer. He is accompanied by a quartet led by saxophonist and arranger Laurie Lewis, who also contributes four originals composed in collaboration with Alwyn Lewis. In addition to the quartet there are also occasional guest instrumentalists on hand. The CD is unpretentiously relaxed and should appeal to those who like to hear songs presented the way their composers wrote them.
Odean Pope Two Dreams (Creative Improvised Music Projects CIMP 303)
One of the most authoritative voices on tenor saxophone today, Odean Pope is a strikingly talented musician. Although inspired in his earlier years by John Coltrane, Odean is very much his own man and this CD of his own compositions is evidence of that fact. His playing on the mid- and up-tempo titles bristle with energy while in his more relaxed mode his sound is awash with emotion. Throughout, Odean's inventiveness is remarkable and every hearing reveals yet more moments of delight. Even the best of artists benefit from accompanists of quality and on this CD Odean is joined by three men who fulfil that description: Carl Grubbs, Tyrone Brown and Craig McIver. All play with matchless drive and swing, in addition to which they have several inspired solos. This CD shines a thoroughly deserved spotlight on Odean Pope, an outstanding musician.
Jonathan Poretz A Lot Of Livin' To Do (Pacific Coast Jazz AFP 121215)
Jonathan Poretz is a fine singer of the classic pop repertoire, giving to the songs a new edge although his respect for the tradition is evident throughout. Always melodic and rhythmic, Jonathan is accompanied by Noel Jewkes, Lee Bloom, Pierre Josephs, Jeff Neighbor, Vince Lateano and Harold Jones. This is a very attractive album and one that should appeal strongly to all those who love the great American songbook. Jonathan appears to be based on the west coast and those of you living out there should try to see and hear him live. I don't know for sure, but chances are his gigs are listed on his website.
Chris Potter-Steve Wilson-Terell Stafford-Keith Javors Coming Together (Inarhyme 1002)
Although the background to this release contains elements of tragedy, the result is some exceptional music making by a group formed by some of today's leading young musicians. The session was conceived by the remarkable saxophonist and composer Brendan Edward Romaneck but just two months before the session was due to take place he died suddenly at the age of 24. Later, it was decided to go ahead with the session and with two saxophonists, Chris Potter and Steve Wilson, joining the rest of the band Romaneck had planned: Terell Stafford, Keith Javors, Delbert Feliz and John David. Three of the tracks played are well known but are given fresh and delightful performances while the rest of the music is composed by Romaneck and it is eminently clear that his death has robbed contemporary jazz of a melodic master. The piano and horn solos are very good indeed and are buoyed by an exceptionally good rhythm section.
Bill Potts Porgy And Bess & Bye Bye Birdie (Lone Hill Jazz LHJ 10170)
This outstanding CD brings to another generation Bill Potts's overlooked masterpiece. Recorded in January 1959, some six months after the Gil Evans arrangements of this same music for Miles Davis became a classic of modern jazz, Bill's arrangements for this remarkable set are couched in the form of the high-powered big band sound of the period, rather than of bop. Nevertheless, the musicians brought on board for the session were clearly disciples of the new music. And what soloists! It is worth listing the full band because very nearly all have an opportunity to show their solo skills, several of them often, and together they produce some roaring ensemble passages. Personnel: Art Farmer, Harry 'Sweets' Edison, Bernie Glow, Irving 'Marky' Markowitz, Charlie Shavers (t); Bob Brookmeyer (vtb), Frank Rehak, Jimmy Cleveland, Earl Swope, Rod Levitt (tb); Gene Quill, Phil Woods (as), Al Cohn, Zoot Sims (ts), Sol Schlinger (bar); Bill Evans (p), Herbie Powell (g), George Duvivier (b), Charlie Persip (d). Sparkling solos, vivid section work and fiery ensembles all show off the masterly charts. And there's still more to come, because this CD also reissues a session Potts made four years later, this time of his arrangements of the score from a Broadway (and Hollywood) musical. This time the band is a little smaller but still star-studded, including as it does Clark Terry, Joe Newman, with Markowitz, Quill and Woods again on hand. More good arrangements, superbly played. This CD, packed to the limits with wonderful music is a must for big band fans.
Prana Trio The Singing Image Of Fire (Circavision CDP 883-2)
Linking contemporary jazz with ancient poetry from Persia and the Far East might seem a step too far, yet drummer Brian Adler, leader of the Prana Trio, achieves this with delicate understanding. The nature of the project demands a vocalist with perception and musical skill, and Brian finds all these qualities, and more, in Sunny Kim. Adler's music is composed not just to accompany or showcase the poetry but it is inspired by and integrates with the words and philosophical concepts that proved the basis for poets as seemingly disparate as 9th century Indian Shankarcarya and 14th century Iranian Hafiz. Brian's aims are fully met and the resulting CD is not only highly accomplished but also thought-provoking.
Peter Primamore Grancia (Blue Apples 1031)
This debut album by pianist-composer Peter Primamore is a very attractive set of original compositions that highlight Peter's considerable skills. Fluidly floating through distinctive moods, the ensemble players all acquit themselves admirably, yet this is really a showcase for Peter as both composer and pianist. Drawing inspiration from sources that are sometimes startlingly varied - the Allman Brothers, English literature, Brazilian music, matters mystical and earthy - Peter presents a rich tapestry of musical sounds all played (and recorded) impeccably. His accompanists here are too numerous to mention but all play with skill and understanding.
Paula Prophet From Me To You (Pacific Coast Jazz unnumbered)
Paula Prophet sings her own songs on this debut EP set, a precursor to a planned album. Paula has a pleasing mature vocal sound and she artfully blends jazz-tinged undercurrents into these contemporary soulful pop songs. The melodies she has composed are effective and her lyrics are intelligent and sophisticated. Paula is backed by several very good instrumentalists and the result is well worth hearing. Hopefully, it will not be too long before Paula is back with the complete album but in the meantime this introductory set should appeal to many.
Bruno Råberg Lifelines (Orbis Music OM 0508)
Based in Boston, Swedish-born bassist Bruno Råberg has established an enviable reputation throughout the USA and Europe as a first-class musician. He has played and recorded with many leading figures in jazz and has also made six CDs as leader of his own band. On this double CD, Bruno is joined by saxophonist Chris Cheek and guitarist Ben Monder, with drumming duties are shared by Ted Poor and Matt Wilson. Here, the band collectively improvises eight pieces, while the remaining fifteen titles offer an intriguing look at Bruno's talent as a composer. This is an excellent opportunity to hear a leading musician, who is also a sought-after teacher through whose work the shape of jazz to come is being fashioned.
Natalie Rae On Wings (Nat Jaz unnumbered) * Natalie Rae & George Murphy Out On A Limb (Independent unnumbered)
Singer Natalie Rae studied with Lennie Tristano back in the early 50s, working with Warne Marsh and others. In 1999, having sung for decades with small and big bands in various parts of the country, and with only a relatively small amount of recorded material to her name, Natalie decided to make On Wings in order to document her skills and experience. Those qualities are in evidence from the outset and she delivers memorable performances of several fine songs. Her mature voice is sinewy and flexible, and she sings with a warmth and maturity that allows her to extract from the lyrics profound depths of emotion. Allied with Natalie on this CD are several fine musicians, and special note must be made of saxophonist Jimmy Halperin, another student of Tristano all those many years ago. In 2001 came the second of these CDs, this one teaming Natalie with singer-guitarist George Murphy in an attractive set of mainly standards that are treated with great skill and engaging wit. These CDs might well be hard to track down but the pleasures they bring will amply repay the effort made.
Michel Reis Point Of No Return (Armored ARCD 8011)
On this thoroughly interesting album, pianist-composer Michel Reis develops a lyrical picture through several individual pieces that are separately delightful yet taken together form a suite of music that displays not only his composing skills but also the improvisational ability of the individual musicians hereon. These include bassist Tal Gamlieli and drummer Adam Cruz, while the guest horns are Vivek Patel, flügelhorn, and Aaron Kruziki, soprano saxophone. This is a fine example of intense, compelling contemporary music that benefits from repeated listening as layer upon layer of Michel's inventiveness is revealed.
Del Rey X-Rey Guitar (Hobemian 005)
Whether alone, or in duo, or with a band; whether singing, or playing guitar, or a whole range of other 'picking' instruments, Del Rey possesses a rare and powerful talent. She has an enthusiastic following, mostly in the Pacific Northwest, and this audience must surely grow as her travels to other parts of the USA and overseas alert jazz and blues fans to her rich talent. Del's repertoire ranges from blues songs, by the likes of Georgia Tom and Memphis Minnie, to original songs, included amongst which is her tribute to the aforementioned lady of the blues. These originals demonstrate Del's skill at writing deftly witty and meaningful lyrics that both reflect and add a contemporary slant to the great tradition of the blues.
Hanna Richardson Something To Remember You By (La-La Records LL 5601) * Things Are Looking Up (La-La Records LL 5602) * Simply ... With Spirit (Arbors Jazz ARCD 19301)
On the first of these CDs, Hanna Richardson presents a thoughtful take on some delightful songs. This CD is a tribute to Maxine Sullivan, a singer whose treatment of songs was always respectfully understated and is reflected in Hanna's work. Hanna is accompanied here by her musical partner, bassist Phil Flanigan, and others on hand include Keith Ingham, Chris Flory, Steve Little, Allan Vaché and Ken Peplowski. Relaxed, unpretentious, well performed, and thoroughly captivating, this is very rewarding set for anyone who loves to hear good songs well sung. The next CD is a very pleasing set on which Hanna explores yet more un-hackneyed examples of the songwriters' art. This time, the accompaniment again features Hanna's husband, Phil, along with John Doughton, Chris Flory and Bob Sneider. The third set marks the departure of Hanna and Phil from their own label to that operated by Mat and Rachel Domber. The band this time is similar to that on Things Are Looking Up; the difference being Johnny Frigo's violin in place of John Doughton's reeds. Three very attractive CDs, then, from a very good singer.
Carol Robbins Jazz Play (JCTS 105)
The harp has a mixed but interesting history in jazz and Carol Robbins adds ably to that rather short list of practitioners who have made the instrument work in the genre. Joined by Larry Koonse, Derek Oles and Tim Pleasant, with guest horns Steve Hufstetter and Bob Sheppard, Carol delivers some attractive and interesting interpretations of music by Bobby Troup, Antonio Carlos Jobim, John Lewis, Luis Bonfá, Johnny Mandel and Jerome Kern, as well as seven of her own compositions. Carol's playing is relaxed and melodic and the set is very easy on the ear.
Sherri Roberts The Sky Could Send You (Blue House/Pacific Coast 70001)
Sherri Roberts is a pleasing Bay Area singer with a wide-ranging repertoire and on this, her third CD, she is backed by a fine group of jazz instrumentalists. Principal of these is Harvie S (formerly Harvie Swartz), who was also on Sherri's two previous albums. Others in the band are David Udolf, John Hart and Vince Cherico as well as guest soloists Lew Soloff, Phil Woods and Tim Collins. There is a Latin feel to some tracks aided by subtle percussionists. Well worth looking out for - either on this CD or, if you too are a Bay-area resident, catching live.
Tad Robinson A New Point Of View (Severn CD 0040)
Smooth soul-blues singer Tad Robinson has been attracting respectful attention over the past few years and this CD shows why. There are sophisticated takes on songs some of which are new while others are familiar but by no means over-exposed. Attractive charts and quality playing from the core band of Kevin Anker, Alex Schultz, Steve Gomes, Robb Stupka and Victor Williams. On some tracks a large ensemble makes an appearance, scored by Willie Henderson or David Finnell. Pleasing music, well played and sung.
Bob Rodriguez Corridor (CreOp Muse 011)
An aura of contemplative calm enshrouds this fine trio set by pianist Bob Rodriguez. Accompanied by bassist Mike Richmond and drummer Eliot Zigmund, Bob develops ruminative improvisations on his own original themes, 'Corridor', 'Inside', 'It's Not The Dark' and 'Within The Line', as well as studied variations on music by Duke Ellington, John Coltrane, Fritz Kreisler and Richard Rodgers. All eight tracks are lengthy, allowing Bob space to develop ideas rooted in his wide-ranging understanding of jazz piano. A very attractive relaxed set.
Louise Rogers & Rick Strong Bass-ically Speaking (Rilo Records unnumbered)
Fluid singing and playing mark out this duo set by husband and wife team, Louise Rogers and Rick Strong. She sings, he plays bass and they blend with seamless authority in this attractive selection of songs. Both Louise and Rick bring vast experience to their performances and a clear love for their work is evident in the enjoyment they transmit to the listener. Both are active in education and it is good to know that the next generation is learning from musicians of this calibre.
Erienne Romaine The Scenic Route (Synergy Music SMCD 80031-2)
Although mostly from studio sessions, some tracks were recorded live at a club date on Erienne Romaine's 14th birthday, something that is hard to believe given the maturity of sound and interpretation displayed here. Accompanied by a fine band of Denver-based musicians, Erienne gives eloquent performances of some attractive songs, including 'Lush Life', 'Agua De Beber' and 'Bye Bye Blackbird' and others that are less well known and good to hear. Included among these are three originals by Erienne, 'The Nothing That We Are', 'Weapon Of Choice' and 'Serenade Me', which demonstrate that her gifts extend beyond singing. Certainly a talent to watch, but ... Shortly after this birthday, Erienne was stricken with a brain haemorrhage, a result of hitherto undiagnosed arteriovenous malformation. Happily, Erienne recovered and in October 2006 appeared again in concert, which was recorded and released as Victory Concert. Part of the proceeds from sales of this album help pay for Erienne's care and part goes to the Colorado Conservatory for the Jazz Arts.
To buy either of these CDs, go direct to http://www.ErienneRomaine.com where you can also see details of this young singer's present work.
Jim Rotondi Destination Up! (Sharp Nine Records CD 1022-2)
A post-bop trumpet star, Jim Rotondi's reputation is still further enhanced by this imaginative set. Joined by the gifted vibraphonist Joe Locke and trombonist Steve Davis, all splendidly backed by the rhythm section of Mulgrew Miller, Peter Washington and Joe Farnsworth, Rotondi's playing crackles with fiery virtuosity. On this album are some of his own compositions, all of them gleaming examples of another facet of his remarkable talent. Clearly, Jim is a musician with limitless invention, skill and verve.
Ellen Rowe Wishing Well (PKO Records 054)
Ellen Rowe is a fine pianist and composer playing in what might be termed the post-bop mainstream. Lyrical music, superbly played, and appealing to heart and mind alike. The members of Ellen's quartet are Andrew Bishop, saxophones, Kurt Krahnke, bass, and Pete Siers, drums. All three have their solo moments, especially Andrew, and like their leader, all play with skill and imagination. Adding to the proceedings are guests Andy Haefner, tenor saxophone, on ''For Donald', and Ingrid Jensen, flügelhorn, on 'For That Which Was Living, Lost' and 'Longing'. All of this is lovely music, very well played and this album should appeal to many
Jimmy Rushing His Complete Vanguard Recordings (Vanguard 662093) * Rushing Lullabies (Columbia Legacy CK 65118) * Every Day I Have The Blues (Impulse! 314 547 967 2)
All three of these CDs come from the period when Jimmy Rushing recorded with some of the best blues and mainstream players around. He is backed on the Vanguard double by instrumental soloists who include Emmett Berry, Clark Terry, Doc Cheatham, Buck Clayton, Vic Dickenson, Dicky Wells, Lawrence Brown, Earle Warren, Buddy Tate, Pete Johnson, Sir Charles Thompson and Sam Price. Also on hand are his old Count Basie stablemates, Freddie Green, Walter Page and Jo Jones. The songs are a mixture of Basie staples and those that were to become Jimmy's standbys in his late years, among which are 'Goin' To Chicago', 'Every Day I Have The Blues' and 'Exactly Like You'.
Rushing Lullabies is also a double; one CD is the original LP of the same title, while the second started life as Little Jimmy Rushing And The Big Brass. On the former, he sings ''Deed I Do', 'Pink Champagne', and 'Russian Lullaby' (of course), among 16 selections. On the latter, Mr Five by Five is escorted by a mighty big band, with charts by Clayton, Jimmy Mundy and Nat Pierce, and solos from Tate, Clayton, Pierce, Wells, Cheatham, Urbie Green and Coleman Hawkins. The singer swings his way through 'Rosalie', 'June Night', 'Someday Sweetheart' and 'I'm Coming Virginia', among eight sparkling performances.
The song selection on the Impulse! set varies the mixture somewhat with songs like 'Keep The Faith, Baby' and 'Evil Blues' that were not regular items in his repertoire. The accompanying musicians again include stalwarts such as Terry, Wells, and Tate, alongside Kenny Burrell, Shirley Scott, and Dave Frishberg. The latter would, of course, be the instigator of Jimmy's final (and to my ears finest) studio recording, The You And Me That Used To Be.
Any one of these CDs is worth having and for anyone unfamiliar with this fine singer's work the first two will provide admirable introductions to a giant of jazz and blues singing.
Sandi Russell Incandescent (Freedom Song FSSR 1001) * Sweet Thunder (33 Jazz 165)
Resident for several years in the UK, Sandi Russell is New York-born and has successfully toured her one-woman show, Render Me My Song, a history of African American women writers in words and music. On Incandescent Sandi is in excellent form. Mature and fluid in her vocal sound and interpretations, she is a commanding presence and with the backing of some fine musicians the result is an impressive experience. There are no weak tracks and the repertoire is a good mix of popular and jazz songs, with one or two lesser known but attractive items. Sandi has on board an exceptionally good rhythm section: Dave Newton, Andy Clynedert and Steve Brown.
I had the privilege of writing the liner notes for Sandi's CD, Sweet Thunder, which has among her accompanists David Murray, Guy Barker and Alan Skidmore. On this album, Sandi delivers outstanding interpretations of many fine songs, including 'The Nearness Of You', 'Send In The Clowns', 'A Night In Tunisia', 'Spring Can Really Hang You Up The Most' and her own 'Given Time' and 'Feet On The Ground', both written in collaboration with Dave Newton. The following is a brief extract from my notes:
Sandi is exceptional because she is a mature, worldly woman with ample experience of music and of life. She knows what to sing, how to sing the songs she chooses, and who to have by her side as she does it.
Sandi’s repertoire is exemplary, blending the familiar with the forgotten, the overlooked with the overused (which she recreates in vibrant fashion), and adding in an occasional example of her own lyric-writing skills. As for her accompanists, they are all outstanding exponents of their art. Collectively, singer and instrumentalists, allied to an excellent repertoire, present a remarkable album that is worth having in every delightful detail.
Mature and confident, Sandi’s vocal sound allows her to bring to her material musical and textual undercurrents that make her interpretations more than merely entertaining songs – although they are certainly that. These performances, rich in musical knowledge and lyrical subtexts, are a joy to hear and will linger for a long, long time when the ephemera that abounds today has been forgotten.
Jackie Ryan Passion Flower (Open Art OA 07272) * You And The Night And The Music (Open Art OA 07292)
A vivid singer with a rich contralto voice, Jackie Ryan displays a sense of warm maturity in her choice of songs and the approach she takes to them. Jackie delivers her interpretations with fine diction, excellent phrasing, an unfettered sense of swing, all of which is rounded out by an effective un-frilled performing style. Jackie is of Mexican and Irish-American parentage and incorporates into her repertoire some attractive Latin songs. Her accompanists on the first of these albums, from 2002, include Larry Vuckovich, Jeff Chambers and Eddie Marshall, along with guest horns Allen Smith and Noel Jewkes. The second CD comes from 2006 and features guests Red Holloway and Carol Robbins, and the rhythm team of Tamir Hendelman, Larry Koonse, Christoph Luty and Jeff Hamilton. Mostly, Jackie's songs are from the Great American Song Book, and they are sung with graceful flair and thorough understanding of the lyrics. This is an exceptionally good singer (who can also be heard on a Wayne Wallace CD mentioned below) and one whom you should waste no time in hearing.
Spider Saloff Sextet (Kopaestehtics 2936-6013-2)
A strikingly gifted jazz singer, Spider Saloff also has a commendable flair for ballads. On this admirable set, she swings through a very attractive selection of songs ably backed by the rhythm section of John Collianni, Ray Drummond and Klaus Suonsaari. Also on hand with some fine solos are guests Tom Harrell and Nick Brignola, while Bobby Sanabria adds some colourful percussion touches. Spider's approach to her work demonstrates her understanding of the genre and material, while her musical integrity is displayed through the care and intelligence with which she performs. Based in Chicago, Spider is a singer you should take the time and trouble to seek out. You will certainly not be disappointed.
Saltman Knowles Return Of The Composer (Pacific Coast Jazz PJ 74100)
This very attractive contemporary jazz set presents the work of Washington DC-based composers Mark Saltman, who plays bass, and William Knowles, piano. The compositions are very good, with both men displaying a marked liking for and ability with the melodic aspects of music. Whether lively mid-tempo pieces or thoughtful ballads, their work is always appealing. The two co-leaders are joined by Lori Williams-Chisholm, who uses her voice instrumentally both as a front-line and an ensemble instrument; and drummer Jimmy 'Junebug' Jackson, whose playing throughout is subtly supportive. Guest horns are Robert Landham and Alvin Trask. This is a fine example of all that is good in contemporary jazz.
Massimo Sammi First Day (unlabelled unnumbered)
Guitarist Massimo Sammi's inspiration for the music he composed for this debut CD is the film, A Beautiful Mind. The film explores the troubled life of mathematician John Forbes Nash and as might be expected there is a measure of abstraction, a detached other-worldliness, that takes the listener on a journey that is always interesting and often revealing. Massimo is accompanied here by like-minded musical explorers, George Garzone, John Lockwood, Yoron Israel and Dominique Eade. Massimo and his thoughtful and inventive musical companions are able to make readily accessible the necessarily intellectual demands on the listener.
Michelle Samuels Across A Crowded Room (unlabelled unnumbered)
Although still young, singer Michelle Samuels has a mature sound and her approach to the material, mainly standards, displays good taste and intelligence. She is accompanied here by Adam Asarnow, Steve La Spina, Paul Meyers and Rich De Rosa. This is Michelle's debut CD and with it she stakes a claim to future recognition. The presence of singer Anne Phillips as producer has ensured a polished glow to what must surely be only the first of many CDs from this singer.
Jody Sandhaus A Fine Spring Morning (Consolidated Artists Productions CAP 981)
Jody Sandhaus enjoys a secure reputation among the discerning fans of quality jazz singing. Backed by the solidly swinging trio of Pete Malinverni, Todd Coolman and Leroy Williams, Jody presents an interesting repertoire that mixes well-known standards with some less well known gems from leading composers. This fine singer richly deserves the attention of a far wider audience than has so far been the case and this CD is an ideal way to do this. Jody is also an acclaimed teacher, something that is encouraging to those who love jazz singing. Those of you who have encountered Jody before now will need no further urging to add this to your collection.
Phil Sargent A New Day (Sargent Jazz unnumbered)
Already known as a fine jazz guitarist, here Phil Sargent broadens his appeal into world music with a lyrical album that showcases not only his playing but also his considerable gifts as a composer. Phil is joined here by Greg Loughman and Mike Connors, who subtly enhance the proceedings and the three instrumentalists are clearly thoroughly attuned to one another. Additionally and importantly, vocalist Aubrey Johnson contributes flowing crystalline lines that ably complement the leader's playing. Also, there are guest appearances (one one track each) by pianists John Funkhouser and Brian Friedland. The resulting sophisticated and fluid music should appeal to many.
Adam Schroeder A Handful Of Stars (Capri 74103-2)
This is baritone saxophonist Adam Schroeder's debut as leader although he is well known nationally thanks in part to an ongoing musical relationship with Clark Terry. The other three members of Adam's quartet are Graham Dechter, John Clayton and Jeff Hamilton. All these musicians have effective solos while never losing sight of the fact that they are here to showcase and support the leader whose melodic, flowing lines are a real delight. First rate musicianship then, making this an album to savour and one to return to often.
Gene Segal Hypnotic (Innova 726)
The durability of the electric organ trio is immediately apparent from this debut album by Russian-born, New York-based guitarist Gene Segal. Although the concept harks back to an earlier time in jazz, the manner in which Gene approaches the music is very much of today. Gene's guitar is ably aided by the organ of Sam Barsh and the drums of Matt Kane. Also on hand on some tracks to vary the ensemble sound and deliver fine solos are trumpeter Jonathan Powell, and saxophonists Mike Sim and Bryan Beninghove. The solid groove of past organ trios is consistently apparent while the tightness of the larger groups is striking.
Janet Seidel The Way You Wear Your Hat (La Brava LB 9801) * Comme Ci, Comme Ça (La Brava LB 0033) * Doris & Me (La Brava LB 0038) * Don't Smoke In Bed (La Brava LB 0050) * Hooray For Christmas (La Brava LB 0065) * Delovely (La Brava LB 0070) * Moon Of Manakoora (La Brava LB 0068)
The first of these CDs by Australian singer Janet Seidel is a double, a studio recording and a live concert - the latter recorded at the Art Gallery of South Australia during an exhibition of all things French. The second CD takes the French connection several steps further as Janet deftly shapes her selection of songs into jazz works without ever losing any of their original intrinsically Gallic flavour. Her accompanists include her brother, David Seidel, who, in addition to playing bass, is co-owner with Janet of this record company. Over the years, Janet has widely and happily paid tribute to Doris Day and Peggy Lee and this is acknowledged here on the third and fourth CDs. Far too original and honest to fall into the trap of copying, Janet draws on repertoire rather than vocal sound, although here and there are astute hints of stylistic awareness. It is a measure of Janet's skill, sincerity and admiration that during her performance it is to her own interpretations of these wonderful songs that all attention is drawn.
As for the 2004 release of Christmas songs, do not be misled into thinking that this is a CD for playing only during the holiday season. By no means is this so; you will find yourself playing it whatever the time of year. Janet is without question, a singer for all seasons. Janet's next release finds her in concert at The Woodfire, a popular Sydney venue. Recorded without overdubs and unedited, apart from taking out some of the inter-tune talk, this set has Janet accompanying herself at the piano with David on bass and Chuck Morgan on guitar. All the music hereon is by Cole Porter, with which it is clear that Janet has a real affinity. On Moon Of Manakoora Janet is accompanied by David and Chuck, the guitarist here being featured on ukulele, an instrument on which his skill is startling. Chuck helps provide Janet with an exhilarating backing for some fine vocals on an attractive selection of songs that include 'When Lights Are Low', 'Twilight Time', 'Delicado', 'Don't Be That Way', 'Deep Purple', 'April In Portugal' and, of course, the title song of the album.
Throughout all of these CDs, Janet is backed by instrumentalists who collectively and individually vividly demonstrate the great jazz strengths that lie in Australia. Increasingly in recent years, Janet has played outside Australia and the Far East; hence her audience in the UK and the USA is growing as is deserved by a singer with her talent.
Jim Self Inner Play (Basset Hound Music BHR 109-2)
Jim Self plays tuba with skill and swing and originality in concept and phrasing. Here accompanied by strings, Jim has produced an attractive album that will undoubtedly surprise many. Jim has chosen some good songs, including pieces by jazzmen Herbie Hancock, Clare Fischer and Horace Silver alongside standards by Isham Jones and George Gershwin. Also on hand are guest soloists who include Pete Christlieb, Gary Foster and Dan Higgins. In addition to the tuba, on some tracks Jim also plays the 'fluba' a combination of flügelhorn and tuba. This CD is one that might well introduce you to a new name, although Jim has been around for quite some while and has earned a secure reputation among his jazz world peers. This CD tells you why.
Vince Seneri Street Talk (SenFul SF 002)
One of the new generation of Hammond B3 players, and one very much in touch with the Jimmy Smith roots of the form, Vince Seneri presents a vibrant and exhilarating set. The core band includes Bob DeVos, Buddy Williams and Gary Fritz. while guest horns are Dave Valentin, David 'Fathead' Newman and Houston Person. Everything goes with a fluid swing and drive that allows everyone in the band to show their special skills. One track, 'Steamrollin'', is one of Vince's compositions, a tribute to Jimmy Smith, and has that laid-back groove of which the dedicatee was a master. Good, attractive music making.
Sara Serpa Mobile (Inner Circle INCM 022)
Most unusually, Sara Serpa has taken literary sources as the inspiration for the songs she has composed for this intellectually stimulating album. From writers ranging widely from Steinbeck to Herodotus, Melville to Homer, Naipaul to Cummings, Sara has selected passages that touch upon travel, both physical and emotional. Her clear, unforced vocal sound is used often wordlessly and in so doing she poetically touches the essence of the originally prose. Perhaps familiarity with the original material will add texture to the listener's appreciation, but this is certainly thought-provoking music.
Benny Sharoni Eternal Elixir (Papaya unnumbered)
This is tenor saxophonist Benny Sharoni's debut album and through this he makes clear that he is a very welcome addition to the jazz scene. For this set, Benny is joined by Barry Ries, Joe Barbato, Kyle Aho, Mike Mele, Todd Baker and Steve Langone. Benny's choice of music here shows him to be an eclectic musician who seeks and finds attractive concepts from various genres, blending them into a lyrical whole. This is very good contemporary music that should appeal to many. Benny is also a good composer, offering four of his works here while other pieces are drawn from writers such as Donald Byrd. Benny's playing is in the post-bop mainstream with occasional Latin touches, and it is all very well worth hearing.
Ian Shaw Soho Stories (Milestone MCD 9316 2) * Drawn To All Things (Linn AKD 276)
Here, the strikingly gifted singer, Ian Shaw, applies his wide ranging vocal sound to a delightfully varied selection of songs. On the first of these CDs, Ian makes clear why he is so highly regarded by today's jazz audience. The reason for this acclaim swiftly becomes apparent when listening to the manner in which he treats the songs he sings. More than most of his peers in the crowded world of the jazz singer, Ian is an immensely talented musician who just happens to be a singer. The instrumentalists gathered for this session, which was recorded in New York City, include James Pearson , Eric Alexander, Bob Kindred, Lew Soloff and Cedar Walton. Everywhere on this wholly admirable CD the reason for the acclaim Ian garners from fans and fellow musicians is immediately apparent: Class tells.
The second eagerly awaited CD finds Ian in splendid form and vividly demonstrating his lively sense of adventure by drawing his repertoire from songs not usually associated with jazz. The subtitle of this set is The Songs Of Joni Mitchell and Ian declares his admiration for this artist through his fluent exploration of a singer-songwriter of exceptional talent. On this enjoyable set are many moments of sublime singing and it is clear with every song that this is a major singer at the very top of his game. Fans of Ian will need no urging to buy this CD; those who are unfamiliar with his work or who have yet to pay him the attention he deserves paid should take immediate steps to rectify this omission.
George Shearing Live At Birdland 1952 (Baldwin Street Music BJG 503)
Recorded off air by the legendary Boris Rose, the tracks on this CD include George Shearing's 'Lullaby Of Birdland' heard here on a broadcast just a couple of days after the recording of the tune that was to make George internationally famous and it is apt that it should be heard here at the club for which it is named. There are excerpts here from three different broadcasts and for good measure an already packed CD includes a couple of studio tracks. On most tracks the quintet is rounded out by Joe Roland, Dick Garcia, Al McKibbon and Marquis Foster. Icing on an already tasty cake comes when the woefully neglected Teddi King sings on four tracks.
Marcus Shelby Jazz Orchestra Harriet Tubman (Noir Records NR 51) * Soul Of The Movement (Porto Franco Records)
The first of these is an exceptionally good album paying tribute to a major figures in the black experience in America. Here, composer Marcus Shelby traces the story of Harriet Tubman who was born into slavery, escaped and then aided others in their bid for freedom. She survived to become an early campaigner for what would eventually be labeled Civil Rights. The music sparkles with the power and determination of the woman it portrays. The playing is exceptionally good, whether in ensemble or the fiery solos that abound. There are several singers on hand, for this work is an oratorio, with the central role performed by Faye Carol whose world-weary voice beautifully captures the essence of a remarkable woman. This is a very good CD if regarded only as a big band album. Drawing in the other elements, especially its contemporary view of a noble historic figure, it is outstanding.
And in some ways even better is the 2010 release, Soul Of The Movement, a suite of music Marcus Shelby has subtitled 'Meditations on Dr Martin Luther King Jr.' A similar assembly of fine instrumentalists and singers presents the music, which includes some original pieces by Marcus interwoven with his distinctive arrangements of appropriate examples of traditional black music. much of it from the church. All the pieces hereon reflect upon the problems that Dr King faced and fought against. The writing is really very good indeed, the playing by Marcus's big band is exemplary. In this work the singers are not to the fore in quite the same way as in Harriet Tubman, which was an oratorio, but are subtly integrated into the whole as are the solo instrumentalists. The ensemble passages are played with controlled power, solos are vivid, and overall there is a prevailing sense of passion and commitment that mirrors the man this music portrays. Exceptional music that will remain with you for a very long time.
Daryl Sherman Born To Swing (Audiophile ACD 316) * Jubilee (Arbors Records ARCD 19224) * A Hundred Million Miracles (Arbors Records ARCD 19279) * Guess Who's In Town! (Arbors Records ARCD 19341) * New O'leans (Audiophile ACD 321) * Johnny Mercer: A Centennial Tribute (Arbors Records ARCD 19388)
Smooth, eloquent, sparkling and always living up to the title of the first of these CDs, singer-pianist Daryl Sherman displays why she is so popular, especially with New York audiences where she is resident. Thanks to concert, club and festival appearances, Daryl is also well known in the UK and other countries. On Born To Swing, she appears with a swinging small band led by James Chirillo that includes Ed Polcer, Jim Sheridan, Joe Ascione and special guest Kenny Davern. On Jubilee, Daryl teams up with stride piano master Dave McKenna for a marvellous selection of songs from shows, movies and the Great American Song Book. Joe Cohn, Frank Tate and Terry Clarke lend a rhythmic hand.
The third listed CD, A Hundred Million Miracles, is a tribute to the melodic music of Richard Rodgers and the result is a fine selection of songs that has Daryl performing exemplary interpretations of lyrics by witty Lorenz Hart and romantic Oscar Hammerstein. To the core rhythm section work of Chirillo, Cohn and Boots Malleson are added the guest horns of Houston Person and Ruby Braff, while on two songs Daryl is joined by fellow singer-pianist, the inimitable Bob Dorough. Daryl's voice, light, sweet and true, is a real treasure; added to which is a seemingly effortless swing that marks all of her work. On the fourth CD Daryl's companions are Jon Wheatley and Dave Green, with guests Harry Allen, Vince Giordano and Jay Leonhart, all of whom perform with distinction. The result is a release that should not be missed by anyone who loves good songs beautifully played and sung by a true artist. The fifth C, was inspired by Daryl's concern at the disaster that befell the city of New Orleans when Hurricane Katrina struck. The ensuing distress might not seem like something to sing about, but Daryl finds lyrics that are appropriate and often moving and she paints a haunting picture of a city that has given so much to the world and now needs much in return.
Then comes Daryl's tribute to the master of colloquial American lyrics, Johnny Mercer. The song selection is excellent, mingling expected classics with unexpected forgotten gems. Mercer's linguistic gifts are displayed as is his throwaway comedic touch and his unsentimental romanticism. Daryl is accompanied, collectively, by Wycliffe Gordon, Jerry Dodgion, Howard Alden, Jay Leonhart and Chuck Redd. The instrumental solos that pepper the songs are never less than very good indeed and often sublime. There are also two guest pianists: Barbara Carroll accompanies Daryl's vocal on 'I Thought About You' with skill and empathy, soloing with flair and elegance; the same remark can also be made of Marian McPartland who appears, appropriately, on her own composition, 'Twilight World'. This is an especially good album, bringing out all of Daryl's musical skills and providing many moments that are moving or witty or joyful. As you might guess, this CD is very warmly recommended.
Mark Sherman The Motive Series (Consolidated Artists Productions CAP 980)
An exceptionally talented vibraphone player, Mark Sherman is also a gifted composer and improviser as is vividly demonstrated on this set on which all but two tracks are originals. Mark's fluid playing is enhanced by the rich tone he persuades from the instrument. He is very ably backed here by fellow New York musicians Allen Farnham, Phil Palombi and Tim Horner. Thoroughly contemporary yet simultaneously very accessible and swinging from start to finish, this is a real treat for fans of today's scene as well as those who sometimes think that the good times are behind us. Not when there are musicians like Mark around they're not. The appearance of Michael Brecker as guest on two tracks is icing on an already rich cake.
Art Sherrod Jr Seasons (Pacific Coast Jazz PJ 82204)
A pleasing selection of smooth themes played by alto, soprano and tenor saxophonist Al Sherrod who is fast gaining a reputation for accomplished music making. On this, his second CD, Al is joined by some talented musicians, among them Eric Valentine, who also composed several of the pieces hereon. Also here are Chuck Loeb, Frank McComb, Tracy Hamlin, Gerald Albright and Will Downing. Relaxed music that has a dancing groove and should appeal to the younger generation of smooth jazz fans.
Rebecca Shrimpton & Eric Hofbauer Madman's Moon (Creative Nation Music CNM 007)
A rich vocal sound allied to emotional intensity and an intriguingly personal approach to her material helps make Rebecca Shrimpton different from most of today's singers in and on the edges of the jazz world. Ably abetted by Eric Hofbauer, who is an equal partner and not merely an accompanist, Rebecca offers unusual takes on familiar songs, and also sings some attractive yet little heard pieces. Her two original songs demonstrate that her talent does not end with performance. On some tracks, Rebecca and Eric are joined by guest instrumentalists Allan Chase and Scott Barnum. Altogether an entertaining and interesting debut from two musicians who must surely be here to stay.
Judi Silvano & Mal Waldron Riding A Zephyr (Soul Note 121248-22)
Judi Silvano Let Yourself Go (ZoHo ZM 200412) * Women's Work Live At Sweet Rhythm NYC (JSL Records 006)
On the first of these three CDs there is a many-layered collaboration between a gifted jazz singer and a veteran jazz pianist-composer. The CD contains numerous examples of their disparate yet wholly compatible talents. All of the songs on this CD are Mal Waldron's compositions, for several of which Judi Silvano has written lyrics. The result is a rewarding, often intense, musical experience; one that will be especially valued by those with an ear for new departures in jazz that expand and enhance the repertoire. On the second CD, Judi turns to the Great American Song Book, but to these familiar popular classic songs she brings inventive wit that complements the intentions of the original composers and lyricists, among whom are numbered Irving Berlin, Harold Arlen, Harry Warren, Rodgers and Hart, the Gershwins, and Cole Porter. This is exceptional jazz singing and Judi is ably supported by a stellar cast that includes Mike Abene, Rufus Reid, Ingrid Jensen, and Dick Oatts.
The third set was prepared especially by Judi to celebrate Women's History Month. All the compositions hereon are by women, and the accompanying trio are also women. The composers include Mary Lou Williams, Sheila Jordan, Meredith D'Ambrosia, Carla Bley and Bessie Smith, as well as Judi herself. The songs, all very good indeed, are much less well known than they deserve. The trio consists of Janice Friedman, Jennifer Vincent and Allison Miller. The playing and singing here is exceptional, and as a group these four musicians blend with unforced subtlety. An exceptionally attractive album and another important milestone in Judi's career.
Carol Sloane Something Cool (Choice CHCD 71025) * Carol Sings (Audiophile ACD 211) * The Songs Carmen Sang (Concord Jazz CCD 4663) * I Never Went Away (HighNote HCD 7085) * Whisper Sweet (HighNote HCD 7113) * Dearest Duke (Arbors ARCD 19350) * We'll Meet Again (Arbors ARCD 19400)
The first of these CDs is a reissue of Carol Sloane's 1979 recording, which vividly demonstrates how good she was back then. This attractive selection of songs was recorded not long after she returned from a recording absence of 15 years. Ably backed by a first rate rhythm section: Ben Aronov, George Mraz and Joe LaBarbera, and with guest Norris Turney, Carol swings mightily, articulating with clarity and élan some devilishly difficult lyrics. The second CD, a relaxed, swinging joy, is another reissue, this one dating from 1985 and again Mraz and LaBarbera are in attendance along with the inimitable Jimmy Rowles and guests Frank Wess and Norris Turney.
The third CD dates from 1995 and the scorching opening track, on which she is joined by the fiery alto of Phil Woods, Carol makes clear that she has few rivals in the world of today's jazz singers. She is in excellent form, as is Phil, and mention must also be made of a tireless rhythm section: Bill Charlap, Michael Moore, Ron Vincent. Next of these albums, and most aptly titled, is I Never Went Away, a 2001 recording on which Carol is joined by another front rank rhythm team: Norman Simmons, Paul Bollenback, Steve La Spina and Kenny Washington, with the reeds of Bill Easley. Eloquent, persuasive, subtly swinging, Carol is in terrific form, something that she maintains on 2003's Whisper Sweet, whereon she again has Norman Simmons and Paul Bollenback, along with Paul West and Grady Tate, while guest Houston Person lends his inimitable touch on four tracks.
Next is the 2007 release, Dearest Duke, dedicated, of course, to Duke Ellington. Unusually, Carol only partners here are pianist Brad Hatfield and tenor saxophonist/clarinetist Ken Peplowski. Mostly, Carol has selected ballads, but there are a few tracks with the languid bounce that marked so many of Ellington's compositions. Everything is performed with stylish elegance; the instrumental solos, the accompaniment, and Carol's impeccable singing. On We'll Meet Again, Carol's 2009 release, the singer is again joined by Ken Peplowski, the pair being backed with great empathy by Bucky Piazzarelli and Steve LaSpina. The song selection draws upon familiar yet by no means overused items from Carol's lovely repertoire. The quality of singing and instrumental playing is so high that it would be easy to fall into superlatives. And why not? After all, Carol Sloane is one of the very finest singers of the Great American Song Book active today and we should be grateful for sharing the same time and space. Of all the many jazz singers performing today, very few have the enormous talent that Carol displays in everything that she does. Anything that bears her name is an assurance of jazz singing at its very best. She is, in a word, superb.
Carrie Smith Gospel Time (Black & Blue BB 949.2)
A reissue of Carrie Smith's glorious 1982 session in which she set down some hand-clapping, foot-stomping gems from the great repertoire of gospel music. Being Carrie, a penchant for the blues is never far away and, like her great progenitors in gospel music, she swings from start to finish. You don't need to be a believer to be caught up in the fervour of this wonderful singing. Carrie is accompanied by two other singers, Constance Speed and Clifford Jamerson, and pianist Andre Franklin and drummer Oliver Jackson, and the result is an exhilarating experience.
Daniel Smith Bebop Bassoon (Zah Zah ZZCD 9820)
A striking set of bebop classics played by classical bassoon master Daniel Smith, the music hereon including compositions by many masters of the genre. The deep and sinuous sound of the instrument, a rarity in jazz, offers a different angle on pieces such as 'All Blues, 'Anthropology', 'Up Against The Wall' and 'Blue Monk'. Daniel is supported by the rhythm section of Martin Bejerano, John Sullivan and Ludwig Alfonso. Daniel's virtuoso playing of the bassoon is challenged by the complexities of some of the pieces he plays and throughout he confidently displays his mastery not only of the instrument but also of the form. This CD is very worthy of your attention.
Ronny Smith Just Groovin' (Pacific Coast Jazz PJ 82300)
A smoothly inventive guitarist, Ronny Smith has already built a name for himself thanks in part to four previous CDs. Here, Ronny embarks on a rhythmic set that fully endorses the album title. He is ably abetted by several instrumentalists, including, collectively, Alan Alexander, Jeff Knoettner, Vernell Mincey, Scott Martin, Stan Martin and Andy Martin. Always rhythmic, Ronny's music is simultaneously melodic and in addition to his performing ability it also demonstrates his composing and arranging skills. This new CD should help expand still further his ever-widening fan base.
Stephen Smith When Lights Are Low (American Vocal Heritage 101)
Despite a lifelong interest in music it was not until the last few years that Stephen Smith's love of singing led him to make his recording debut. His voice has a welcome maturity and he interprets a selection of standards with aplomb. Accompanied by an able rhythm section and tenor saxophonist Jay Sylva, Stephen performs a very agreeable selection of standards. While this CD might possibly be hard to find, it is worth the effort.
Lisa Sokolov Presence (Laughing Horse LHR 1011)
This is Lisa Sokolov's third CD as leader and she is a very talented and uncompromising jazz singer. Although Lisa has worked extensively with instrumentalists on New York's contemporary jazz and improvised music scenes, notably William Parker, much of her repertoire is drawn from great song standards. She does, though, reconstruct them in her own distinctive manner so that they fit well with songs from contemporary pop and her own compositions. Lisa's intense and meaningful delivery of lyrics allied as it is to a clear and fluid vocal sound makes this singer one whose work is always accessible while simultaneously very much of the moment. On some tracks, Lisa accompanies herself on piano and elsewhere is joined by John DiMartino, Cameron Brown and Gerry Hemingway.
Solar Suns Of Cosmic Consciousness (Aztac AZ 001)
This is a lively and rhythmic foray into contemporary jazz and Latin music by a trio of young musicians: pianist Eli Yamin, bassist Adam Bernstein and percussionist Andy Demos. From their stylistic approach and their repertoire, it is clear that these three are fully aware of the long history of the music they play. Although most of the music is their own, they also perform one work each by Charles Mingus and Thelonious Monk, and they close the set with a Sun Ra composition. Interesting and fiery, and very well played, this is a contemporary set of always accessible music.
Chip Stephens Holding On To What Counts (Capri 7408-2)
Chip Stephens is an experienced teacher and an in-demand sideman in which role he has played notably with Arturo Sandoval as well as Tito Puente, Maynard Ferguson, Clark Terry, Ernie Krivda, Ingrid Jensen and Nelson Rangell. Here, he leads an able trio in a set that mingles his own compositions with pieces written by or associated with jazz masters such as Miles Davis, Thelonious Monk and Horace Silver. The result is an engaging and very well played demonstration of why Chip is held in such high regard by his peers. Chip's companions here are Ken Walker and Todd Reid and their contributions are apposite and swinging. Attractive music by talented players who deserve widespread attention.
Bob Stewart I Concentrate On You (VWC Records CDVD 4114) * Did I Remember (VWC Records VWCD 4110)
Singer Bob Stewart was noted for his fine work half a century ago but rock 'n' roll came along and Bob chose another life - captaining a charter boat. In the 1990s he was heard singing for fun in and around New York and New Jersey and found himself in demand. On the first of these CDs the music is drawn from two sessions, recorded in 2002 and 2004, on which Bob is backed by some very fine instrumentalists: Sir Roland Hanna, Jay Leonhart, Ronnie Zito, Gary Keller, Hank Jones, Chip Jackson and Glenn Drewes. Bob and his accompanists find new touches to standards, effectively refreshing these familiar musical moments. This CD is accompanied by a DVD of Bob in concert, first with a trio led by Tedd Firth, and then with a big band directed by Virgil Scott. The second CD is assembled from four sessions, one with the Hollywood Sound Stage Orchestra, one with Angelo DiPippo and the Orion Strings, one with a quartet featuring Frank Wess, Hank Jones, Michael Moore and Mel Lewis, along with the Perricone Strings, and a couple of tracks setting Bob against the backdrop of the mighty Mel Lewis Jazz Orchestra. Together, these two CDs and DVD offer compelling evidence that Bob has considerable vocal skills and stage presence and that his years as a sailor have not diminished his vocal skills.
Joan Stiles Love Call (ZoHo ZM200405)
A very pleasing mainstream session by Joan Stiles, a very good New York-based pianist. Ranging through solo tracks, trio and all the way up to a nonet, Joan offers a distinctive take on some well-known pieces from the Duke Ellington repertoire as well as some standards. Her solo playing is rich and evocative and on the trio sides she is ably supported by John Webber and Gregory Hutchinson. The list of guests making up the larger groups reads like an all-star band call: Clark Terry, Frank Wess, Jerry Dodgion, Benny Powell, Warren Vaché, Wayne Goodman and Joe Temperley. Whether in ensemble or soloing, all these veterans offer much to delight those who enjoy relaxed, loosely swinging mainstream music.
Harri Stojka A Tribute To Gypsy Swing (ZoHo ZM200609)
This satisfying set by Austrian gypsy guitarist Harri Stojka can be set amidst the front runners in the specialist field of those who perpetuate the airily swinging music of Django Reinhardt. Harri's playing is deft and fleet; his single note lines are dramatic and swing fluently. Harri is backed superbly by rhythm guitar, bass and drums along with guest violinist Eva Berky. Tracks include 'J'Attendrai', 'Sweet Sue' and Reinhardt's own 'Nuages' and 'Nuits De Saint-Germaine-Des-Pres'. There are also introspective explorations of Sidney Bechet's 'Petite Fleur' and Harri's own 'Song For My Daddy', a moving piece written for the guitarist's ailing parent. Exceptionally attractive music, played to perfection by this fine guitarist.
Rick Stone Fractals (Jazzand JCD 005)
New York-based guitarist Rick Stone delivers an attractive set that effectively mixes some standards with a selection of his own compositions. Stylistically, Rick takes elements of post bop, allies them with contemporary jazz, and occasional Latin spice, and flavours all with his own distinctive touch. Rick is accompanied here by Marco Panascia, whose bass is strong and propulsive, and Tom Pollard, a crisply driving drummer. Although Rick's career as a music teacher has been interspersed with appearances with his city's Jazzmobile, many will have missed this artist. This CD will fill that gap and should appeal to all who like fine jazz guitar playing.
Colin Stranahan-Glenn Zaleski-Rick Rosato Anticipation (Capri 74112-2)
Playing drums, piano and bass respectively, these three musicians state that their group is leaderless. That should not be taken to suggest any lack of direction or purpose. Far from it, each of the members of the group have direction and purpose, along with innovative ideas, instrumental skill and commitment to playing exciting music with verve and enthusiasm. All three members of the band are composers, between them contributing six of the nine tracks. Individually and collectively, there is much here that will appeal to those who love to hear contemporary jazz and improvised music. The album is also one that should find satisfied listeners among those who enjoy hearing many of the values of the heart of jazz retouched for the present day. The latter especially should also take a look at the next CD listed here, on which Colin and Glenn team up with teacher and (literally) father figure, Jim Stranahan.
Jim Stranahan Free For All (Tapestry 76015-2)
Playing alto and soprano saxophones, Jim Stranahan makes his recording debut as leader after several decades spent mainly as a music teacher. All the music on this very good CD comes from Jim's pen and display his wide-ranging musical interests. Several of the pieces are couched in fluid post-bop style that allows great scope for the soloists, who include Brian Chahley, Glenn Zaleski and Lucas Pino. Other styles touched upon as a base for some interesting ensembles and numerous potent solos by Jim and his sidemen are Latin and funk and all are coated in a thorough understanding of the jazz world that has gone before. It is well worth noting that Jim's son, Colin Stranahan, plays drums, driving and lifting the band with considerable verve and skill.
Dave Stryker/Steve Slagle Live At The Jazz Standard (ZoHo ZM200509) * Dave Stryker The Chaser (Mel Bay MB 10212) * Dave Stryker/Steve Slagle Latest Outlook (ZoHo ZM200703)
Guitarist Dave Stryker and alto/soprano saxophonist Steve Slagle have worked together many times in the past two decades. Separately and together they have made more than 30 CDs. The first of these three CDs is a recent collaboration and is a fine example of their work that was recorded over two nights at one of New York's leading jazz clubs, the first time they have recorded together live. Fiery and exhilarating, this is testimony to their deep understanding of their music and of one another. It isn't all sturm und drang, though; there are also sensitive ballads, including the one non-original, George Gershwin's 'I Loves You, Porgy'. Joined by Ed Howard and Victor Lewis, Dave and Steve perform a set that consists mainly of originals that display their musical inspiration in the full range of jazz, from the blues to bebop. The second CD finds Dave in the company of organist Jared Gold and drummer Tony Reedus delivering a striking set that reflects in a contemporary mirror the kind of thing Dave was doing in the time he spent with organist Brother Jack McDuff. Here this working band, regulars at many New Jersey jazz spots, swing through a set of originals that vividly demonstrate their individual and collective skills. Whether exploring tender ballads or burning through uptempo swingers, this CD, like the first, is a fine example of today's music from some of the leading musicians of the genre.
On the third CD Dave and Steve join forces with Jay Anderson and veteran Billy Hart. The four men have played together many times over the years and their rapport is evident from the start as they take a seasoned look at some exceptional themes, including Charles Mingus's 'Self-Portrait In Three Colors' as well as three originals each by Dave and Steve and one on which they collaborated. This is fluid, thought-provoking music for today. On two tracks, 'Bird Flew' and 'Dear Mr. Hicks', the quartet is joined by tenor saxophonist Joe Lovano.
Maxine Sullivan The 1950's - Swinging Miss Loch Lomond (Baldwin Street Music BJH 314)
Elegance and poise are words that come to mind when hearing the seemingly effortless singing of Maxine Sullivan. Included on this attractive set are all of the tracks recorded by Maxine for a folksy LP back in the early 1950s, together with many other tracks, some of which reflect this aspect of her work - an aspect that helped make her name back in the late 1930s. As is swiftly apparent, Maxine's voice 20 years later had lost none of its charm; indeed, it never did and she retained to the end an air of seductive timelessness. On this CD Maxine is accompanied by a variety of bands, big and small, and all showcasing her very special charm.
Tierney Sutton Blue In Green (Telarc CD 835422) * Something Cool (Telarc CD 83548)
For many years singer Tierney Sutton has worked with the same rhythm section: Christian Jacob, Trey Henry and Ray Brinker. The advantages of this regular relationship is apparent in the manner in which they co-exist within their musical frame. Sharing arranging credits and solo spots, it is self-evident that, although Tierney's is the name above the title, they are a group and not a singer with a backing trio. Tierney has a light, tuneful voice; her phrasing and the apparently effortless swing of her work place her firmly among the very best of contemporary jazz singers. As the title suggests, Blue In Green is a tribute to the pianist Bill Evans, drawing upon music he either composed or played, while the second CD effectively blends lesser known standards, a few show tunes by Lerner and Loewe, and some songs rarely sung by jazz singers. Among the latter are Duke Ellington's 'Reflections' and Willie Nelson's 'Crazy'. Tierney interprets her material with care and integrity, finding the emotional depths of the lyrics without ever sacrificing jazz feeling.
Steve Swell's Slammin' The Infinite 5000 Poems (Not Two Records MW 827-2)
Trombonist Steve Swell's band has been together for seven years and their togetherness is clearly evident in all that they do. His companions here, in this explosion of contemporary free jazz, are Sabir Mateen, John Blum, Matthew Heyner and Klaus Kugel. All play with flair and enthusiasm, placing serious demands upon one another, all of which are met with considerable skill and disarming ease. Serious demands are also placed upon their audience because this music is not for the faint-hearted or those with closed minds. Anyone prepared to open up heart and mind to these fiery practitioners of their distinctive art will find exceptional moments to enjoy.
Martin Taylor In Concert (Milestone MCD 9306-2)
An astonishing virtuoso display of solo guitar at its very best. Recorded at the Manchester Craftsmen's Guild in Pittsburgh, this fine set finds Martin Taylor in his customary excellent form. Deftly swinging, he plays clean simple lines and complex variations with equal aplomb. Drawing inspiration from past masters of jazz as varied as Earl Hines and Clifford Brown, Martin weaves magical patterns with powerful yet understated grace. It is hard to imagine any fan of jazz guitar being without this admirable set. It is not, however, just for guitar fans; throughout this is a demonstration of jazz playing of the highest order. Whatever your taste and inclination this must surely have something for you.
Clare Teal That's The Way It Is (Candid CCD 79767) * Orsino's Songs (Candid CCD 79783) * The Road Less Travelled (Candid CCD 79794) * Don't Talk (Columbia 5186702)
Clare Teal is an exceptionally talented jazz singer whose maturity of sound, understanding of lyrics, and seemingly effortless swing in performance, all add up to a rare and lasting quality. On the first of these CDs, Clare presents a mixture of standards and lesser-known songs that allows her to range through jazz and superior popular song styling. On the second CD Clare delivers a mature, assured performance, mainly of standards, that vividly demonstrates that hers was not a passing talent. Clearly, she was the real thing, an artist to delight in, and confirmation of this, if needed, came with the third CD, released late in 2003. On this she again presents a selection of mainly standards, all performed with flair and affection.
The success of these three CDs led to Clare signing with a major label and the first result of this deal came with the release of Don't Talk. On this attractive set the jazz content was not diluted as might have been feared. Indeed, on a couple of tracks Clare is backed by a fine big band drawn from leading London session and jazz musicians. In live performances Clare displays an engaging wit and she has also appeared successfully on television and especially on radio with her own shows. The future for jazz singing, especially in the UK, is clearly very bright thanks in large part to this fine singer.
Clark Terry Porgy & Bess (Americana Music 9002)
When Gil Evans joined with Miles Davis in 1958 for a performance of George Gershwin's 'Porgy & Bess', the result was a landmark recording. Evans's arrangements and Davis's playing have withstood the years and numerous changes in jazz styles. When Jeff Lindberg, of the Chicago Jazz Orchestra, decided to revive the work he had the remarkable prescience to choose as featured soloist a trumpet master vastly different from Davis but one who possesses qualities of wit and ingenuity in abundance, and whose playing remained gorgeously lyrical even though at the time of this recording he celebrated his 83rd birthday. Clark Terry unerringly finds the richly emotional depths of the work and while as different as can be from that of Davis the result is quite outstanding. The music is timeless, the arrangements are rightly legendary, and this version does not pale beside the original. While that original will forever remain a masterpiece, it might well be that in time this performance will be recognized as one of the great achievements of Clark Terry's career. Both Terry and Davis cut to the emotional core of the music; different routes perhaps, certainly different sounds. Terry plays with a rich, burnished sound that contrasts vividly with Davis's biting, acerbic tone, but both are true to the musical conception and each has its own merits. This is a wholly admirable CD and one that casts an alternative and equally valid light on the original.
I must add that this CD and the recording company disappeared almost before anyone had a chance to buy this outstanding album. Hopefully, the tapes are still around and someone will reissue this wonderful music.
Laura Theodore What The World Needs Now Is Love (Bearcat OC 6054)
On this, her fifth CD, Laura Theodore displays her wide-ranging voice to very good effect on a nice selection of songs, most of which are standards. Forceful and dynamic, there is nothing half-hearted about this singer. She has a bold, take-charge way with a song and has a dynamic approach that never hurts the intentions of composers and lyricists. On one track she is accompanied only by bass player Chuck Bergeron, on a few others by a trio of pianist Brian Murphy, Bergeron, and drummer Lee Schwartz, but on most she has a fiery big band behind her. Led by Juliene Purefoy, the band rips into several driving charts that are designed not only to showcase but also to lift the singer and Laura responds terrifically.
Rob Thorsen Lasting Impression (Pacific Coast Jazz PJ 92342)
This well conceived and extremely well developed album presents bassist Rob Thorson heading various small groups in a selection of attractive themes. Rob plays acoustic upright bass and is clearly an accurate and swinging player. His fellow musicians include Geoff Keezer, Josh Nelson, Duncan Moore, Gilbert Castellanos and Ben Wendell. The tracks include jazz standards, popular standards and also four of Rob's originals, one of which is the final track, 'Wish On Us', an unaccompanied bass solo. Throughout this set, fine solos abound over a buoyant and propulsive rhythmic foundation. First rate musicianship throughout makes this a fine example of today's jazz that sustains the post-bop tradition with flair and understanding.
Lisa Thorson Out To Sea (Ellen Robin Music 103)
Rather than a review, here is an excerpt from my liner notes for singer Lisa Thorson's Out To Sea:
"Extraordinary talent is needed today to focus the attention of audiences jaded by an unprecedented flood of jazz singers. Lisa Thorson has this kind of talent. Brimful of energy, Lisa's busy schedule is divided between performance and teaching. The latter includes a vocal class she conducts at prestigious Berklee College of Music, which is where she first met Korean-born pianist Cho Yoon Seung. 'I quickly recognized that he was a major talent,' Lisa says, adding gratefully, 'He loves playing with vocalists.'
Lisa's realization that this was a true meeting of musical minds is amply confirmed on Out To Sea. Throughout, the combination of Lisa's fluid vocal sound and Cho's remarkable command of his instrument coats the material, mostly ballads, with the rich patina of jazz history. Choose, if you wish, to explore these musical depths; or simply sit back and revel in a selection of good songs, superbly performed by two outstanding musicians . . .
. . . Through the medium of these lovely songs, the talents of two exceptionally gifted artists are vividly displayed. Taken separately, Lisa Thorson and Cho Yoon Seung are much more than merely worthy of acclaim - brought together as they are on Out To Sea, they are magical."
Sumi Tonooka & Erica Lindsay Initiation (Artists Recording Collective ARC 2000)
These very talented musicians have played together since 1994. Pianist Sumi Tonooka and tenor saxophonist Erica Lindsay have separately composed all the music offered here and which provides an intriguing insight into their distinctive and powerful yet subtle skills. Sumi's solo playing is compounded by her striking ability as an accompanist while Erica's ideas flow with seemingly effortless grace. Both musicians display throughout a profound and intense emotional and technical rapport. This album should appeal to all with a liking for superior very accessible contemporary jazz played by skilled, committed and thoroughly engaging musicians.
Toph-E & The Pussycats Live In Detroit (M'Bubba Music 1001)
Lively and hugely entertaining, this band plays vibrant music that draws on R&B, bop and a few other linked genres along the way. The New York-based band's repertoire on this live date is mainly originals but there is also Miles Davis's 'All Blues' and Duke Ellington and Harry Carney's 'Rockin' In Rhythm'. The musicians involved are Chris Parker, Will Lee, Ralph MacDonald, Clifford Carter and David Mann. The band has been in existence since 2000 and has developed considerable rapport. This, allied to the obvious love they have for the music they play makes for an exciting and thoroughly enjoyable CD that should appeal to many.
Ike Turner Risin' With the Blues (Zoho Roots 200611)
After his 2001 comeback to centre stage, Ike Turner proved that there was a lot of life left in this old blues dog. Here, he presents a selection of blues and R&B pieces that carry enough hints of rock 'n' roll to demonstrate the ties that bind all these forms and how integrated with them all Ike has been throughout his rocky career. Listening to this exhilarating music it is hard to believe that this is a man in his seventies, or that he has subjected himself to so much damage over the years. In addition to his forceful vocals, Ike turns in some stinging guitar and hammers out some strong piano, everything making clear that he still had what it takes to live the blues.
UoU Home (Tippin' TIP 1197)
This pleasing quintet consists of three young men and two young women, all graduates of Berklee and now resident in New York. Their present home and their origins, in Japan, form the concept of this CD on which the group's original compositions reflect on the various definitions of home and the effects of living in a new land. All members of the quintet are skilled musicians: Takuji Yamada plays mainly alto saxophone and also bass clarinet, Daisuke Abe plays guitar, Yoko Komeri, piano, Kuriko Tsugawa, bass and Yoshifumi Nihonmatsu, drums. All five are credited with two compositions each. The music is fluid and contains within it elements that suggests the influence of both Japan and America.
Various Artists Classic Jazz & Swing Guitar Masters (Avid/West End AVC 94 1)
This exceptional assembly of guitarists reminds us of many past giants. Admittedly some of them need no reminder - Charlie Christian, Eddie Lang, Django Reinhardt, for example - but some have tended to slip from the mind as the years have passed. This 2-CD set is an excellent opportunity to hear again exceptional musicians such as Mary Osborne, George VanEps, George Barnes, Carl Kress, Dick McDonough, Al Casey, Tiny Grimes and Oscar Moore. Perhaps the latter should be included in the first group as his presence is regularly before us but almost always as a member of the Nat King Cole Trio. Throughout this set, which is presented in Avid's by-now-customarily excellent sound, there are fine examples of small group jazz from the late 20s to the late 50s. Anyone with even a passing interest in jazz guitar will want this album through which they can marvel at 13 musicians who clearly deserve our attention and admiration.
IMPORTANT NOTE (dated: 11 March 2009)
I reviewed the foregoing CD in the January 2009 issue of Jazz Journal and although I expressed favourable comments, I now understand that my remarks about the sound quality might be open to misinterpretation. Let me make it clear now that what I say above - about this CD being excellent in its sound quality - is unreserved and I am sorry that my comments in JJ might have led to readers forming an incorrect view of the album's undoubted merits.
Marlene VerPlanck My Impetuous Heart (DRG 8481) * What Are We Going To Do With All This Moonlight? (Audiophile ACD 304) * Speaking Of Love (Audiophile ACD 320) * It's How You Play The Game (Audiophile ACD 325) * Now! (Audiophile ACD 330) * Once There Was A Moon (Audiophile ACD 338) * One Dream At A Time (Audiophile ACD 340)
Marlene VerPlanck's albums are never less than very good indeed; often they are breathtakingly excellent. On the first of these CDs, Marlene ably demonstrates why critics and fans alike rate her as one of the finest interpreters of American popular song in the world today. Superbly backed by a fine instrumental trio led by Hank Jones and with husband Billy VerPlanck's unerring arrangements putting the final gleam on a polished presentation, this album vividly demonstrates how appropriate is Marlene's stature. The second CD finds Marlene in company with the exceptional French band, Saxomania. This is a return engagement (an earlier teaming is on Audiophile ACD 288) and once again it swings like mad. The combination of the band's fiery playing, Billy's marvellous charts, and Marlene's pure and natural voice is irresistible.
The third of these CDs brings together the best of all possible worlds. On some of the tracks, Marlene is backed by the group that accompanies her on many UK appearances, the Roy Babbington Trio. It is clear from the intuitive rapport with which they blend why she revels in this association. As always with this remarkable husband and wife team of singer and arranger, the song selection is delightful drawing melodic gems from the 1920s through to the present day. On the fourth of the CDs listed here, Marlene is accompanied by musicians from DIVA (No Man's Band), and with more of Billy's masterly charts, she sings an engrossing selection of songs. As always, there are new songs, standards, and some almost-forgotten songs from the great treasury of American popular music. Marlene is in fine voice and clearly relishes every note that she sings. There are also many well taken instrumental solos. Marlene has never made a record that was ever less than very good indeed, but even so, as I ended the liner notes I wrote for this particular CD, this is 'a superb example, perhaps the finest yet in her illustrious career, of the art of Marlene VerPlanck.'
The fifth of these CDs is Now! and once more there is a fascinating selection of songs, mostly little heard but all excellent. Admirably arranged by Billy and beautifully sung by Marlene, they form yet another object lesson in quality singing. The accompanying trio on most tracks is Tedd Firth, Steve LaSpina and Richard DeRosa, and all are in superb form. There is instrumental gilding to the album thanks to guest appearances by Jerry Bruno, Bucky Pizzarelli, Norman Simmons and Billy Taylor. Another winner from the VerPlancks. Then comes Once There Was A Moon, which has Marlene again accompanied by the trio of Tedd, Steve and Richard. Also present are the imaginative treatments Billy VerPlanck brings to his concepts for the songs. And, as always, these songs are exceptionally well-chosen, if seldom heard gems from some of the classical composers of American popular music.
Most recent is One Dream At A Time, released early in 2011. This is the first album from Marlene since the death of Billy VerPlanck. Nevertheless, his importance in the musical structure of Marlene's world is present throughout. Here again, Marlene has selected her songs with admirable care, interspersing standards with overlooked gems from the past and original material presented here for the first time. Marlene's accompanists include some mentioned above, Tedd and Steve, for example, as well as Tomoko Ohno and Ed Vodicka. As for Marlene's singing, the way in which she continues to maintain the bell-like freshness that has always marked her work suggests miracles. Indeed, a newcomer to Marlene VerPlanck's work might well expect her to be a new kid on the block. The difference, though, lies in the assured maturity of her interpretations, which are as close to perfection as it gets.
Vicious World Plays the Music of Rufus Wainwright (Spinaround SRCD 001)
This fine contemporary jazz septet features co-leaders Aaron Irwin and Matthew McDonald, with Sebastian Noelle, Thomson Kneeland,, Danny Fischer, Eliza Cho and Maria Jeffers. Unusually (and remarkably rewardingly) the group draws here upon the idiosyncratic compositions of Rufus Wainwright, finding therein considerable scope for their individual and collective talents as improvising soloists and collaborative ensemble partners. The charts, divided between Aaron and Matthew, display an ability to offer opportunities to the instrumentalists while remaining faithful to the composer's original intentions. Entertaining and very melodic music that leaves the listener wanting more.
Geoff Vidal She Likes That (Arts & Music Factory)
A fine tenor saxophonist, Geoff Vidal here makes his recording debut as leader of a sparkling quintet. With him are trumpeter Tatum Greenblatt, guitarist Joe Hundertmark, bassist Michael O'Brien and drummer Makaya McCraven, all of whom bring special qualities to the ensemble and also deliver brisk and inventive solos. The music they play here is very much the jazz of today, often hard-edged, always inventive and intriguing, and leaving audiences asking for more. Still in their early thirties, Geoff and his musical companions all display confident maturity throughout a CD that will afford considerable pleasure to those who like the front line of improvised music today.
Jerry Vivino Walkin' With The Wazmo (Zoho ZM 200607)
Well known for his regular appearances with bands on late-night television chat shows, Jerry Vivino is an accomplished tenor saxophonist who here demonstrates that he is similarly skilled on alto saxophone as well as flute. Add to this, Jerry has composed most of the tracks hereon and even sings on three songs. Among the instrumentalists accompanying him are Brian Charette, Mike Merritt, Kermit Driscoll, Shawn Pelton and James Wormworth. There is a lively sense of infectious enthusiasm for entertaining in Jerry's approach to music and throughout this set there is a strong sense that the musicians are having fun.
Roseanna Vitro Tropical Postcards (A-Records SAAL 73244)
Jazz singer Roseanna Vitro is uncompromising in her approach and ably displays her subtle skills on this very attractive selection of songs. Her vocal sound is strong with a wiry undertow that adds immeasurably to her performances. Highly musical and impressively skilled, Roseanna is always in command, swinging lithely, and improvising inventively and fluently. Deftly and excitingly, she trades ideas and harmonizes with her accompanists, who here include Don Braden, Joe Lovano and Kenny Werner. Roseanna's other albums include Passion Dance and Catchin' Some Rays (both on Telarc) and Softly (Concord Jazz). All of these were fine examples of the art of jazz singing and with Tropical Postcards Roseanna takes another step forward.
Larry Vuckovich Somethin' Special (Tetrachord Music 686)
Excellent amalgam of swinging mainstream jazz and post-bop conceptions on which pianist Larry Vuckovich ably backs saxophonists Scott Hamilton and Noel Jewkes. The horns appear sometimes alone and also play together in appealing duets. Larry has two solo tracks and on one he is with just bassist Paul Keller and drummer Chuck McPherson (both of whom are on all of the quartet and quintet tracks. Nice choice of repertoire has pieces by Tadd Dameron, Dexter Gordon, Thelonious Monk and Sonny Clark, with a couple of standards and two of Larry's originals. Good one for lovers of straightahead music played by exceptional musicians.
VW Brothers Muziek (Patois PRCD 010)
Amsterdam-born bassist and drummer Marc van Wageningen and Paul van Wageningen here step out as leaders after years as skilled sidemen. On most tracks Marc is either composer or co-composer and they display subtle, highly effective music that channels the many styles in which the brothers are expert. Guest instrumentalists include Dave K Mathews and Joe Cohen.
Bea Wain Vols. 1 & 2: You Can Depend On Me & That's How I Love The Blues (Baldwin Street Music BJH 311 & BJH 315)
A fine band singer of the 1930s, Bea Wain is also often overlooked but as these CDs ably prove, this is an entirely unjustified. Bea's way with a song is wholly distinctive and these sides, collated by producer Ted Takashi Ono, come from her years following a long spell with Larry Clinton's band. Together, these CDs (available separately) display her wide-ranging repertoire and ease at working with groups from big bands down to intimate trios, the latter including that led by Ellis Larkins.
Wayne Wallace Dedication (Patois PRCD 001) * The Reckless Search For Beauty Patois PRCD 002) * The Nature Of The Beat (Patois PRCD 006) * Infinity (Patois PRCD 007) * ¡Bien Bien! (Patois PRCD 009) * To Hear From There (Patois PRCD 012)
A fluid and melodic trombone player, Wayne Wallace presents attractive sets of jazz-tinged Latin music, some of which he has composed himself. The music is played by groups of various sizes; for example, on Infinity Wayne's Latin Jazz Quintet sparkles and they are joined on two songs by singer Jackie Ryan. On ¡Bien Bien! the same group appears to which are added guest instrumentalists Julian Priester and Dave Martell. while on From Hear To There guests are singers Kenny Washington and Bobi Céspedes and trombonists Jeff Cressman, Dave Martell and Natalie Cressman. Wayne solos throughout all of these sets with smooth yet fiery élan. Core members of his bands are Murray Low, David Belove, Paul van Wageningen and Michael Spiro. Much of the music Wayne plays has a pronounced Latin tinge, ranging through samba, bolero and cha-cha, and also heard are echoes of Africa. On the latest release, 2011's To Hear From There, the jazz element appears strongest (to these ears at least) and Wayne's powerful trombone playing is especially attractive. Altogether, this is hugely enjoyable music, played with flair and distinction and throughout the leader's jazz roots are never in question.
Rosella Washington & Tyrone Brown Rosella: A Good Place to Start (Creative Improvised Music Projects CIMP 224)
A gifted and distinctive young singer, Rosella Washington is teamed here with veteran bassist Tyrone Brown for a selection of striking duets. Her voice is rich and fluid and she has a wide vocal range which she uses with taste and skill. Ably complemented by dynamic bass playing, Rosella dances through many moods as she sings jazz classics, by Sonny Rollins and Wayne Shorter, and standards, by Jerome Kern and the Gershwin brothers.
Frank Weder Project ... Jazz (Sarasota Sunsets Jazz unnumbered)
A lithe and punchy Florida-based big band offering a selection of standards dressed in contemporary fashion. Among many soloists are leader Frank Weder, Don Scalietta, Gary Deary, Dan McMillion, Chris Clifton, Greg Nielson, Mike Gibilisco, Bobby DeAngelis and Kim Bock. The band's singer, Dee Weder, has a mature sound that fits admirably into the big band setting, Also on hand as guest is fellow big band leader and pianist-singer George W. Carroll. This is good music, well arranged and played and should appeal to many. For copies of this CD (and George Carroll's, which appears on the A-L page) you should contact George Carroll direct at Moonboy22@verizon.net.
Ezra Weiss Get Happy (Roark unnumbered) * The Shirley Horn Suite (Roark unnumbered)
Ezra Weiss is a young pianist who has earned a substantial reputation in the New York area. Ez offers a distinctive contemporary touch to familiar pieces and he is also an accomplished ASCAP award-winning composer. Accompanying Ez on the first of these sessions are, collectively, Kevin Louis, Andy Hunter, Andrae Murchison, Antonio Hart, Kelly Roberge, Corcoran Hall, Jason Brown and Billy Hart, along with singers Heidi Krenn, Samantha Grabler and Elif Caglar. Throughout, Ez is subtly supportive and powerful and imaginative in his solos. On the second CD, with only Corcoran Holt, Steve Williams and singer Shirley Nanette, Ez pays admiring tribute to one of the best and much-missed jazz artists of recent years. This is delightful music, much of it composed by Ez, all of it lovingly performed.
Walt Weiskopf Quartet Live (Capri 74109-2)
This is a strikingly good concert performance by tenor saxophonist Walt Weiskopf's quartet, the other members of which are Renee Rosnes, Paul Gill and Tony Reedus. Playing with great verve, these four outstanding instrumentalists deliver a punchy set mainly of originals by Walt. Pianist Renee is in sparkling form, delivering exceptional solos with imagination and fire. Bassist Paul provides a solid foundation for his colleagues, while drummer Tony is in scintillating form. The leader is in very good form and his solos are superbly crafted. This concert was recorded at Koger Hall, University of South Carolina, on 8 April 2008. It is sad to recall that less than a year later Tony Reedus died suddenly at the age of 49. It is fitting that his playing here is testimony to his considerable skill.
Jens Wendelboe Inspirations (Rosa CD 6)
Jens Wendelboe's Big Crazy Energy New York Band is a powerful 16-piece group that includes Bob Millikan, Steve Jankowski, Dan Levine, Charley Gordon, Michael Migliore, Mark Fineberg, Bill Heller, David Anderson and drummer Lee Finkelstein. The music includes pieces by Jens, who plays trombone and has also arranged all the music played. This is tough-edged contemporary big band music, played with skill and verve featuring many sparkling solos.
Magni Wentzel Porgy & Bess (Hot Club HCRCD 2006)
A classically trained singer, Magni Wentzel skillfully makes the shift into jazz. Earlier CDs displayed her love for jazz and the popular repertoire. Here, she concentrates on Gershwin's folk opera with a superior display of jazz singing parallel to which she also draws upon another talent: her skill as a classical (and Spanish) guitarist. She memorably accompanies herself on some of the lesser-known songs from 'Porgy & Bess' while elsewhere she is backed by a group of top-flight Scandinavian jazz instrumentalists. Overall, this is an exceptionally attractive CD.
Westchester Jazz Orchestra Maiden Voyage Suite (in-house label)
A driving contemporary big band taking on the fluid and imaginative music of Herbie Hancock, this CD should have wide appeal. This music first appeared in the mid-1960s and it comfortably stands the test of time; any adjustments are thoughtful and wholly in keeping with the composer's original intentions. Among the arrangers creating the powerful charts are Mike Holober (who is the orchestra's artistic director), Jay Brandford, Tony Kadleck and Pete McGuinness. Fine soloists abound, including Marvin Stamm, David Brandom, Jim Rotondi and Ralph Lalama. The music on this driving CD will have considerable appeal to lovers of contemporary big band music.
Wesla Whitfield September Songs (HighNote HCD 7114)
Here, Wesla Whitfield is in fine eloquent form as she explores a selection of delightful songs, among them 'I Know Why And So Do You', 'September In The Rain', 'Lost In The Stars', 'While We're Young' and 'September Song'. Accompanied by Mike Greensill's trio on most tracks, together with guests, and by Tommy Flanagan's trio on three tracks, Wesla unerringly finds the lyrical core of all these songs, making this an album that will appeal to all those who admire singers who clearly love their work, their material and who also love making music.
Carla White A Voice In The Night (Bright Moon unnumbered)
For many years Carla White was known for her extraordinary (and often very lengthy) scat improvisations. On this 2001 recording, Carla demonstrated the breadth and depth of her vocal skill, singing standards and jazz pieces. Her accompanists are Claudio Roditi, John Hart, Dean Johnson and Matt Wilson. Pleasing interpretations, performed with an intimate touch, this CD is a good way to remember a single-minded singer whose last years were dogged by serious illness.
Tommy Whittle Grace Notes (Spotlite SPJ 548)
On this recent set, veteran tenor saxophonist Tommy Whittle shows that he has lost none of his verve and skill. Accompanied by Keith Ingham, Jeff Green, Jim Richardson and Bobby Worth, Tommy delivers a masterful set of jazz and popular standards along with some originals. Relaxed and seemingly effortless in execution, this is a highly entertaining master class in jazz tenor saxophone playing. Not to be missed.
Patti Wicks Love Locked Out (MaxJazz MXJ 501) * (Jazz Mates) Basic Feeling (Jazz Guests SFR JG 00104) * Italian Sessions (Studiottanta-Fortuna SFRC-CD 021) * Room At The Top Volume One (Recycled Notes 0817-1)
Patti Wicks is a highly talented jazz pianist-singer, well known on the USA's east coast and increasingly in Europe, especially Italy. On Love Locked Out, recorded in 2003, Patti is joined by Keter Betts and Joe LaBarbera, while on Basic Feeling she was recorded in Italy in 2004 with Claudio Chiara, Giovanni Sanguineti and Giovanni Gullino. The following year brought another Italian venture, this with Gianni Basso in place of Claudio Chiara. Throughout, Patti's repertoire is forged eloquently from strikingly reinterpreted familiar songs, jazz pieces and her own compositions. The instrumental solos are exceptional and the singing exemplary throughout. The fourth CD is a welcome reissue of Patti's debut album (not sure of the date), which finds her teamed with Florida musical friends Don Payne and John Yarling. If you plan to buy just one, perhaps it should be Italian Sessions closely followed by Basic Feeling, although any of these four CDs by Patti is worthy of your attention.
Lee Wiley Completists' Ultimate Collection Volumes 1, 2, 3 & 4 (Devil's Music DM 6001/2/3/4)
Lee Wiley was a hugely talented artist and a significant influence on other singers of her era and beyond. Throughout her career, Lee sang with unadorned simplicity, usually adhering closely to the melody, and delivering affectionate interpretations of the lyrics. Undramatically, Lee created an atmosphere of controlled passion that still has an impact on her listeners. In many respects, her subtlety of phrasing suggests a simplistic approach to a song; this is misleading, because her interpretations continue to fascinate and offer invaluable lessons to singers whose careers began long after Lee had left the stage.
On these four CDs, producer Ted Takashi Ono (this label is a stablemate of his Baldwin Street Music) has assembled many of her best performances between June 1931 and April 1940. In several instances alternate takes are offered, and there is a selection of her radio broadcasts. Lee's accompanists include Leo Reisman, with whom she began her career, Rudy Vallee, the Dorsey Brothers, Paul Whiteman, and Victor Young, who became her mentor. The third of these three volumes spotlights the songs of Richard Rodgers and Lorenz Hart; Lee vividly displays the kinship she clearly felt with these composers. The fourth CD presents master, alternative and incomplete takes from two sessions in the Spring of 1940 from which came Lee's Cole Porter album. On the earlier of these two April dates, Lee is teamed with a front-rank quartet: Joe Bushkin, Sid Weiss, George Wettling, and the incomparable Bunny Berigan. These four CDs are available separately.
Joe Williams & Ben Webster Havin' A Good Time (Hyena TMF 9331)
In the winter of 1964 Joe Williams had a gig with a trio at Pio's, a club in Providence, Rhode Island. One night a blizzard raged and they kinda hoped no one would show up. Enough people did that they had to do the show. Not only that, who should be there sitting in a corner when the band arrived but Ben Webster who happened to be in town. He asked if he could sit in; he did. Fast forward three decades. After Joe died his widow handed over his effects to the Hamilton College Jazz Archive. Among these effects were tapes of previously unissued material including one recorded that night in Providence. Joe and the band, Junior Mance, Bob Cranshaw, Mickey Roker, are all in fine form and Ben Webster is exactly what he always was. Fans of either artist will not need any urging to acquire this fine set by two masters of their respective and wholly compatible arts.
Phil Wilson & Makoto Ozone Live!! (Capri 71004-2)
Recorded more than a quarter century ago, this astonishingly fine album thrust young pianist Makoto Ozone onto the jazz world's stage and we all now know what has happened to him in the years following. Phil Wilson was already at the time a very highly regarded trombonist and teacher and he continued to make his impressive mark on jazz as the years passed. On this session, recorded live at The Berklee Performance Center on 2 November 1982, the two musicians display amazing technical proficiency, profound understanding of jazz and remarkable empathy. There is not a moment on the six tracks that does not captivate and reward the listener, filled as they are with skill, wit and imagination. Capri Records must be applauded for bringing this music back onto the scene (the reissue is co-produced by Phil) and those who missed it originally should waste not a moment in acquiring it now. Outstanding playing by two masters of the art of jazz.
Deanna Witkowski Wide Open Window (Khaeon KWM 200303)
A strikingly gifted contemporary jazz pianist, Deanna Witkowski vividly demonstrates her talent here on an interesting song selection. Divided equally between standards and her own compositions, she is ably backed by bassist Jonathan Paul and drummer Tom Hipskind, with Donny McCaslin playing either tenor or soprano saxophone. Deanna's touch is sure, whether playing delicately introspective passages or digging deep into a blues-inflected groove, while her occasional outings in a Latin jazz mood are always exhilarating and stimulating.
Andrea Wolper The Small Hours (VarisOne Jazz 402 4569 3101 2)
Andrea Wolper has a fluid voice and sings in an attractively low-key style, drawing subtle nuances from the lyrics, and shaping the vocal lines into jazz performances. For some years she has worked regularly with guitarist Ron Affif and bassist Ken Filiano and the interplay of the three makes clear that this is neither singer with band, nor band with singer but a co-operative trio of which every member is an equal part. The extent of Andrea's musicianship is apparent from the fact that she is also responsible for the arrangements and these are exemplary. None of the songs is overused and this is a thoroughly entertaining and musicianly set that should appeal to many.
Libby York Here With You (Libby York Music)
A talented singer, Libby York delivers songs in a warmly confident voice, swinging gently with considerable style. The songs on this, her third album, include several standards and Libby's accompanists here include Howard Alden, Warren Vaché, Jon Burr and Vanderlei Pereira, while Russell Malone steps in for Howard on three tracks. The instrumental playing is of a very high order and there are many fine solos, mostly from Vaché, Alden and Malone. Nice songs, nicely sung.
Denny Zeitlin Solo Voyage (MaxJazz MXJ 213)
On this CD, pianist Denny Zeitlin ranges through original compositions and acclaimed jazz standards, all played with flair and commitment. Reflective and absorbing, this music makes clear why Denny has been held in such high regard since his recording debut back in the 1960s. Today, some 30 albums later, he plays with undiminished verve and inventiveness. On this set, eight of the tracks are structured as a suite, although they are separately tracked. As Denny explains in his liner notes, the suite was created for Bill Young, a friend of long standing whose life was drawing to a close. Fine music, extremely well and movingly performed, this CD should appeal to all who appreciate good contemporary jazz piano playing.
Pete Zimmer Common Man (Tippin' TIP 1101) * Burnin' Live At The Jazz Standard (Tippin' TIP 1102) * Judgment (Tippin' TIP 1103) * Chillin' Live @ Jazz Factory (Tippin' TIP 1104)
Committed hard bop drumming from Pete Zimmer underscores all of the music on these CDs. Among the musicians in Pete's bands are Toru Dodo, Rick Germanson, David Wong, John Sullivan, Avi Rothbard, Jeremy Pelt, Joel Frahm, George Garzone and Michael Rodriguez. The repertoire on these fiery sessions consists almost entirely of originals by Pete that draw upon the special talents of the group's individualistic members. At times they are reflective, or they are punchily outgoing. As is apparent from their titles, the second and fourth CDs were recorded live and are even more urgent and impressive than the studio sets. In the case of the Jazz Factory gig, Avi and Jeremy were unfamiliar with the music until they were on the bandstand, something you would never guess from their performances. All of these four CDs are fine examples of contemporary jazz played by some of the best young jazzmen around today.
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... but don't forget to scroll down for a touch more of Braziliana ...
As already mentioned, the place to go for these albums is on-line although some CDs can only be obtained direct from the artists themselves or their record companies, using links where given.
Braziliana ----ooOoo---- Latin Jazz
Jazz-influenced music from Latin America & Latin-tinged jazz, mainly Brazilian
M - Z
Pablo Menéndez Havana Blues Mambo (Zoho Records ZM 200503)
Guitarist Pablo Menéndez is thoroughly immersed in the music of Cuba where he has studied and now resides. Blending contemporary jazz with Latin tinges of many kinds, this is exhilarating music played with skill and passion. In the mix with jazz and Afro-Cuban strains are also rock sounds, music that Pablo has brought to international audiences through his band Mezcla. This is Pablo's debut CD, one to savour and one that will also awaken listeners to the talented musician (who is, by no means incidentally, the son of blues and folk singer Barbara Dane).
Hendrik Meurkens Amazon River (Blue Toucan unnumbered) * New York Samba Jazz Quintet (Zoho ZM 200701)
German jazz musician Hendrik Meurkens, who plays vibraphone and harmonica, is a popular exponent of jazz-tinged samba and bossa nova and other Brazilian forms. His collaborators on these CDs include Oscar Castro-Neves, Paquito D'Rivera, Helio Alves, Jed Levy, Gustavo Amarante, Adriano Santos and Nilson Matta. The music played mixes some familiar themes with some of Hendrik's own composition. Throughout, Hendrik's solos are fluidly graceful and display his admirable musical skills.
Mozayik Haitian Creole Jazz (Zoho Records ZM 200506)
An entertaining and imaginative blending of jazz with the music of Haiti, the homeland of the musicians gathered here in New York. The core group (there is a handful of guests) are Eddy Bourjolly, Gene Torres, Welmyr Jean-Pierre, Markus Schwartz and Gashford Guillaume. Steeped in their national musical traditions, these fine musicians perform with authority yet with a lightness and swing that takes the listener on an absorbing musical journey.
Mozik (Own label unnumbered)
Five musicians gather here to perform Brazilian music that is adapted to and coloured by the music of the wider world. Founded by pianist Gilson Schachnik and drummer Mauricio Zottarelli, the group is lively and engaging and their take on the music, some of which is familiar is often exhilarating. The other members of Mozik are flautist Yulia Musayelyan, bassists Fernando Huergo and guitarist Gustavo Assis-Brasil, all of whom are gifted performers and whose collaboration is musically vibrant and authoritative.
Negroni's Trio piano/drums/bass (Universal Music Latino B0003043-02)
A driving set of mainly originals by pianist Jose Negroni who, with drummer Nomar Negroni co-leads this exciting group. They turn in dynamic performances, replete with vigorously solos, and throughout maintain a tight ensemble sound, in all of which they are aided and abetted by the third member of the trio, bassist Jaime Rivera. Guests on the set are Ed Calle and Sammy Figueroa. While there is a strong post-bop jazz feel to the music, it is dominantly Latin tinged.
Hilary Noble & Rebecca Cline Enclave (Zoho 200510)
Fiery and pulsating, this exhilarating set by Hilary Noble and Rebecca Cline blends the rhythmic excitement of Cuba and Brazil with adventurous post bop and free jazz. He is a multi-instrumentalist, playing tenor, alto and soprano saxophones, flute and an array of percussion instruments; she plays piano. Both are interesting composers, having written, mostly together, all save one of the tunes on this set. Hilary and Rebecca are ably supported by bass player Fernando Huergo and drummer Steve Langone. Dramatic, intense and burning with inner fire, this is music that makes the listener sit up and pay attention.
Luis Mario Ochoa's Cimarrón Luis Mario Ochoa And Friends (LMO CD2)
Attractively played and sung, this set by Luis Mario Ochoa's Cimarrón blends the music of his Cuban homeland with standards from his new home in Canada here he has been resident since 1990. Luis plays guitar and sings and is accompanied here by formidable rhythm section players. There are also numerous guest horns, including Paquito D'Rivera, Guido Basso, Alexis Baró, Luis Deniz, Alex Brown, Yankar Gonzalez, Russ Little, John Johnson and Jeff King. This CD will appeal to anyone with a liking for relaxed, melodic Cuban styling with a jazz bite.
Bill O'Connell Latin Jazz Fantasy (Random Chance RCD 18)
An attractive mixture of small group and orchestral Latin jazz from Bill O'Connell, a gifted pianist and composer. Bill's charts draw heavily upon the tradition of Afro-Caribbean music and all are overlaid with contemporary jazz sensibilities. In addition to his own fine playing, there are several solo spots for Bob Malch and Dave Valentin. Any Latin jazz performance places heavy demands upon the rhythm section and here Bill has chosen wisely and well with, primarily, David Fink, Lincoln Goines, Kim Plainfield and Steve Berrios.
Arturo O'Farrill Live In Brooklyn (Zoho ZM 200507)
Recorded live at the Up Over Jazz Café in 2003, this exciting and always entertaining set features pianist Arturo O'Farrill along with bassist Andy Gonzalez and drummer Dafnis Prieto. Although latterly a significant figure on New York's Latin jazz scene, in his formative years Arturo was more interested in American hard bop and fusion music; this despite his father, Chico O'Farrill, being a distinguished Latin jazz composer-arranger. After making his name in the city's downtown loft scene, Arturo acknowledged his musical heritage and incorporated elements of it into his own music. The result is a repertoire that blends rich melodies with thrusting hard bop and free jazz improvisation, all founded on a fiery and vigorous rhythmic base.
Luis Perdomo Focus Point (RKM Music RKM 004)
Now based in New York, Luis Perdomo is a Venezuelan-born pianist with considerable technical skills. Through this he is able to nimbly bring to life the concepts of a musical mind that is filled with the melodic sounds of Latin America. Fluid and engaging, Luis's music is rich with echoes of other lands, making it central to an emerging and very popular trend in contemporary jazz.
Oscar Perez Afropean Affair (Chandra CHR 8094)
Playing tough, edgy contemporary Latin jazz, Oscar Perez and his band, Nuevo Comienzo, here perform the pianist-leader's own music. The tight, edgy compositions have enough flexibility to allow the instrumentalists scope for imaginative solos that vividly demonstrate their imagination as well as their technical skills. This is fiery contemporary music at its best and flows effortlessly between genres and sub-genres from South America, Europe and Africa all of which are underscored by the musicians' individual and collective understanding of North American jazz.
Jorge Pescara Grooves In The Temple (JSR VPB 114 CD)
Bassist Jorge Pescara demonstrates here why he has such a strong following not only with audiences but also among his fellow musicians. This is vibrant and exhilarating music making from a highly talented musician. There are other fine musicians on this CD including Dom Um Romão, Ithamara Koorax and José Carlos Ramos. Jorge has drawn his repertoire for this set from an interesting mixture of sources, including music by Jimi Hendrix, Eumir Deodato (who also guests on the CD), Bob Dorough and Ben Tucker, as well as contributing some of his original compositions.
Carlos Pingarilho Stories And Dreams (JSR 6043)
Although many of the compositions of Carlos Alberto Valle Pingarilho have been recorded over the years, this is his debut CD. An acclaimed and prize-winning architect, he is an accomplished guitarist. Here he is joined by several guests who enhance this attractive set, among them Ithamara Koorax, Eumir Deodato, Dom Um Romão and Sergio Barroso. Romantic and evocative of Brazil, this is an enjoyable CD that will appeal to many for its musicality and freshness.
Dafnis Prieto About The Monks (Zoho Music ZM 200502) * Absolute Quintet (Zoho Music ZM 200606)
Drummer Dafnis Prieto as born in Cuba, but has been resident in New York since 1999. Dafnis constantly sparks the band assembled for the first of these, which is his debut CD. The guests include Brian Lynch, Yosvany Terry and Luis Perdomo and whether solo or in ensemble these skilled musicians build a compelling sound picture of recent trends in Afro-Cuban jazz. For the second CD, Dafnis' skills as a composer are clear as he refers to the music of his Cuban homeland and the manner in which European chamber music of the 19th century was absorbed and reshaped in the New World. This time Dafnis is joined by Jason Lindner, Christian Howes, Dana Leong, Yosvany Terry and Henry Threadgill. Vivid and exciting music blending old and new to create something that is very much music of today.
Glauco Sagebin When Baden Meets Trane (Blue Toucan unnumbered)
Although pianist Glauco Sagebin has dedicated this CD to the musical memory of fellow Brazilian Baden Powell and jazz master John Coltrane, the result is a very personal statement. Blending jazz and Brazilian song on five originals, Glauco presents a warm-hearted yet coolly swinging sound. Ably accompanied by Santo Debriano and Paulo Braga, Glauco also offers his view of the work of other composers, including Antonio Carlos Jobim. Glauco is less well known internationally than should be the case, and this CD is a very good way to get to know him.
Marcelo Salazar The Tropical Lounge Project (JSR 6049)
An exciting percussionist, Marcelo Salazar is presented here on a set mainly of his own compositions. Among the other musicians joining Marcelo are Hudson Delduque, José Lourenço, Lulu Martin, Ithamara Koorax, Ricrdo Mendes, Anna Ly, Marcelo Mariano, Jessé Sadoc and Guilherme D. Gomes. Rich in the rhythms and ambience of Brazil, this is evocative and entertaining music which should appeal to audiences beyond the genre.
Jim Seeley/Arturo O'Farrill Quintet (Zoho Music 200501)
Fiery trumpet playing by Jim Seeley and scintillating piano from Arturo O'Farrill combine in a heady mix of Latin music and jazz, with a hint of the blues for good measure. Jim is the composer of all the music on this CD, finding on some tracks new and interesting things to say in the well-mined field of the bossa nova. Joined here by Jed Levy, Andy Gonzalez and Phoenix Rivera, Jim and Arturo offer a musicianly and exciting taste of what happens when jazz meets Latin.
Harvie S Funky Cha (Zoho Music 200605)
For some forty years, bass player Harvie S has admired the music of Cuba and other regions that fall under the wide label of Latin music. Here, Harvie is joined by fellow rhythm section players Daniel Kelly and William 'Beaver' Bausch, as well as Wilson 'Chembo' Corniel and Ernie Colon. Rounding out the band are the horns of Jay Collins, Scott Robert Avidon and Philip Dizack. Fascinating material, dominated by Harvie's own compositions, that is likely to appeal as much to jazz fans as it is to lovers of contemporary Latin music.
Trio Da Paz Somewhere (Blue Toucan unnumbered)
For some 15 years this exceptional trio has built an international reputation and it is clear why from the scintillating playing on this CD. The three musicians are guitarist Romero Lubambo, bassist Nilson Matta, and drummer Duduka Da Fonseca and all are highly gifted players. Soloing with verve and distinction, they also blend superbly in ensemble. Above all, the music performed by this trio is melodic and graceful. All admirers of Brazilian music, and the form of jazz that has absorbed it, will find Somewhere a source of great delight.
Trio Mundo Rides Again (Zoho ZM 200410)
Already well established on the national and international jazz scenes, Trio Mundo features guitarist Dave Stryker, bassist Andy McKee and drummer, percussionist, guitarist, vocalist Manolo Badrena; here joined by guest Steve Slagle on alto saxophone and flute. By turns burning fiercely and coolly limpid, the group, individually and collectively, display their instrumental mastery and inventiveness on a selection of original pieces written by band members. Enjoyable music, played with skill, enthusiasm and boundless energy.
Ramana Vieira Lágrimas De Rainha (Tears Of A Queen) (Pacific Coast Jazz PJ 76101)
The long and noble tradition of Portuguese fado is ably updated by Ramana Vieira whose fluid interpretation of low key lyrics brings out the melancholy soul of the music while never allowing the mood to become anything but uplifting. Some of the songs come from the established repertoire, some of them having also been sung by Amália Rodrigues, the singer to whom this album is dedicated and who is the queen referred to in the title. Seven of the songs were composed by Ramana, five of which also have her own lyrics. Ramana, who also plays piano on a few tracks, is accompanied by musicians such as Jeffery Luiz, Alberto Ramirez, Marcie Brown and Steve La Porta, along with a number of guests. For anyone new to fado, which has been likened to the blues for its lyrical tales of loss and separation, this CD will be an informative delight.
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Bruce Crowther © 2002-11
Last updated November 2011