Reviews . . . M - Z
JAZZ . . . and other obsessions - Bruce Crowther's Website
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And more ... as before, most of the records shown here are, of course, available on-line from Amazon:
Mostly, Jazz Instrumentalists and Jazz Singers, but also a few superior pop singers and some smooth jazz artists, and several musicians from Central and South America, and others hard to categorize.
A - L ... click here > ...
M Bill McBirnie, Eugene McDaniels, Tom McIntosh, Chris McNulty, Carmen McRae, Manhattan Ragtime Orchestra, Nancy Marano, Marguerite Mariama, René Marie, Claire Martin, Sue Matthews, Tina May, Pablo Menéndez, Carol Mennie, Hendrik Meurkens, Paul Meyers, Andy Middleton, Dom Minasi, Monk's Music Trio, Barbara Montgomery, Oscar Moore, Bob Mosher, Moutin Reunion Quartet, Mozayik, Rob Mullins, Matt Munisteri, Mark Murphy
N Nanette Natal, National Youth Jazz Orchestra, Negroni's Trio, Hilary Noble & Rebecca Cline
O Luis Mario Ochoa, Bill O'Connell, Arturo O'Farrill, Junko Onishi, Mary Osborne
P Kat Parra, Rebecca Parris, Rosa Passos, Patrizia, Mary Pearson, Luis Perdomo, Denise Perrier, Jorge Pescara, Carlos Pingarilho, Ron Polson, Odean Pope, Jonathan Poretz, Chris Potter, Bill Potts, Prana Trio, Dafnis Prieto, Peter Primamore
R Bruno Råberg, Natalie Rae, Django Reinhardt, Del Rey, Hanna Richardson, Carol Robbins, Sherri Roberts, Tad Robinson, Bob Rodriguez, Louise Rogers, Erienne Romaine, Jim Rotondi, Jimmy Rushing, Sandi Russell, Jackie Ryan
S Glauco Sagebin, Marcelo Salazar, Spider Saloff, Saltman Knowles, Massimo Sammi, Michelle Samuels, Jody Sandhaus, Jim Seely/Arturo O'Farrill, Gene Segal, Janet Seidel, Jim Self, Vince Seneri,Ian Shaw, George Shearing, Marcus Shelby, Daryl Sherman, Mark Sherman, Art Sherrod Jr, Rebecca Shrimpton & Eric Hofbauer, Judi Silvano, Steve Slagle, Carol Sloane, Carrie Smith, Daniel Smith, Ronny Smith, Stephen Smith, Lisa Sokolov, Solar, Bob Stewart, Chip Stephens, Joan Stiles, Harri Stojka, Dave Stryker, Maxine Sullivan, Tierney Sutton, Harvie S
T Martin Taylor, Clare Teal, Clark Terry, Laura Theodore, Rob Thorsen, Lisa Thorson, Sumi Tonooka/Erica Lindsay, Toph-E & The Pussycats, Trio Da Paz, Trio Mundo, Ike Turner
V George VanEps, Marlene VerPlanck, Ramana Vieira, Jerry Vivino, Roseanna Vitro
W Bea Wain, Wayne Wallace, Rosella Washington, Ben Webster, Frank Weder, Ezra Weiss, Jens Wendelboe, Magni Wentzel, Carla White, Wesla Whitfield, Tommy Whittle, Patti Wicks, Lee Wiley, Joe Williams, Deanna Witkowski, Andrea Wolper
Bill McBirnie Paco Paco (Extreme Flute 04)
Widely acclaimed for his remarkable playing of the flute, Bill McBirnie has comfortably stretched his repertoire to include bop and the classics, by way of Latin music and his own original compositions. Here, Bill is featured in duo and quartet pieces, his accompanists being pianist Bernie Senensky, bassist Neil Swainson and drummer John Sumner. Throughout this CD Bill's melodic leanings are vividly apparent and his improvisation demonstrate an enviable fluidity. The composers represented include Thelonious Monk, 'Hackensack', John Coltrane, 'Like Sonny', Keith Jarrett, 'My Song', Sonny Rollins, 'Doxy' and Hank Mobley, 'This I Dig Of You'. There is also a piece by Bernie, the CD's title song, which is by no means outclassed by its surroundings. Very attractive music, played with skill and warmth. It is not hard to see why classical flautist James Galway says of Bill McBirnie, 'I have never heard anyone play like this'. (Buy this now ...)
Eugene McDaniels Screams And Whispers (Genepool GPR 235)
Thirty years on from dynamic music making that included hits like 'Compared To What' and 'Feel Like Makin' Love', as well as his politically-charged lyrics that earned him the displeasure of the Nixon administration, Eugene McDaniels has lost none of his vigour. Here, there are lyrics that reveal not only his retention of that early spark, but also demonstrate how little has changed and how much a talent like his is still needed. Active in the intervening decades in the production side of the music business, this recording also proves that Eugene's liquid vocal sound is still marvellously intact. Although much latterday pop music making lacks depth and historical perspective, Eugene vividly demonstrates here that it is still possible to be soulful and funky and deliver a meaningful message. (Buy this now ...)
Tom McIntosh With Malice Toward None (Ipore IPOC 1005)
Veteran trombonist and composer Tom McIntosh has gathered around him some outstanding players for a CD of songs composed mostly by him, some of which have been in the jazz repertoire for decades. For much of his long career, Tom has worked in film and television studios and as a jazz educator at places such as the New England Conservatory of Music. Here, in his debut album as leader, he directs a star-studded band through a musical and swinging set that never falters. Collectively, the musicians on hand are trumpeter Jimmy Owen, saxophonists Benny Golson, James Moody and Frank Perowsky, pianists Kenny Barron, Roger Kellaway and Helen Sung, guitarist Ben Washer, bassists Buster Williams and Richard Davis, vibraphonist Stefon Harris and drummer Ben Perowsky. Ranging through the mainstream with ever-present boppish touches, the set features ensemble playing that is as might be expected from high-calibre musicians such as these, while the solos are fluidly inventive. There are seven of Tom's compositions here, four of them new for this album, and a pair of non-McIntosh songs to round out the occasion. More new music is promised for the follow up to this CD. It has taken a long time for Tom to make this very welcome debut album; we must hope that he does not wait long before the next. (Buy this now ...)
Chris McNulty Dance Delicious (Elefant Dreams ED 4746)
Chris McNulty Whispers The Heart (Elefant Dreams ED 4549)
With these, Chris McNulty's fifth and sixth CDs, she extends her audience from the strong and dedicated fan base to the encompass many who have missed her considerable skill in the past. An inventive and thoroughly engaging jazz singer with an especially attractive touch with ballads, Chris has been delighting audiences for the past two decades. For anyone who has missed hearing her, either in live performance or on record, these CDs will be a revelation. This is a singer of considerable character and vast experience who brings to every song she sings an originality often lacking in the work of better-known contemporaries. On the first of these sets, Chris is accompanied by a team of very good instrumentalists drawn from the foremost ranks of today's jazz and session players, among whom are pianist Mulgrew Miller, alto saxophonist Gary Bartz, cellist Eric Friedlander, drummer Billy Hart, bassist Ugonna Okegwo and guitarist Paul Bollenbeck. The songs are a pleasing mix of standards and originals composed by Chris. Definitely a CD to look out for and to savour. For the second set, Chris has again chosen Paul Bollenbeck as her principal accompanists with contributions from many other noted instrumentalists, including Frank Wess, Ingrid Jensen, Dave Pietro, Tineko Postma, Ed Howard, Gary Versace, Matt Wilson, Rogerio Boccato and Montez Coleman. Mixing standards with some of her own original compositions, together with some lesser known but wholly admirable works by Thad Jones and Abbey Lincoln, Leonard Bernstein and others, this highly recommended CD clearly demonstrates that Chris is a major singing talent for today. (Buy these now ...)
Carmen McRae Birds Of A Feather (Verve 589 515-2)
I have always been very wary of using the word 'great' in connection with just about everything, and certainly with regard to anything musical. Long stripped of any real meaning by its use in the pop world, it no longer serves any useful purpose. Yet it is hard not to be tempted when confronted by many of Carmen McRae's recordings. An example appears on this CD. Arranged by Ralph Burns, 'Skylark' is a song composed by Hoagy Carmichael with lyrics by Johnny Mercer. Carmen bathes the evocative words in that beautifully limpid sound she could produce with such seeming effortlessness. If her interpretation of this fine song were all, I would still be reaching for superlatives, but it does not end there. For example, there is a fleeting moment of Mundell Lowe's wonderful guitar; but above all, there is Ben Webster. Mostly, on this song, Carmen chooses to deliver the material in an almost straight fashion, but then, at the end of a phrase, she bends a note that sends the tenor saxophonist soaring majestically into flight for a short but perfectly shaped solo. That the rest of this set comes close to the remarkable standards - of writing, improvisation, and performance - set by the treatment of 'Skylark' testifies to this being a very special recording. (Buy this now ...)
Manhattan Ragtime Orchestra Euphonic Sounds (Stomp Off CD 1402)
Delving back into the pre-jazz years for its inspiration and repertoire, the Manhattan Ragtime Orchestra was formed in 2004 by clarinetist Orange Kellin who was a founder member of the similarly-oriented New Orleans Ragtime Orchestra back in the late 1960s. Among like-minded enthusiasts, the MRO includes trumpeter Jon-Erik Kellso, trombonist Brad Shigeta and pianist Terry Waldo. The line-up follows the format of many dance hall groups that played the popular music of the day a century ago and that means there is a front-line violin, played here with aplomb by Skye Steele. As might be expected, the repertoire includes compositions by Scott Joplin alongside pieces by composers whose names are redolent of an era long gone but never to be forgotten: Armand J. Piron, Luckey Roberts, Sidney Bechet, Tim Brymn, Ford T. Dabney, W. C. Handy. Certainly these composers and their music will not be forgotten so long as there are musicians of this calibre dedicated to bringing them to contemporary audiences. (Buy this now ...)
Nancy Marano You're Nearer (Munich BMCD 427)
On this fine CD recorded in The Netherlands late in 2003, Nancy Marano ably demonstrates why her fellow musicians, such as Dick Hyman and Dave Frishberg, hold her in high regard. Nancy's performances are assured, her sound mature and the songs she chooses are treated with respect and authority. In addition to her busy singing schedule, Nancy is also an in-demand teacher and it is good to note that a future generation of singers is learning from someone as accomplished as this in the art and craft of a difficult career choice. That Nancy makes it seem so easy is testament to her gifts. Accompanied by a very good sextet of Dutch musicians, Nancy marks up another winner. (Buy this now ...)
Marguerite Mariama Wild Women Never Get The Blues ... Well, Not Anymore! (Power Light unnumbered)
This CD is the debut of Marguerite Mariama, who hails from Chicago and brings to her singing an tough reflection of the urban blues for which the city is rightly famed. In addition to singing, Mariama also acts and is a choreographer and works in education. This set draws mainly from what is clearly a wide-ranging repertoire and throughout Marguerite is accompanied by front-rank instrumentalists, including tenor saxophonist Chico Freeman, pianists Jimmy Sigler and Eric Reed, bassists Lonnie Plaxico and Buster Williams, and drummers and percussionists Carl Allen, Leo Cordew and Jeffrey Haynes. Marguerite's vocal sound is rich and warm and she embraces her material with a measure of confidence rare in newcomers to recording. Clearly, this is a singer to look out for in the future. (Buy this now ...)
René Marie How Can I Keep From Singing? (MaxJazz MXJ 109)
René Marie Vertigo (MaxJazz MXJ 114)
René Marie Live At Jazz Standard (MaxJazz MXJ 116)
René Marie Serene Renegade (MaxJazz MXJ 120)
A supremely talented singer who exploded onto the jazz singing scene in the late 90s, René Marie delivers on the first three of these CDs a pleasing mix of mainly standards with a few of her own very good compositions. A distinctive and hugely attractive vocal sound combine to make every track a delight. From up tempo swingers to evocative ballads, René finds the right approach every time. While no track is less than very good indeed, her daring combining of 'Dixie' and 'Strange Fruit' on Vertigo borders on the miraculous. Throughout these CDs, whereon she is backed by instrumentalists such as tenor saxophonist Chris Potter, pianist Mulgrew Miller, trumpeter Jeremy Pelt, and other front rank players, René delivers a striking lesson in the art of contemporary jazz singing that is thoroughly grounded in the best of the past.
No twenty-something wannabe she, René is a mature and polished artist whose talent deserves universal recognition and thanks to rave reviews for her live appearances she is attracting the attention she so richly deserves. Impressions of her live dates can be gained from the third CD, which was recorded live at a New York club. Here, unlike on the studio recorded CDs, she is backed by her then regular working trio and again offers a richly varied and always stimulating programme of songs. For the fourth of the CDs, the aptly titled Serene Renegade, René gives full rein to her songwriting talent. All but two of the tracks are her original songs and very good they are too. Mostly, their lyrics draw from her own experiences in life and of course are delivered with integrity and passion. Without question, René Marie is the most exciting jazz singer to come along in many years. If you have yet to hear her, any one of these CDs is an excellent place to start. All of them would be better. (Buy these now ...)
To learn more about René Marie, read my interview with this remarkable singer. Originally, this appeared on the AllAboutJazz web site, where it still remains. However, the interview can now also be seen on my Article/Interview page.
Claire Martin Too Darn Hot! (Linn AKD 198)
The world of the jazz singer today is not only crowded, it is also more than a little confusing. This is especially so in the ill-defined mid-ground between jazz and pop. Of all the many singers in this world, few are unarguably jazz singers. Claire Martin is one of that select number. Not for her the compromises necessary to attract the pop fringe; she knows her mind and is set on what appears to be an irrevocable course. If this is so, and we should certainly hope it is, then it can mean nothing but good for jazz. On her latest, and very eagerly awaited CD, Claire offers a richly varied selection of songs; a few standards, some show tunes, some seemingly improbable choices, and a handful of originals. Claire performs all of these songs with care, skill, lithe swing, and a measure of reflective interpretation few other singers can achieve. A portentous mood is set by the instrumental opening of the first track and both this, and the expectation implicit in the song's title, 'Something's Coming', are fully met by everything that follows on this excellent CD. The charts throughout are inventive and bestow upon even very familiar songs, such as 'These Foolish Things' and 'Black Coffee', a shining new surface that never destroys the original core. Similarly, a song from the pop world of a generation past, such as 'It's Raining In My Heart', becomes a plaintive ballad thanks to a subtle arrangement for string quartet. Among new material is 'Noir', a song with an excellent, inventive and difficult lyric that Claire brings off with great aplomb. Anyone who has yet to hear this exceptionally talented singer might well start here, but be prepared to be soon buying yet more records from Claire's exemplary discography.
Claire Martin A Modern Art (Linn 340)
Regardless of the standards used to define the term 'jazz singer', Claire Martin is an outstanding example of that breed. She has never made an album that was less than excellent and this one, released in mid-September 2009, somehow manages to improve even upon the extraordinary qualities of those that went before. With an intriguing and exploratory repertoire, she offers witty, wry and thought-provoking songs that are simultaneously entertaining and filled with examples of her subtle skills. She is aided here by a fine backing band with Gareth Williams, piano, Phil Robson, guitar, Laurence Cottle, bass, James Maddren and Chris Dagley, drums, Sola Akingbola, percussion, and horns Mark Nightingale, trombone, and Nigel Hitchcock, alto saxophone. Composers represented here include Esbjörn Svensson, Cy Coleman, David Canto, Colin Lazzerini and Christian Bjordal, and their works are all treated with care and respect, the material delivered with elegant yet deeply-rooted jazz sensibilities. Once again, then, an admirable set that should appeal to all who love superior jazz singing. (Buy these now ...)
Sue Matthews One At A Time ... (Renata Music 7014)
Already much admired by those lucky enough to have heard her, Sue is a very talented singer with a fast-growing audience. Her seemingly effortless delivery, allied as it is to a smoky yet rich vocal sound freshens the standards she sings. The great standards are by no means the limit of her repertoire, which ranges outwards from a jazz core to encompass the jazzier end of pop, the blues, and that often misunderstood art, the torch song. Among the gems here are a delightfully sensitive version of 'How Insensitive', a gorgeous unaccompanied reading of 'Caledonia', a lithely swinging title track, and an eloquently moving 'Amazing Grace'. Although this is Sue's third solo album, it is the first to come my way. It most certainly will not be the last. (Buy this now ...)
Tina May I'll Take Romance (Linn AKD 202)
Tina May/Nikki Iles/Tony Coe More Than You Know (33 Jazz 100)
From her very first appearance on the British jazz scene, Tina May set her distinctive mark on the songs she sings. With every album, she has grown in stature and her reputation is now worldwide - and deservedly so. A flowing swing and a thoroughly delightful vocal sound combine to make every track on the first of these CDs, from thoughtful ballad to extrovert swinger, an immensely enjoyable experience. Adding immeasurably to the proceedings is tenor saxophonist Scott Hamilton and he and Tina blend superbly with intuitive warmth. The pair are backed here by bassist Alec Dankworth, drummer Tristan Mailliot, with Nikki Iles and Robin Aspland sharing duties at the piano. If you have yet to here this very gifted singer, this is an excellent place to start. You will not stop with just one CD, though, so read on ... The second CD finds Tina in company with two artists with whom she has been working for the past few years in an immensely satisfying trio. Pianist Nikki Iles is a major presence on the UK jazz scene, while Tony Coe has been around long enough to be deemed an elder statesman of jazz. The verve and invention these three bring to a splendid set of un-hackneyed songs is a source of constant delight. (Buy these now ...)
Carol Mennie I'm Not A Sometime Thing (CDM Records CDM 1004)
On this, her first headline CD, Carol Mennie applies her mature, tough-edged vocal sound to a repertoire that blends classic popular songs with jazz standards and originals, the latter the work of guitarist Dom Minasi. Carol is ably complemented by high calibre instrumentalists. Guest horns are saxophonist Patience Higgins and trumpeter Valery Ponomarev, while the exceptional rhythm section consists of Minasi, pianist Michael Jefry Stevens, cellist Tomas Ulrich, bassist Ken Filiano and drummer Jay Rosen, as well as guest percussionist Tom McGrath. Carol's approach to the material is adventurous, engaging and always thought provoking. Throughout, Minasi's arrangements not only frame Carol's voice but also offer insightful ideas on the material. (Buy this now ...)
Paul Meyers World On A String (Miles High MHR 8608)
Paul Meyers Quartet Featuring Frank Wess (Miles High MHR 8609)
On the first of these CDs, the hugely talented guitarist, Paul Meyers, is displayed not only as a front-rank soloist but also as a composer of merit. He is joined in a sparkling display of contemporary small group jazz by tenor and soprano saxophonist Donny McCaslin and pianist Helio Alves, both of whom match Paul in inventive soloing. All of these musicians have a taste for Latin music in general and that of Brazil in particular and their inclinations are allowed many admirable moments on this CD. The band is rounded out by solid yet subtle support from bassist Leo Traversa and drummer/percussionist Vanderlei Pereira. Among Paul's compositions are the lively 'Stars', on which Donny plays flute, the instrument he also plays on the languid 'Twilight'. Lively and rhythmically inventive are 'Plum' and 'River'. There are a couple of non-originals, but these are given inventive makeovers: 'Because' (by John Lennon) and 'I've Got The World On A String' (by Harold Arlen and Ted Koehler). This wholly admirable set is very warmly recommended.
On the second album, Paul is joined by veteran tenor saxophonist and flautist Frank Wess for a relaxed and flowing set that pleasingly blends mainly standards, such as 'My One And Only Love', 'Who Cares?' and 'I Cover The Waterfront' with some originals: Paul's 'Blue Lantern' and 'One For Miss D' and Frank's 'Menage A Bleu', and the set opens with Billy Strayhorn's 'Snibor'. Paul and Frank are ably backed by bassist Martin Wind and drummer Tony Jefferson. There is also a very agreeable bonus with singer Andy Bey sitting in one 'Lazy Afternoon'. Altogether, this is a delightful, low-yet set of fine music by a group that comfortably blends young and older musicians on a date that should find many admirers. (Buy these now ...)
Andy Middleton The European Quartet Live (Q-rious Music QRM 109-2)
This release by tenor saxophonist Andy Middleton presents driving contemporary jazz played with verve and lyricism. The four musicians are skilled and well-matched. Principal soloist is Andy and he plays with fire and passion. An American living in Austria, Andy is joined by Croatian-German pianist Tino Derado, American bassist Paul Imm and drummer Alan Jones, who is also American. If your taste in jazz leans towards the improvised music of today then you will find this an excellent example of the form. As the title indicates, the set was recorded live but the audience is remarkably discreet. (Buy this now ...)
Dom Minasi Quick Response (CDM Records CDM 1005)
Dom Minasi The Vampire's Revenge (CDM Records CDM 1006)
A guitarist of distinction, Dom Minasi has a questing imagination and seemingly limitless ideas. He also has the technical ability to bring his concepts to vivid life. He is accompanied on the first of these CDs by alto saxophonist Mark Whitecage, organist Kyle Koehler and drummer John Bollinger, all three of whom are equal to the musical tasks set by Dom's original themes of which there are six here. When the group do turn to standards, such as 'What Is This Thing Called Love' and 'Softly As In A Morning Sunrise', it is with similar invention and they breathe new life into this music.
The second CD (actually a double album) is even more strikingly original and more than a little challenging. Taking, obviously enough, the legend of Dracula as his theme, Dom weaves a tale that is every bit as imaginative as that of Bram Stoker's, the one that most of us are accustomed to thanks not only to the book but to the countless films that have charted the adventures of the lethal bat/man over the years. With long time companions Ken Filiano on bass and Jackson Krall on drums on all tracks and a host of guest musicians lending their support, Dom paints a vivid, dramatic, subtly menacing (and occasionally tongue in cheek) portrait that remains in the mind long after the music has ended. Whether or not this will find its way into the general repertoire is another matter and one that I dare say never entered Dom's mind - he is far too original and centred to worry about commercial matters. Altogether, a fascinating variation on the theme of Vlad the Impaler and, musically speaking, a match for Stoker's literary take on the subject. Far too little of Dom's music has been readily available in recent years. His disenchantment with the recording industry in the 1980s led to many years on the edges; now, though, he is back in the spotlight, which is where he belongs. Appearances on several CDs, of which these are outstanding examples, offer latterday audiences an opportunity to enter into the musical life of a significant artist who strikingly demonstrates skill, integrity and depth. This is contemporary jazz playing that demands and deserves attention. (Buy these now ...)
Monk's Music Trio Think Of One (CMB Records CB 102841)
Monk's Music Trio Monk's Bones (CMB Records CB 102842)
The compositions of Thelonious Monk are as deep and intriguing as the man himself and have long provided his heirs and successors with a rich repertoire through which they can preserve and celebrate his memory. The name adopted by this San Francisco-based trio makes clear their affiliation. The three are Si Perkoff, piano, Sam Bevan, bass, and Chuck Bernstein, who plays drums, leads the trio and is also the producer. They are all very able musicians who draw interestingly from the rich storehouse of music left by one of jazz's most remarkable individuals whose music deserves its loved and respected place in the jazz canon and this trio does well by it. On the second of these CDs two trombone players are added: Roswell Rudd and Max Perkoff. The result expands upon the possibilities signposted by the composer and, as Rudd comments: 'It's a challenging adventure, but we have our hearts, minds and ears open and no end of passion for this glorious work.' Rudd's enthusiasm for the material allied to that of his fellow trombonist, who is incidentally Si's son, matches that of the trio. The result is joyous music. I have to acknowledge a mild preference for the second CD because of the added texture brought by the horns, but both are worth your time. (Buy these now ...)
Barbara Montgomery Trinity (Bjazz.Com Records MBB 005)
Underlying the songs sung here by Barbara Montgomery is a measure of spiritual intensity that goes far beyond that of performances by many of today's jazz singers. Concerns dealt with include the twin and often interlinked losses: freedom and life. But this CD is not a polemic; rather it is a musical and heartfelt examination of the human spirit. Barbara's deep voice is rich and fluid, and draws the listener in to the emotional depths of the music. Several gifted instrumentalists accompany the singer in different formations, prominent among whom is pianist Aaron Graves who also arranged the music and co-produced with Barbara. Reflective and mature, this is music making of high quality. (Buy this now ...)
Rob Mosher The Tortoise (Old Mill Records MILL 233)
A very pleasing set of original music by Rob Mosher draws in the listener with its subtle conception and interpretation. First rate playing by Rob's 10-piece band, Storytime, has effective solos and skilful ensemble passages. Rob, who plays soprano saxophone, oboe and English horn, is a Canadian and is still under 30; clearly a musician to watch out for. The music is scored in a manner that not only takes full advantage of the various instruments at Rob's disposal but also at times creates a broader effect, hinting not only at the composer’s awareness of jazz composers of the recent past but also at the field of classical music. Overall, this is a very rewarding CD. (Buy this now ...)
Moutin Reunion Quartet Something Like Now (Nocturne NTCD 375)
After many years playing in bands led by others, identical twin brothers François and Louis Moutin formed their own quartet in 1990. More appearances with others followed and then, in 1998, the brothers teamed up again to form this group, the Moutin Reunion Quartet. Bassist François and drummer Louis are both virtuoso players and they have brought into their band two other highly gifted instrumentalists, pianist Pierre de Bethmann and tenor saxophonist Rick Margitza. Playing with flair and imagination a repertoire that is drawn almost exclusively from music written by the brothers, the quartet has built a solid reputation in the past few years thanks to engagements on both sides of the Atlantic and to their CDs of which Something Like Now is the fourth. Vibrant and dynamic, this is a striking contemporary jazz group. (Buy this now ...)
Rob Mullins Standards & More (Planet Mullins RME 06-01 ACD)
Concentrating on piano after mainly playing various keyboard instruments, here Rob Mullins delivers a vibrant set that mixes standards with originals. Recorded live at Steamers Jazz Club in Fullerton, California, Rob is joined here by bassist David Levray, drummer Evan Stone and tenor saxophonist Jimmy Roberts. Dynamic and driving, Rob plays with verve and enthusiasm and although known internationally through his CDs (of which this is his 16th) remains best known in the USA. Surely this must change and this CD might well provide the necessary impetus that will make the difference. Fine playing, always interesting improvisations, and fluid swing combine to make this an exceptional CD. (Buy this now ...)
Matt Munisteri Love Story (Old Cow Music 0001)
An unusual and original singer, guitar player and songwriter, Matt Munisteri is hard to pigeonhole. Love Story, the only CD I have heard of Matt and his band, Brockmumford, is an engaging blend of ingredients that are folkish, with a pinch of country, topped off with a Gallic flavouring. This latter quality is due in large part to accordionist Will Holshauser. Add to all of this a hint of jazz through the admirable trumpet playing of Jon-Erik Kellso and you have something that is disarmingly different and immensely entertaining. In short, it is ... well ... it's Matt Munisteri. If that is not enough for you, take a look at Matt Munisteri's own site. (Buy this now ...)
Mark Murphy Memories Of You (HighNote HCD 7111)
Mark Murphy Once To Every Heart (Verve 06024 9872410)
The first of these releases by Mark Murphy is dedicated to the memory of Joe Williams. For me, this is an excellent example of the fine work done over many years by one of the best of all male jazz singers. By now, Mark's voice has a lived-in sound and admirably suits the material, which is awash with the blues. Mark is very ably accompanied by a band led by pianist/arranger Norman Simmons and completed by Paul Bollenbeck, guitar, Darryl Hall, bass, Grady Tate, drums, and Bill Easley, saxophones. There are no weak moments on what is a highly recommended CD, but mention must be made of 'Memories Of You' that is given an interpretation ranking with the best ever heard.
The second CD, released in 2005 but recorded some three years earlier, teams Mark with an excellent German trumpeter, Till Brönner. The selections are all ballads and are taken with appropriate introspection and are filled with instances of how a good jazz singer, and Mark is certainly that, can make a song his own without damaging the concepts of the composer and lyricist. On most tracks a concert orchestra is featured, appropriately arranged by Nan Schwartz to frame the singer. All in all, this is a real treat and vividly demonstrates that the passing of the years have not in the least dimmed this exceptional artist's talent. It should also send many jazz fans on a search for Brönner's own recordings. Mark's many fans will not need urging, but anyone who has yet to hear him should correct that oversight without delay with either one - or preferably both - of these CDs. (Buy this now ...)
Nanette Natal My Song Of Something (Benyo Music BY 3333)
Nanette Natal Is Love Enough? (Benyo Music BY 3338)
Nanette Natal It's Only A Tune (Benyo Music BY 3339)
Nanette Natal I Must Be Dreaming (Benyo Music BY 3341)
A very good New York-based singer and teacher, Nanette Natal has a vibrant and polished singing style. Her vocal technique is excellent but she never uses it merely for effect, using it instead for the benefit of the songs she sings. The first of these CDs is a reissue of her 1980 release, which consists of seven of her own compositions, is by turn exuberant and reflective. On all of these CDs, Nanette has surrounded herself with some first class instrumentalists including Kuni Mikami (p, ky) and Ed Palermo (ts, f) on the first and on the second, Richard Wyands (p), Warren Vaché (flh), Tim Ferguson (b) and Vince Cherico (d). On the second CD, a 2000 recording, she presents a pleasing mixture of of standards, show tunes and her own compositions. On the third CD, a July 2003 recording released in the Spring of 2004, Nanette is warmly eloquent and an air of relaxed yet sultry sophistication surrounds the session on which she is accompanied by Dan Hovey, guitar, Tim Ferguson, bass, Vince Cherico, drums, and guests alto saxophonist David Brandom, trumpeter Bob Henke, and trombonists Mark Patterson and Art Baron. Nanette offers a selection of delightful ballads all of which are her own compositions. All of these songs are melodic and lyrically insightful and deserve the attention of discerning audiences.
The fourth and most recent CD, released in June 2007, finds Nanette's musical palette widening to accommodate the atmosphere of much that has gone before in jazz - blues and gospel for example - but the lyrics reveal that this is very much music for today. The changing and in many instances darkening political picture in the USA is one that affects all, inside and outside the country, inside or outside of the political stage. Nanette has chosen to address issues about which she feels strongly: poverty, prejudice, fear, injustice and the lies with which they are cloaked. Somehow, though, she has contrived to do so in a manner that retains her essential musicality. (Buy these now ...)
The National Youth Jazz Orchestra Something Old, Something New (NYJCD 023)
The National Youth Jazz Orchestra London Pride (NYJCD 026)
The National Youth Jazz Orchestra When You're Ready (NYJCD 026)
The first of these CDs was released in celebration of NYJO's 40th Anniversary and presents one of its relatively rare vocal albums. In showcasing singer Atila Huseyin, NYJO's founder and director Bill Ashton followed a request by the band: 'We'd all like to do something for Atila.' The result is a set that splendidly blends NYJO's powerful big band music with the vocal sound of a young man with his heart and mind set firmly in the great tradition of sophisticated song styling. The songs themselves are drawn mainly from the near and distant past but with subtly altered or added lyrics. Thanks to superbly crafted arrangements, the result is very much music for today. Peppering the charts are some fine solos by instrumentalists who make clear why NYJO continues as a hot-bed for front-rank jazz talent.
That talent it even more vividly on display on the crackling London Pride set that presents the band in some scorching compositions as well as some delightfully melodic numbers. Among the instrumental soloists on hand are pianist Will Bartlett, trumpeters Freddie Gravita, Henry Armburg-Jennings, saxophonists Tommy Laurence, Dave Shulman, Nik Carter and Simon Meredith, trombonists Jon Stokes and Alistair White and drummer James Maddren. There are also vocalists Atila Huseyin, Francesca Lewis and, making a special appearance, Cleo Laine whose turn comes with husband John Dankworth's arrangement of the Noël Coward song that gives the album its title. Sparkling big band music by a group that maintains the extraordinarily high standards it set itself way back in the 1960s.
The third CD presents the outstanding talents of Evan Jolly. A trumpeter with the band, Jolly is also a key arranger and as is demonstrated here a very effective composer. Half of the dozen tracks here are his work alone, while on the rest he is either co-composer or arranger (or both). As is now expected, the playing is first rate throughout with tight ensemble work and sparkling solos. The latter include tenor saxophonists James Arben and Richard Shepherd, pianist Rob Barron, and trumpeters Henry Armburg Jennings, Rory Simmons and Freddie Gavita, and there is a gust appearance from John Dankworth on the closing tracks. Fans of NYJO will need no urging from me to seek out this latest example of a fine orchestra's work. (Buy these now ...)
Junko Onishi Piano Quintet Suite (Blue Note CDP 7243 8 36483 2 0)
A very satisfying hard bop session led by strikingly gifted Junko Onishi, a powerful and dynamic pianist. Whether as soloist or accompanist, her playing is always inventive. Some of the music played here is Junko's own work, including the 10-minute title track, and shows her deep affinity with the genre. She is the driving force in what is an already strong group of musicians. Bassist Rodney Whitaker and drummer Tony Rabeson provide strong support while trumpeter Marcus Belgrave and alto saxophonist Eiichi Hayashi are at the top of their game. Although recorded in 1995, for Somethin' Else Records, this new release should draw attention to a pianist who deserves to be much more widely heard than has hitherto been the case. (Buy this now ...)
Kat Parra Birds In Flight (JazzMa JMR 1001)
Kat Parra Azucar De Amor (Patois PRCD 005)
A striking singer who brings honesty and integrity to her repertoire, Kat Parra deserves a far wider audience than that she presently enjoys in South and North America. Rich and flowing, her voice demands attention and she delivers wholly satisfying interpretations of a an interesting selection of songs. Although everything is suffused with Latin sounds, on both of these CDs Kat has drawn songs from jazz, the standards and from the rich song books of Brazil and Cuba. Examples on the first CD are Juan Tizol's 'Caravan', 'Softly As In A Morning Sunrise', 'Mas Que Nada', and 'Óleo De Una Mujer Con Sombrero'. On the second can be heard 'A Night In Tunisia', 'Misty' and 'Canción Con Todos'. Also on the second disc, and demonstrating the breadth of Kat's musical interest, are songs drawn from the musical heritage of the Sephardic Jews of old Spain, 'Por La Tu Puerta' and 'Esta Montanya D'Enfrente'. There are also songs of her own that display her songwriting talent. Kat is accompanied here by instrumentalists such as trombonist-arranger Wayne Wallace, pianist Murray Low, flautist Masaru Koga, percussionists Michael Spiro, Ravi Gutala and Paul van Wageningen, and guitarist Rick Vandivier. Throughout these albums, Kat delivers a succession of inventive and exhilarating musical moments. At the end of May 2009, Kat Parra earned a Jazz Journalist Association nomination in the category "Latin Jazz Album of the Year" for Azucar De Amor. (Buy these now ...)
Kat Parra Dos Amantes (JazzMa JMR 1003)
For this 2010 release, Kat Parra has delved deeper than before into an area of music that few other contemporary singers in the USA and northern Europe have explored. This is the music of the Sephardic Jews of Spain. Blending this ancient form with contemporary jazz and Afro Caribbean styles is a leap for the imagination, yet Kat achieves this with seeming ease. Her singing voice has a sinewy edge that suits the material well, be it from 15th century Spain or 20th century Latin America. All the apparently un-mixable ingredients are brought together by Kat to provide 21st century music that should appeal not only to lovers of contemporary jazz but also to the world music audience, the latter being sure to find here music and words that are emotionally rich and moving. Kat is joined on this album by pianist-arranger Murray Low, bassist Peter Barshay and drummer Paul van Wageningen, as well as guest appearances by Katja Cooper, Masaru Koga, Stephanie Antoine, Jason McGuire, Lila Skiar, Michaelle Goerlitz, Ravi Gutala and the Temple Sinai Choir. Other arrangers involved in the music for this date are David Pinto and Oscar Stagnaro. Altogether, this album, with its fiery flamenco, lively Hanukkah, richly rhythmic Caribbean airs is a delight and very warmly recommended. (Buy this now ...)
Rebecca Parris You Don't Know Me (Saying It With Jazz SIWJ 1206)
Although this is Rebecca Parris's tenth album, she still remains elusive to many international enthusiasts of jazz singing and that is a serious loss. Rebecca's vocal sound is mature and immensely satisfying; she delivers lyrics with care and affection, with wit and flair, and her phrasing is exemplary. Recently, ill-health has kept her from the scene but this strong and vibrant session shows that she is back and in outstanding form. She has full command of her remarkable instrument and swings with that appearance of ease that only the best singers can accomplish. Every track hereon is a delight; the songs include 'Weaver Of Dreams', 'Lush Life', 'Don't Go To Strangers', 'My Ship', and 'Too Late Now'. Rebecca is accompanied by a core piano, bass, drums trio of Brad Hatfield, Peter Kontrimas, Matt Gordy (with Jim Lattini replacing Matt on one track). There are also guest instrumentalists on hand, accompanying and soloing with understanding and invention. These guests are Houston Person, tenor saxophone, on three tracks, vibraphonist Gary Burton, on three tracks, and Jerry Bergonzi, tenor saxophone, on five tracks. There is not an indifferent note on this exceptional CD and must surely bring Rebecca the international attention she so richly deserves. (Buy this now ...)
Rosa Passos Amorosa (Sony Classical SK 92068)
Rosa Passos Romance (Telarc CD 83677)
One of Brazil's leading singers, Rosa Passos is also one of the best known of her compatriots in the rest of the world and the first of these fine CDs ably demonstrates why this is so. Rosa sings with eloquent grace, interpreting the lyrics of the songs, several of which are by Antonio Carlos Jobim (to whom the CD is a tribute) with care and understanding. Accompanied by gifted instrumentalists, who include pianist Helio Alves, bassist Paulo Paulelli, and drummer Paulo Braga, Rosa delvers a set of delightful performances. As can be heard throughout, Rosa is also an accomplished guitarist. This CD will add to the lustre of this gifted artist. The second CD has a very strong jazz feel, aided immeasurably by Rosa's excellent phrasing. Once again, the songs are likely to be more familiar to lovers of Brazilian music but the jazz pulse widens the CD's appeal. Rosa is accompanied here by pianist Fábio Torres, bassist Paulo Paulelli again, drummer Celso de Almeida and guest horns include trumpeters Daniel D'Alcântara and Nabor Gomes, saxophonist Vincius Dorin and guitarist Lula Galvao. If you are unfamiliar with Rosa's work then either of these CDs will be a very pleasing introduction. If you are a jazz fan, then go for the second one. (Buy these now ...)
Patrizia All The Things You Are (Patrizia 937 750 020-0)
A mature voice and forceful singing style mark this debut by Patrizia, a lady who has been around for a while but who until now has not recorded. Ably supported by Richard James, piano, Bob Magnusson, bass, Ronnie Stewart, drums, and tenor saxophonist Daniel Jackson, Patrizia swings through a selection of standards with considerable aplomb. The songs Patrizia has chosen include 'It Shouldn't Happen To A Dream', 'An Occasional Man', 'Lover Man', 'Blue Skies' and, of course, the title song of the CD. Nice, earthy interpretations and a sense that a very good time was being had by all make this a lively introduction to this singer. (Buy this now ...)
Mary Pearson You And I (Arkadia Jazz 71325)
This CD is founded in a daringly rare concept, and it is testimony to Mary Pearson's talent that she pulls it off superbly. Every track is a duo, but that alone would not make it a rarity. What does is the fact that Mary has six partners on this CD; three of them are pianists (Lynna Arriale, David Lahm and Fred Hersch), one guitarist (John Hart), one bass player (Harvie Swartz) and one drummer (Steve Davis). The result is a richly varied, intricately shaped and wholly satisfying CD that you will return to again and again. (Buy this now ...)
Denise Perrier The Second Time Around (Chez Perrier CD 53007)
Although hailing originally from New Orleans, Denise Perrier has long been resident in Northern California. There, she has built a solid reputation as a solo singer building upon some decades as a group member and backing singer for many noted artists. Denise's vocal sound is mature and huskily effective. Her phrasing and timing is very good and she brings worldly awareness to this selection of standards. On this CD, she is backed by a solid trio: Tammy Hall, piano, Bootsa Necak, bass and Kent Bryson, drums. On some tracks there is added percussion from Michaelle Goerlitz and, importantly, there are several guest appearances from veteran tenor saxophonist Houston Person. You might have to look hard to find this CD, but the effort will be amply repaid. (Buy this now ...)
Ron Polson That Old Feeling (Louron LR 1)
A pleasing stroll through the Great American Song Book by Ron Polson, an experienced Australian singer. He is accompanied by the quartet led by saxophonist and arranger Laurie Lewis, who also contributes four originals composed in collaboration with Alwyn Lewis. In addition to the quartet there are also occasional guest instrumentalists on hand. The CD is unpretentiously relaxed and should appeal to those who like to hear songs presented the way their composers wrote them. (Buy this now ...)
Odean Pope Two Dreams (Creative Improvised Music Projects CIMP 303)
One of the most authoritative voices on tenor saxophone today, Odean Pope's international reputation is rather less than his striking talent deserves. Although inspired in his earlier years by John Coltrane, Odean is very much his own man and this CD of his own compositions is evidence of that fact. His playing on the mid- and up-tempo titles bristle with energy while in his more relaxed mode his sound is awash with emotion. Throughout, Odean's inventiveness is remarkable and every hearing reveals yet more moments of delight. Even the best of artists benefit from accompanists of quality and on this CD Odean is joined by three men who fulfill that description. Not only is alto saxophonist Carl Grubbs a listening collaborator, he is also a fine soloist in his own right. Completing the quartet are bassist Tyrone Brown and drummer Craig McIver who here offer matchless drive and swing, in addition to which they both have several inspired solos. This CD shines a thoroughly deserved spotlight on Odean Pope, an outstanding musician. (Buy this now ...)
Jonathan Poretz A Lot Of Livin' To Do (Pacific Coast Jazz AFP 121215)
New to me until this CD arrived, Jonathan Poretz is a fine singer of the classic pop repertoire. He takes songs such as 'Come Rain Or Come Shine', 'A Lot Of Livin' To Do', 'I'll Remember April', 'This Time The Dream's On Me' and 'Just One Of Those Things' and gives them a sharp, new edge. His respect for the tradition is evident throughout and he is always melodic and rhythmic. He is accompanied by multi-instrumentalist Noel Jewkes, here playing tenor saxophone, clarinet, flute and valve trombone, pianist Lee Bloom, with shared duties by bassists Pierre Josephs and Jeff Neighbor and drummers Vince Lateano and Harold Jones. This is a very attractive album and one that should appeal strongly to all those who love the great American songbook. Jonathan appears to be based on the west coast and those of you living out there should try to see and hear him live. I don't know for sure, but chances are his gigs are listed on his website. (Buy this now ...)
Chris Potter-Steve Wilson-Terell Stafford-Keith Javors Coming Together (Inarhyme 1002)
Although the background to this release contains elements of tragedy, the result is some exceptional music making by a group formed by some of today's leading young musicians. The session was conceived by the remarkable saxophonist and composer Brendan Edward Romaneck but just two months before the session was set to take place he died suddenly at the age of 24. Later, it was decided to go ahead with the session and with two saxophonists, Chris Potter (tenor and soprano) and Steve Wilson (alto and soprano), joining the rest of the band Romaneck had planned: trumpeter Terell Stafford, pianist Keith Javors, bassist Delbert Feliz and drummer John David. Three of the tracks played ('Nancy With The Laughing Face', 'My Shining Hour' and 'Killing Me Softly With His Song') are well known but are given fresh and delightful performances. The rest of the music hereon is composed by Romaneck and it is eminently clear that his death has robbed contemporary jazz of a melodic master. The solos by trumpeter, pianist and both saxophonists are very good indeed and their playing is buoyed by an exceptionally good rhythm section. (Buy this now ...)
Bill Potts Porgy And Bess & Bye Bye Birdie (Lone Hill Jazz LHJ 10170)
This outstanding CD brings to another generation Bill Potts's overlooked masterpiece. Recorded in January 1959, some six months after the Gil Evans arrangements of this same music for Miles Davis became a classic of modern jazz, Bill's arrangements for this remarkable set are couched in the form of the high-powered big band sound of the period, rather than of bop. Nevertheless, the musicians brought on board for the session were clearly disciples of the new music. And what soloists! It is worth listing the full band because very nearly all have an opportunity to show their solo skills, several of them often, and together they produce some roaring ensemble passages. Personnel: Art Farmer, Harry 'Sweets' Edison, Bernie Glow, Irving 'Marky' Markowitz, Charlie Shavers (t); Bob Brookmeyer (vtb), Frank Rehak, Jimmy Cleveland, Earl Swope, Rod Levitt (tb); Gene Quill, Phil Woods (as), Al Cohn, Zoot Sims (ts), Sol Schlinger (bar); Bill Evans (p), Herbie Powell (g), George Duvivier (b), Charlie Persip (d). Sparkling solos, vivid section work and fiery ensembles all show off the masterly charts. And there's still more to come, because this CD also reissues a session Potts made four years later of his arrangements of the score from a Broadway (and Hollywood) musical. This time the band is a little smaller but still star-studded, including as it does Clark Terry, Joe Newman (t), with Markowitz, Quill and Woods again on hand. More good arrangements, superbly played. This CD, packed to the limits with wonderful music is a must for big band fans. (Buy this now ...)
Prana Trio The Singing Image Of Fire (Circavision CDP 883-2)
Linking contemporary jazz with ancient poetry from Persia and the Far East might seem a step too far, yet drummer Brian Adler, leader of the Prana Trio, achieves this with delicate understanding. Brian's instrumental collaborators here are, collectively, pianists Frank Carlberg and Carmen Staaf, guitarist Robert Lanzetti, and drummers Matt Aronoff and Nathan Goheen. The nature of the project demands a vocalist with perception and musical skill, and Brian finds all these qualities, and more, in Sunny Kim. Adler's music is composed not just to accompany or showcase the poetry but it is inspired by and integrates with the words and philosophical concepts that proved the basis for poets as seemingly disparate as 9th century Indian Shankarcarya and 14th century Iranian Hafiz. Brian's aims are fully met and the resulting CD is not only highly accomplished but also thought-provoking. (Buy this now ...)
Peter Primamore Grancia (Blue Apples 1031)
This debut album by pianist-composer Peter Primamore is a very attractive set of original compositions that highlight Peter's considerable skills. Fluidly floating through distinctive moods, the ensemble players all acquit themselves admirably, yet this is really a showcase for Peter as both composer and pianist. Drawing inspiration from sources that are sometimes startlingly varied - the Allman Brothers, English literature, Brazilian music, matters mystical and earthy - Peter presents a rich tapestry of musical sounds all of which are played (and recorded) impeccably. His accompanists here are too numerous to mention but all play with skill and understanding. (Buy this now ...)
Bruno Råberg Lifelines (Orbis Music OM 0508)
Based in Boston, Swedish-born bassist Bruno Råberg has established an enviable reputation throughout the USA and Europe as a first-class musician. He has played and recorded with many leading figures in jazz and has also made six CDs as leader of his own band. On this double CD, the latest album, Bruno is joined by saxophonist Chris Cheek and guitarist Ben Monder, with drumming duties shared between Ted Poor and Matt Wilson. On the two CDs in this set, the band collectively improvises eight pieces, while the remaining fifteen titles offer an intriguing look at Bruno's considerable talent as a composer. Altogether, this is an excellent opportunity to hear a leading musician, who is also a sought-after teacher through whose work the shape of jazz to come is being fashioned. (Buy this now ...)
Natalie Rae On Wings (Nat Jaz unnumbered)
Natalie Rae & George Murphy Out On A Limb (Independent unnumbered)
A thoroughly delightful singer, Natalie Rae studied with Lennie Tristano back in the early 50s, working with Warne Marsh and others. In 1999, having sung for decades with small and big bands in various parts of the country, and with only a relatively small amount of recorded material to her name, Natalie decided to make On Wings in order to document her skills and experience. Those qualities are in evidence from the outset and she delivers memorable performances of several fine songs. Her mature voice is sinewy and flexible, and she sings with a warmth and maturity that allows her to extract from the lyrics profound depths of emotion. Allied with Natalie on this CD are several fine musicians, and special note must be made of saxophonist Jimmy Halperin, another student of Tristano all those many years ago. In 2001 came the second of these CDs, this one teaming Natalie with singer-guitarist George Murphy in a very attractive set of mainly standards that are treated with great skill and engaging wit. These CDs might well be hard to track down (as always, let me know if you have problems locating a copy) but the pleasures they bring will amply repay the effort made. (Buy these now ...)
Del Rey X-Rey Guitar (Hobemian 005)
Whether she is alone, or in duo, or with a band; whether singing, or playing guitar, or a whole range of other 'picking' instruments, Del Rey possesses a rare and powerful talent. She has a large and thoroughly deserved following, mostly in the Pacific Northwest, and this audience must surely grow as her travels to other parts of the USA and overseas alert jazz and blues fans to her rich talent. Del's repertoire ranges from blues songs, by the likes of Georgia Tom and Memphis Minnie, to original songs, included amongst which is her tribute to the aforementioned lady of the blues. These originals demonstrate Del's skill at writing deftly witty and meaningful lyrics that both reflect and add a contemporary slant to the great tradition of the blues. (Buy this now ...)
Hanna Richardson Something To Remember You By (La-La Records LL 5601)
Hanna Richardson Things Are Looking Up (La-La Records LL 5602)
Hanna Richardson Simply ... With Spirit (Arbors Jazz ARCD 19301)
On the first of these CDs, her recording debut, Hanna Richardson presents a thoughtful take on a selection of delightful songs. Hanna is outspoken in her acclaim of Maxine Sullivan, a lady of impeccable taste, whose treatment of songs was always respectfully understated and this CD is also a tribute to Maxine. Hanna is accompanied here by her musical partner, bassist Phil Flanigan, whose band is rounded out by Keith Ingham (p), Chris Flory (g), Steve Little (d), with guest appearances by Allan Vaché (cl) and Ken Peplowski (cl, ts). Relaxed, unpretentious, always well performed, and thoroughly captivating, this is very rewarding set for anyone who loves to hear good songs well sung. With her follow-up CD, Hanna ably demonstrates that the first was no mere flash-in-the-pan. A very pleasing set on which Hanna explores yet more fine yet un-hackneyed examples of the songwriters' art. This time, the accompaniment again features Hanna's husband, Phil, along with clarinetist-saxophonist John Doughton and drummer Mike Melito, while Chris Flory returns and is joined by fellow-guitarist Bob Sneider. The third set marks the departure of Hanna and Phil from their own label to that operated by Mat and Rachel Domber. The band this time is similar to that on Things Are Looking Up; the difference being Johnny Frigo's violin in place of John Doughton's reeds. The album title comes from a remark made by Ruby Braff about Hanna's singing style. As he did with so many things, Ruby got it absolutely right. Three very attractive CDs, then, from a very good singer. (Buy these now ...)
Carol Robbins Jazz Play (JCTS 105)
The harp has a mixed but interesting history in jazz and Carol Robbins adds ably to that rather short list of practitioners who have made the instrument work in the genre. Joined by guitarist Larry Koonse, bassist Derek Oles, drummer Tim Pleasant and with horn soloists Steve Hufstetter on trumpet and flügelhorn and Bob Sheppard on tenor and soprano saxophones, Carol delivers some attractive and interesting interpretations of music by Bobby Troup, Antonio Carlos Jobim, John Lewis, Luis Bonfá, Johnny Mandel and Jerome Kern, as well as seven of her own compositions. Carol's playing is relaxed and melodic and the set is very easy on the ear. (Buy this now ...)
Sherri Roberts The Sky Could Send You (Blue House/Pacific Coast 70001)
Based in the Bay Area, Sherri Roberts is a pleasing singer with a wide-ranging repertoire and on this, her third CD, she is backed by a fine group of jazz instrumentalists. Principal of these is bass player Harvie S (formerly Harvie Swartz), who was also on Sherri's two previous albums. Others in the band are pianist David Udolf, guitarist John Hart and drummer Vince Cherico as well as guest soloists Lew Soloff, trumpet, Phil Woods, alto saxophone, and Tim Collins, vibraphone. There is a Latin feel to some tracks and percussionists Renato Thoms and Daniel Sadownick help set the scene. Well worth looking out for - either on this CD or, if you too are a Bay-area resident, catching live. (Buy this now ...)
Tad Robinson A New Point Of View (Severn CD 0040)
Smooth soul-blues singer Tad Robinson has been attracting respectful attention over the past few years and this CD shows why. There are sophisticated takes on songs some of which are new while others are familiar but by no means over-exposed. Attractive charts and quality playing from the core band of keyboard player Kevin Anker, guitarist Alex Schultz, bassist Steve Gomes, drummer Robb Stupka and percussionist Victor Williams. On some tracks a large ensemble makes an appearance, scored by Willie Henderson or David Finnell. Pleasing music, well played and sung. (Buy this now ...)
Bob Rodriguez Corridor (CreOp Muse 011)
An aura of contemplative calm enshrouds this fine trio set by pianist Bob Rodriguez. Accompanied by bassist Mike Richmond and drummer Eliot Zigmund, Bob develops ruminative improvisations on his own original themes, 'Corridor', 'Inside', 'It's Not The Dark' and 'Within The Line', as well as studied variations on music by Duke Ellington, John Coltrane, Fritz Kreisler and Richard Rodgers. All eight tracks are lengthy, allowing Bob space to develop ideas rooted in his wide-ranging understanding of jazz piano. A very attractive relaxed set. (Buy this now ...)
Louise Rogers & Rick Strong Bass-ically Speaking (Rilo Records unnumbered)
Fluid singing and playing mark out this duo set by husband and wife team, Louise Rogers and Rick Strong. She sings, he plays bass and they blend with seamless authority in this attractive selection of songs. Both Louise and Rick bring vast experience to their performances and a clear love for their work, is evident in the enjoyment they transmit to the listener. Both are active in education and it is good to know that the next generation is learning from musicians of this calibre. (Buy this now ...)
Erienne Romaine The Scenic Route (Synergy Music SMCD 80031-2)
Although mostly from studio sessions, some tracks were recorded live at a club date on Erienne Romaine's 14th birthday. That is something that is hard to believe given the maturity of sound and interpretation displayed here. Accompanied by a fine band of Denver-based musicians, Erienne gives eloquent performances of some attractive songs, including 'Lush Life', 'Agua De Beber' and 'Bye Bye Blackbird' and others that are less well known and good to hear. Included among these are three originals by Erienne, 'The Nothing That We Are', 'Weapon Of Choice' and 'Serenade Me', which demonstrate that her gifts extend beyond singing. Certainly a talent to watch, but ...
Shortly after this birthday, Erienne was stricken with a brain haemorrhage, a result of hitherto undiagnosed arteriovenous malformation, and her family was faced with huge bills for hospital care and future surgery. Medical insurance proved to be inadequate for what lay ahead for this talented singer; sales of this record helped, but should not have been thought of as 'charity' - this is a fine CD by a gifted artist and one that I feel sure you will enjoy.
Happily, Erienne recovered and in October 2006 she appeared again in concert, which was recorded and released as Victory Concert. Part of the proceeds from sales of this album help pay for Erienne's care and part goes to the Colorado Conservatory for the Jazz Arts.
To buy either of these CDs, go direct to http://www.ErienneRomaine.com where you can also see details of this young singer's present work.
Jim Rotondi Destination Up! (Sharp Nine Records CD 1022-2)
Rising star of post-bop trumpet, Jim Rotondi's growing reputation is still further enhanced by this imaginative set. Joined by the gifted vibraphonist Joe Locke and trombonist Steve Davis, all splendidly backed by the rhythm section of Mulgrew Miller, Peter Washington and Joe Farnsworth, Rotondi's playing crackles with fiery virtuosity. On this album are some of his own compositions, all of them gleaming examples of another facet of his remarkable talent. Clearly, Jim has far to go and on the basis of this set he will accomplish that end, and do so without loss of invention, skill and verve. (Buy this now ...)
Jimmy Rushing His Complete Vanguard Recordings (Vanguard 662093)
Jimmy Rushing Rushing Lullabies (Columbia Legacy CK 65118)
Jimmy Rushing Every Day I Have The Blues (Impulse! 314 547 967 2)
In a very loose sense, Jimmy Rushing's career can be divided into three stages. The first was his tenure with Count Basie in the 1930s and early 1940s; the second lasted for about a decade from the mid-1950s; the third covered the final years of touring with pick-up bands. The first period was sublime, the third was often lacking in vitality (although it is hard to think that his last recording of all, The You And Me That Used To Be, was anything other than his best of all).
All three of these CDs come from the middle period, when Jimmy recorded with some of the best blues and mainstream players around. He is backed here by instrumental soloists who include trumpeters Emmett Berry, Clark Terry, Doc Cheatham and Buck Clayton, trombonists Vic Dickenson, Dicky Wells and Lawrence Brown, saxophonists Earle Warren and Buddy Tate, and pianists Pete Johnson, Sir Charles Thompson and Sam Price. As for the rest of the rhythm section players, on the Vanguard set they are his old Basie stablemates, Freddie Green, Walter Page and Jo Jones, and that is about as good as it gets. The songs reflect the period, too, with their mixture of Basie staples and those that were to become the potentially jaded standbys of the late years. Potentially jaded, because, however many times Jimmy sang 'Goin' To Chicago' and 'Every Day I Have The Blues and `'Exactly Like You', he always gave his audiences his very best.
The first two of these songs appear here, on the Vanguard CD, along with 'See See Rider', 'Sent For You Yesterday', 'Good Morning Blues' and 'Evenin'' - among 24 titles spread over the two CDs that make up the double. Two of these tracks are instrumentals, one of which allows Johnson to reprise his classic, 'Roll 'Em Pete'.
Rushing Lullabies, is also a double; one CD is the original LP of the same title, while the second started life as Little Jimmy Rushing And The Big Brass. On the former, he sings ''Deed I Do', 'Pink Champagne', and 'Russian Lullaby' (of course), among 16 selections. On the latter, Mr Five by Five, is escorted by a mighty big band, with charts by Clayton, Jimmy Mundy and Nat Pierce, and solos from Tate, Clayton, Pierce, Wells, Cheatham, Urbie Green and Coleman Hawkins. The singer swings his way through 'Rosalie', 'June Night', 'Someday Sweetheart' and 'I'm Coming Virginia', among eight sparkling performances.
The song selection on the Impulse! set varies the mixture somewhat. Not as much, perhaps as that final recording session that was still four years in the future, but songs like 'Keep The Faith, Baby' and 'Evil Blues' were not regular items in his repertoire. The accompanying musicians again include stalwarts such as Terry, Wells, and Tate, alongside Kenny Burrell, Shirley Scott, and Dave Frishberg, who would, of course, be the instigator of The You And Me That Used To Be.
Any one of these CDs is worth having and for anyone unfamiliar with this fine singer's work the first two will provide admirable introductions to one of my three favourite male singers. (Buy these now ...)
Sandi Russell Incandescent (Freedom Song FSSR 1001)
Sandi Russell Sweet Thunder (33 Jazz 165)
Resident for several years in the UK, Sandi Russell is New York-born and has successfully toured her one-woman show, Render Me My Song, a history of African American women writers in words and music. This is the context in which I first heard her; that was in 1996 and although I missed her debut CD, 1998s Live At The Pizza On The Park, the long wait for these CDs has been worthwhile. On Incandescent Sandi is in excellent form. Mature and fluid in her vocal sound and interpretations, she is a commanding presence and with the backing of some fine musicians the result is an experience just as impressive as that when I first heard her. There are no weak tracks and the repertoire is a good mix of popular and jazz songs, with one or two lesser known but attractive items. Sandi has on board an exceptionally good rhythm section: Dave Newton, piano, Andy Clynedert, bass, and Steve Brown, drums. This CD is very warmly recommended and if you have trouble finding it, check Sandi's website detailed on my Links page.
I had the privilege of writing the liner notes for Sandi's new CD, Sweet Thunder, which has among her accompanists David Murray, Guy Barker and Alan Skidmore. On this album, Sandi delivers outstanding interpretations of many fine songs, including 'The Nearness Of You', 'Send In The Clowns', 'A Night In Tunisia', 'Spring Can Really Hang You Up The Most' and her own 'Given Time' and 'Feet On The Ground', both written in collaboration with Dave Newton. The following is a brief extract from my notes:
Sandi is exceptional because she is a mature, worldly woman with ample experience of music and of life. She knows what to sing, how to sing the songs she chooses, and who to have by her side as she does it.
Sandi’s repertoire is exemplary, blending the familiar with the forgotten, the overlooked with the overused (which she recreates in vibrant fashion), and adding in an occasional example of her own lyric-writing skills. As for her accompanists, they are all outstanding exponents of their art. Collectively, singer and instrumentalists, allied to an excellent repertoire, present a remarkable album that is worth having in every delightful detail.
Mature and confident, Sandi’s vocal sound allows her to bring to her material musical and textual undercurrents that make her interpretations more than merely entertaining songs – although they are certainly that. These performances, rich in musical knowledge and lyrical subtexts, are a joy to hear and will linger for a long, long time when the ephemera that abounds today has been forgotten.
Jackie Ryan Passion Flower (Open Art OA 07272)
Jackie Ryan You And The Night And The Music (Open Art OA 07292)
A vivid singer with a rich contralto voice, Jackie Ryan's international reputation is steadily growing and this CD will surely extend her audience. She displays a sense of warm maturity in her choice of songs and the approach she takes to them. Jackie delivers her interpretations with fine diction, excellent phrasing, an unfettered sense of swing, all of which is rounded out by an effective no-unnecessary-frills style of performance. Jackie is of Mexican and Irish-American parentage and incorporates into her repertoire some attractive Latin songs. Her accompanists on the first of these albums, from 2002, include pianist Larry Vuckovich, bassist Jeff Chambers and drummer Eddie Marshall, along with guest horns Allen Smith, trumpet, and Noel Jewkes, saxophone. The second CD comes from 2006 and features guest tenor saxophonist Red Holloway, harpist Carol Robbins, and the rhythm team of pianist Tamir Hendelman, guitarist Larry Koonse, bassist Christoph Luty and drummer Jeff Hamilton. Mostly, Jackie's songs are from the Great American Song Book, and they are sung with graceful flair and thorough understanding of the lyrics of the songs. This is an exceptionally good singer (who can also be heard on a Wayne Wallace CD mentioned below) and one whom you should waste no time in hearing. (Buy these now ...)
Spider Saloff Sextet (Kopaestehtics 2936-6013-2)
A strikingly gifted jazz singer, Spider Saloff also has a commendable flair for ballads. On this admirable set, she swings through a very attractive selection of songs ably backed by the rhythm section of pianist John Collianni, bassist Ray Drummond and drummer Klaus Suonsaari. Also on hand with some fine solos are trumpeter Tom Harrell and saxophonist Nick Brignola, while Bobby Sanabria adds some colourful percussion touches. Spider's approach to her work demonstrates her understanding of the genre and material, while her musical integrity is displayed through the care and intelligence with which she performs. Based in Chicago, Spider is a singer you should take the time and trouble to seek out. You will certainly not be disappointed. (Buy this now ...)
Saltman Knowles Return Of The Composer (Pacific Coast Jazz PJ 74100)
This very attractive contemporary jazz set presents the work of composers Mark Saltman, who plays bass, and William Knowles, who plays piano. The compositions are key here and very good they are too, with both men displaying a marked liking for and ability with the often-overlooked melodic aspects of music. Whether lively mid-tempo pieces or thoughtful ballads, their work is always appealing. The two co-leaders are joined by Lori Williams-Chisholm, who uses her voice instrumentally both as a front-line and an ensemble instrument; and drummer Jimmy 'Junebug' Jackson, who plays throughout with subtle support. Guest horns are saxophonist Robert Landham and trumpeter Alvin Trask. This is a fine example of all that is good in contemporary jazz and this Washington DC-based band certainly deserves an international hearing. (Buy this now ...)
Massimo Sammi First Day (unlabelled unnumbered)
Massimo Sammi's inspiration for the music he composed for this, his debut album, was the film, A Beautiful Mind. As might be expected, therefore, there is a measure of abstraction, a detached other-worldliness, that takes the listener on a journey that is always interesting and often revealing. Guitarist Massimo is accompanied here by like-minded musical explorers, George Garzone, tenor and soprano saxophones, John Lockwood, bass, Yoron Israel, drums, and singer Dominique Eade. Together, these thoughtful and inventive musicians follow Massimo's lead as he in turn follows some of the troubled passages in the life of mathematician John Forbes Nash, whose story was traced in the film. Massimo and his musical companions are able to make readily accessible the necessarily intellectual demands on the listener. (Buy this now ...)
Michelle Samuels Across A Crowded Room (unlabelled unnumbered)
With this, her debut CD, Michelle Samuels stakes a claim to future recognition. Although still young, she has a mature sound and her approach to the material, mainly standards, displays good taste and intelligence. She is accompanied here by pianist Adam Asarnow, bassist Steve La Spina, guitarist Paul Meyers and drummer Rich De Rosa. The presence of singer Anne Phillips as producer has ensured a polished glow to what must surely be only the first of many CDs from this singer. (Buy this now ...)
Jody Sandhaus A Fine Spring Morning (Consolidated Artists Productions CAP 981)
This very attractive album from Jody Sandhaus enhances her already secure reputation among the discerning fans of quality jazz singing. Backed by the solidly swinging trio of pianist Pete Malinverni, bassist Todd Coolman, and drummer Leroy Williams, Jody presents an interesting repertoire that mixes well-known standards with some gems from leading composers that are less well known than should be the case. Indeed, this last comment might reasonably be applied to this fine singer who richly deserves the attention of a far wider audience than has so far been the case. This CD could well be the one that makes the breakthrough into international acceptance and acclaim. Those of you who have encountered Jody before now will need no further urging to add this to your collection. (Buy this now ...)
Gene Segal Hypnotic (Innova 726)
The durability of the electric organ trio is immediately apparent from this debut album by Russian-born, New York-based guitarist Gene Segal. Although the concept harks back to an earlier time in jazz, the manner in which Gene approaches the music here is very much of today. Gene's guitar is ably aided by the organ of Sam Barsh and the drums of Matt Kane. Also on hand on some tracks to vary the ensemble sound and deliver fine solos are trumpeter Jonathan Powell, and saxophonists Mike Sim and Bryan Beninghove. Although the aural effect is very much of today, the solid groove of past organ trios is consistently apparent not only when it is just the three men but also when others are on hand. Indeed, the tightness of the larger groups is striking. (Buy this now ...)
Janet Seidel The Way You Wear Your Hat (La Brava LB 9801)
Janet Seidel Comme Ci, Comme Ça (La Brava LB 0033)
Janet Seidel Doris & Me (La Brava LB 0038)
Janet Seidel Don't Smoke In Bed (La Brava LB 0050)
Janet Seidel Hooray For Christmas (La Brava LB 0065)
Janet Seidel Delovely (La Brava LB 0070)
Janet Seidel Moon Of Manakoora (La Brava LB 0068)
Although this exceptionally gifted Australian singer draws her repertoire largely from the Great American Song Book, she also loves French songs and that predilection makes itself apparent here. The first of these CDs is a double, a studio recording and a live concert - the latter recorded at the Art Gallery of South Australia during an exhibition of all things French. The second CD takes the French connection several steps further as Janet deftly shapes her selection of songs into jazz works without ever losing any of their original intrinsically Gallic flavour. Her accompanists include her brother, David Seidel, who, in addition to playing bass, is co-owner with Janet of this record company. Over the years, Janet has widely and happily acknowledged some of her inspirators and she pays tribute to two of them with the second pair of CDs. As the album titles make clear, they are Doris Day and Peggy Lee. Far too original and honest to fall into the trap of copying, Janet draws on repertoire rather than vocal sound, although here and there are astute hints of stylistic awareness. The first of these sets is actually Janet's similarly titled cabaret show and she also plays piano, zipping through 31 songs in a beautifully relaxed yet rhythmic manner, the two ingredients one most associates with Day. As just a glance at the song titles on the fourth CD indicates, Lee placed her indelible and magical mark on many songs: 'Black Coffee', 'He's A Tramp', 'Fever', 'I Don't Know Enough About You', 'Mr Wonderful', 'The Folks Who Live On The Hill', 'Street Of Dreams'. It is a measure of Janet's skill, sincerity and admiration that during her performance it is to her own interpretations of these wonderful songs that all attention is drawn.
As for the 2004 release of Christmas songs, do not be misled into thinking that this is a CD for playing only during the holiday season. By no means is this so; you will find yourself playing it whatever the time of year. Janet is without question, a singer for all seasons. Janet's next release finds her in concert at The Woodfire, a popular Sydney venue. Recorded without overdubs and unedited, apart from taking out some of the inter-tune talk (the show last longer than even a well-packed CD can accommodate), this set has Janet accompanying herself at the piano with David on bass and Chuck Morgan on guitar. All the music hereon is by Cole Porter, with which it is clear that Janet has a real affinity. Hold on to your hats, but Moon Of Manakoora includes the hitherto non-jazz sound of a ukulele. During a 2004 visit to Japan, Janet was accompanied at a concert by David and Chuck. The guitarist had that day bought a ukulele and the audience not only spotted the instrument, but turned out to be made up in large part of ukulele admirers. They demanded that he play his new instrument and rather than cause an international incident, he did so. They gave him a standing ovation and it's not hard to see why. At this subsequent recording session he was persuaded to feature the instrument again and his skill is startling. At heart, though, he is a jazz player and it shows, so doubters can be reassured. Ably abetted by David's bass and percussionists Billy Ross on some tracks and Laurie Bennett on others, Chuck helps provide Janet with an exhilarating backing for some fine vocals on an attractive selection of songs that include 'When Lights Are Low', 'Twilight Time', 'Delicado', 'Don't Be That Way', 'Deep Purple', 'April In Portugal' and, of course, the title song of the album.
Throughout all of these CDs, Janet is backed by instrumentalists who collectively and individually vividly demonstrate the great jazz strengths that lie in Australia. Increasingly in recent years, Janet has played outside Australia and the Far East; hence her audience in the UK and the USA is growing just as is deserved by a singer with her talent. Recent tours of Europe have helped change that, and listening to these or any other of the excellent CDs she has made can only enhance Janet's reputation. (Buy these now ...)
Jim Self Inner Play (Basset Hound Music BHR 109-2)
A jazz album by a tuba player with strings? Well, yes, actually, because Jim Self is no ordinary tuba player. With skill and swing and originality in concept and phrasing, Jim has produced an attractive album that will undoubtedly surprise many. Jim has chosen some good songs, including pieces by jazzmen Herbie Hancock, Clare Fischer and Horace Silver alongside standards by Isham Jones and George Gershwin. In addition to Jay Rosen's 25-piece string orchestra, Jim has also brought on board several guest soloists, including saxophonists Pete Christlieb, Gary Foster and Dan Higgins, and some fine rhythm section players. In addition to the tuba, on some tracks Jim also plays the 'fluba' a combination of flugelhorn and tuba. This CD is one that might well introduce you to a new name, although Jim has been around for quite some while and has earned a secure reputation among his jazz world peers. This CD tells you why. (Buy this now ...)
Vince Seneri Street Talk (SenFul SF 002)
One of the new generation of Hammond B3 players, and one very much in touch with the Jimmy Smith roots of the form, Vince Seneri presents a vibrant and exhilarating set. The core band includes guitarist Bob DeVos, drummer Buddy Williams and percussionist Gary Fritz. Guest horns are Dave Valentin, flute, on three of the twelve tracks, and tenor saxophonists David 'Fathead' Newman, two track, and Houston Person, three tracks. Everything goes with a fluid swing and drive that allows everyone in the band to show their special skills. One track, 'Steamrollin'', is one of Vince's compositions, a tribute to Jimmy Smith, and has that laid-back groove of which the dedicatee was a master. Good, attractive music making by someone who deserves to be much better known on the international stage. (Buy this now ...)
Ian Shaw Soho Stories (Milestone MCD 9316 2)
Ian Shaw Drawn To All Things (Linn AKD 276)
One of the most strikingly gifted singers in decades, Ian Shaw applies his wide ranging vocal sound to a delightfully varied selection of songs. On the first of these CDs, whether he is interpreting the nuances of meaning in a ballad, such as 'Tomorrow Never Came', or improvising deftly on the seriously swinging 'Comes Love', Ian makes clear why he is so highly regarded by today's jazz audience. Admiration does not end with the fans because he is also a favourite of critics and, perhaps even more significantly, he is respected by the instrumentalists with whom he performs. The reason for this universal acclaim swiftly becomes apparent when listening to the manner in which he treats the songs he sings. More than most of his peers in the crowded world of the jazz singer, Ian is an immensely talented musician who just happens to be a singer. That his audience should continue to grow with every release, and every live appearance, is happily inevitable. The instrumentalists gathered for this session, which was recorded in New York City, include pianist James Pearson , saxophonists Eric Alexander and Bob Kindred, and trumpeter Lew Soloff. Cedar Walton guests on piano on one track, his own 'Be Sure I'll Let You Know', for which Ian wrote the lyrics. Everywhere on this wholly admirable CD, the reason for the acclaim Ian garners from fans and fellow musicians is immediately apparent: Class tells.
The second CD has been eagerly awaited by many, certainly by me, and it has been well worth the (very long) wait. Ian is not only in splendid form, he has also vividly demonstrated his lively sense of adventure by drawing his repertoire from songs not usually tackled by or even associated with jazz. The subtitle of this set is The Songs Of Joni Mitchell and Ian declares his admiration for this artist through his fluent exploration of a singer-songwriter of exceptional talent. Throughout this hugely enjoyable set there are countless moments of sublime singing and it is clear with every song that this is a major singer at the very top of his game. Fans of Ian will need no urging from me to buy this CD; those who are unfamiliar with his work or who have yet to pay him the attention he deserves paid should take immediate steps to rectify this omission. (Buy these now ...)
George Shearing Live At Birdland 1952 (Baldwin Street Music BJG 503)
Recorded off air by the legendary Boris Rose, the tracks on this CD find George Shearing at the moment of his breakthrough into international fame. The performance of 'Lullaby Of Birdland' heard here was broadcast just a couple of days after George's recording of the tune that was to make him famous. Apt that it should be heard here at the club for which it is named. Excerpts come from three different broadcasts and for good measure an already packed CD includes a couple of studio tracks. On most tracks the quintet is rounded out by Joe Roland, vibraphone, Dick Garcia, guitar, Al McKibbon, bass, and Marquis Foster, drums. Also to be heard are drummer Bill Clark, guitarist Toots Thielemans, and as icing on an already tasty cake, the woefully neglected Teddi King sings on four tracks. This is promised as the first of several CDs recorded by the band at Birdland - provided that sales of this one make it worthwhile. So, (Buy this now ...)
Marcus Shelby Jazz Orchestra Harriet Tubman (Noir Records NR 51)
This exceptionally good album pays tribute to one of the major figures in the story of the black experience in America. Here, composer Shelby traces the story of Harriet Tubman, born into slavery, who not only escaped aided others in their bid for freedom and survived into the post-slavery period and became an early campaigner for what would eventually be labeled Civil Rights. The music sparkles with the power and determination of the woman it portrays. The playing is exceptionally good, whether in ensemble or the fiery solos that abound. There are several singers on hand, for this work is an oratorio, with the central role performed by Faye Carol whose world-weary voice beautifully captures the essence of a remarkable woman. This is a very good CD if regarded only as a big band album. Drawing in the other elements, especially its contemporary view of a noble historic figure, it is outstanding. (Buy this now ...)
Daryl Sherman Born To Swing (Audiophile ACD 316)
Daryl Sherman & Dave McKenna Jubilee (Arbors Records ARCD 19224)
Daryl Sherman A Hundred Million Miracles (Arbors Records ARCD 19279)
Daryl Sherman Guess Who's In Town! (Arbors Records ARCD 19341)
Daryl Sherman New O'leans (Audiophile ACD 321)
Daryl Sherman Johnny Mercer: A Centennial Tribute (Arbors Records ARCD 19388)
Smooth, eloquent, sparkling and always living up to the title of the first of these CDs, Daryl Sherman displays why she is so popular, especially with New York audiences where she is resident. She is now spreading her talent farther afield, thanks to concert, club and festival appearances in the UK and other countries. On Born To Swing, she appears with a swinging small band led by James Chirillo that includes Ed Polcer, Jim Sheridan, Joe Ascione and special guest Kenny Davern. On Jubilee, Daryl teams up with stride piano master Dave McKenna for a marvellous selection of songs from shows, movies and the Great American Song Book. Joe Cohn, Frank Tate and Terry Clarke lend a rhythmic hand.
The third listed CD, A Hundred Million Miracles, is a tribute to the melodic music of Richard Rodgers. The result is a fine selection of songs that allow Daryl to perform exemplary interpretations of lyrics by witty Lorenz Hart and romantic Oscar Hammerstein. To the core rhythm section work of guitarists Chirillo and Cohn and bassist Boots Malleson and, of course, Daryl's piano, are added tenor saxophonist Houston Person on two tracks, the cornet of Ruby Braff on one track, while on two of the songs Daryl is joined by fellow singer-pianist, the inimitable Bob Dorough. Daryl's voice, light, sweet and true, is a real treasure; added to this is a seemingly effortless swing that marks all of her work. I cannot ever recall hearing Daryl sing a note that wasn't true; sing a song that was not improved by her performance; or bring to an audience anything less than total dedication to her craft.
Having lavished so much well-deserved praise on the first three admirable CDs, it is a genuine delight to say that the fourth is up to the same very high standards. As always, she has carefully selected a group of songs that are mostly familiar and yet not overused; 'I Concentrate On You', 'Underneath The Arches' (a song that very probably echoes mostly with British audiences, Duke Ellington's 'Love You Madly', 'Angel Eyes', 'Then I'll Be Tired Of You'. The last is a message I for one will never send to this exceptionally gifted singer. Daryl's companions here are guitarist Jon Wheatley and bassist Dave Green, with guests Harry Allen, tenor saxophone, on three tracks, Vince Giordano, bass saxophone on three tracks, and on one track, bassist Jay Leonhart. Everyone performs with distinction, resulting in a release that should not be missed by anyone who loves good songs beautifully played and sung by a true artist.
The fifth CD, was inspired by Daryl's concern at the disaster that befell the city of New Orleans when Hurricane Katrina struck. That, and the ensuing distress to the residents of that great city - and which have yet to be satisfactorily resolved - might not seem like something to sing about, but Daryl finds lyrics that are appropriate and often moving. Accompanied again by James Chirillo, with clarinetist/tenor saxophonist Tom Fischer, bassist Al Menard, and guest trumpeter Connie Jones, Daryl paints a haunting picture of a city that has given so much to the world and now needs much in return.
Daryl's latest CD is another tribute to a songwriter, this time the master of colloquial American lyrics, Johnny Mercer. The song selection is excellent, mingling expected classics with unexpected forgotten gems. Mercer's linguistic gifts are displayed on 'Midnight Sun'; his throwaway comedic touch is evident on 'The Bathtub Ran Over Again'; his unsentimental romanticism flows on 'Come Rain Or Come Shine'. Mercer was not only a lyricist, he also composed some songs, among them 'Dream'. Daryl is accompanied, collectively, by trombonist Wycliffe Gordon, notably on 'Dream' (and he also joins Daryl on a couple of vocals), alto saxophonist Jerry Dodgion, especially effective on 'Little Ingenue' and 'Charade', guitarist Howard Alden, fleet and subtly inventive throughout, as are bassist Jay Leonhart and drummer Chuck Redd (who doubles on vibraphone on 'Midnight Sun'). The instrumental solos that pepper the songs are never less than very good indeed and often sublime. There are also two guest pianists: Barbara Carroll accompanies Daryl's vocal on 'I Thought About You' with skill and empathy, soloing with flair and elegance; the same remark can also be made of Marian McPartland who appears, appropriately, on her own composition, 'Twilight World'. This is an especially good album, bringing out all of Daryl's musical skills and providing many moments that are moving or witty or joyful. As you might guess, this CD is very warmly recommended. (Buy these now ...)
Mark Sherman The Motive Series (Consolidated Artists Productions CAP 980)
An exceptionally talented vibraphone player, Mark Sherman is also a gifted composer and improviser as is vividly demonstrated on this set on which all but two tracks are originals. Mark's fluid playing is enhanced by the rich tone he persuades from the instrument. He is very ably backed here by fellow New York musicians Allen Farnham, piano, Phil Palombi, bass, and Tim Horner, drums. Thoroughly contemporary yet simultaneously very accessible and swinging from start to finish, this is a real treat for fans of today's scene as well as those who sometimes think that the good times are behind us. Not when there are musicians like Mark around they're not. Tenor saxophonist Michael Brecker guests on two tracks; icing on an already rich cake. (Buy this now ...)
Art Sherrod Jr Seasons (Pacific Coast Jazz PJ 82204)
A pleasing selection of smooth themes played by alto, soprano and tenor saxophonist Al Sherrod who is fast gaining a reputation for accomplished music making. On this CD, his second, Al is joined by some talented musicians, among them Eric Valentine, who also composed several of the pieces hereon. Also here are Chuck Loeb, Frank McComb, Tracy Hamlin, Gerald Albright and Will Downing. Relaxed music that has a dancing groove and should appeal to the younger generation of smooth jazz fans. (Buy this now ...)
Rebecca Shrimpton & Eric Hofbauer Madman's Moon (Creative Nation Music CNM 007)
A rich vocal sound allied to emotional intensity and an intriguingly personal approach to her material helps make Rebecca Shrimpton different from most of today's singers in and around the edges of the jazz world. Ably abetted by guitarist Eric Hofbauer, who is an equal partner and not merely an accompanist, Rebecca offers unusual takes on familiar songs, and also sings some attractive yet little heard pieces. Her two original songs, 'Walking With Sam' and 'I'm In A Mood', demonstrate that her talent does not end with performance. On some tracks, Rebecca and Eric are joined by guest instrumentalists Allan Chase, on soprano and alto saxophones, and Scott Barnum, on double bass. Altogether an entertaining and interesting debut from two musicians who must surely be here to stay. (Buy this now ...)
Judi Silvano & Mal Waldron Riding A Zephyr (Soul Note 121248-22)
Judi Silvano Let Yourself Go (ZoHo ZM 200412)
Judi Silvano Women's Work Live At Sweet Rhythm NYC (JSL Records 006)
On the first of these three splendid CDs, you hear a many-layered collaboration between one of the newer stars of jazz singing and a veteran jazz pianist-composer, this CD contains numerous examples of their disparate yet wholly compatible talents. Since her mid-1980s appearance on the jazz scene, Judi has justly built a strong reputation; at first this was mainly in New York City and along the eastern seaboard, but she is now known nationally and internationally. Her still growing reputation will be significantly enhanced by this CD. As a sideman, Mal Waldron's credits are impressive; among the leaders with whom he has worked are John Coltrane, Eric Dolphy, Art Farmer, Steve Lacy and, most notably, Charles Mingus. In the late 1950s he was accompanist to Billie Holiday and later to Abbey Lincoln. As a composer, he was written not only jazz works but also for films and for the ballet. All of the songs on this CD are his compositions, for several of which Judi has written lyrics. The result is a rewarding, often intense, musical experience; one that will be especially valued by those with an ear for those new departures in jazz that expand and enhance the repertoire.
On the second CD, Judi turns to the Great American Song Book, but to these familiar popular classic she brings inventive wit that complements the intentions of the original composers and lyricists, among whom are numbered Irving Berlin, Harold Arlen, Harry Warren, Rodgers and Hart, the Gershwins, and Cole Porter. This is exceptional jazz singing and Judi is ably supported by a stellar cast that includes pianist-arranger Mike Abene, bassist Rufus Reid, trumpeter Ingrid Jensen, and saxophonist Dick Oatts. The third set is a recent outing by Judi prepared especially to celebrate Women's History Month. All the compositions hereon are by women, and the accompanying trio are also women. The composers include Mary Lou Williams, Sheila Jordan, Meredith D'Ambrosia, Carla Bley and Bessie Smith, as well as Judi herself. The songs, all very good indeed, are much less well known than they deserve and they must surely enter the repertoire of other singers. The trio consists of Janice Friedman, piano (also co-composer of one song with Judi), Jennifer Vincent, bass, and Allison Miller, drums. Playing and singing here is exceptional, and as a group these four musicians blend with unforced subtlety. An exceptionally attractive album and another important milestone in Judi's career. (Buy these now ...)
Carol Sloane Something Cool (Choice CHCD 71025)
Carol Sloane Carol Sings (Audiophile ACD 211)
Carol Sloane The Songs Carmen Sang (Concord Jazz CCD 4663)
Carol Sloane I Never Went Away (HighNote HCD 7085)
Carol Sloane Whisper Sweet (HighNote HCD 7113)
Carol Sloane Dearest Duke (Arbors ARCD 19350)
The first of these CDs is a welcome reissue of Carol's 1979 recording, which vividly demonstrates how good she was back then. This attractive selection of songs was recorded not long after she returned from a recording absence of 15 years. Ably backed by a first rate rhythm section: Ben Aronov, George Mraz and Joe LaBarbera, and with contributions from alto saxophonist Norris Turney, Carol swings mightily, articulating with clarity and elan some devilishly difficult lyrics. The second CD is another reissue, this one dating from 1985 and again Mraz and LaBarbera are in attendance along with the inimitable Jimmy Rowles on piano and guests Frank Wess (ts) and Norris Turney (as). The whole set is a relaxed, swinging joy.
The word swinging comes instantly to mind with the third of these CDs, which dates from 1995. Indeed, with a scorching opening track, on which she is joined by the fiery alto of Phil Woods, Carol makes clear that there are few rivals she need fear in the world of today's jazz singers. She is in excellent form, and so is Phil, and mention must also be made of a tireless rhythm section: Bill Charlap (p), Michael Moore (b), Ron Vincent (d). Next of these albums, and most aptly titled, is I Never Went Away, a 2001 recording on which Carol is joined by another front rank rhythm team: Norman Simmons (p), Paul Bollenback (g), Steve La Spina (b) and Kenny Washington (d), with the reeds of Bill Easley. Eloquent, persuasive, subtly swinging, she is in terrific form. And that form is maintained with the 2003 release, Whisper Sweet, whereon she again has Norman Simmons and Paul Bollenback, along with bassist Paul West and drummer Grady Tate, while guest tenor saxophonist Houston Person lends his inimitable touch on four tracks.
Next and latest, is the 2007 release, Dearest Duke, dedicated, of course, to Duke Ellington. Unusually, Carol's chosen partners here are pianist Brad Hatfield and tenor saxophonist/clarinetist Ken Peplowski. Mostly, Carol has selected ballads, but there are a few tracks with the languid bounce that marked so many of his compositions. There are many familiar pieces of Ellingtonia, 'Sophisticated Lady', 'Solitude', 'Mood Indigo', while others are heard rather less often, but all are performed with stylish elegance. The solos by Brad and Ken are all very good indeed and their accompaniment even better than that, which allied to Carol's impeccable singing makes this an album to treasure. Of all the many jazz singers performing today, very few have the enormous talent that Carol displays in everything that she does. Anything that bears her name is an assurance of jazz singing at its very best. She is, in a word, superb. (Buy these now ...)
Carrie Smith Gospel Time (Black & Blue BB 949.2)
A reissue of Carrie's glorious 1982 session in which she set down some hand-clapping, foot-stomping gems from the great repertoire of gospel music. Being Carrie, a penchant for the blues is never far away and, like her great progenitors in gospel music, she swings from start to finish. You don't need to be a believer to be caught up in the fervour of this wonderful singing. Carrie is accompanied by two other singers, Constance Speed and Clifford Jamerson, and pianist Andre Franklin and drummer Oliver Jackson, and the result is an exhilarating experience. (Buy this now ...)
Daniel Smith Bebop Bassoon (Zah Zah ZZCD 9820)
A striking set of bebop classics played by classical bassoon master Daniel Smith. The music hereon includes compositions by Miles, Bird, Trane, Monk and other masters of the genre. The deep and sinuous sound of the instrument, a rarity in jazz, offers a different angle on pieces such as 'All Blues, 'Anthropology', 'Up Against The Wall'. Blue Monk, as well as Sonny Rollins' 'Doxy' and Dexter Gordon's 'Sticky Wicket'. Daniel is supported by the rhythm section of pianist Martin Bejerano, bassist John Sullivan and drummer Ludwig Alfonso. Daniel's virtuoso playing of the bassoon is challenged by the complexities of some of the pieces he plays and throughout he confidently displays his mastery not only of the instrument but also of the form. This CD is very worthy of your attention. (Buy this now ...)
Ronny Smith Just Groovin' (Pacific Coast Jazz PJ 82300)
A smoothly inventive guitarist, Ronny Smith has already built a name for himself thanks in part to four previous CDs. Here, Ronny embarks on a rhythmic set that fully endorses the album title. He is ably abetted by several instrumentalists, including, collectively, Alan Alexander and Jeff Knoettner, piano and keyboards, Vernell Mincey, drums, saxophonist Scott Martin, trumpeter Stan Martin, trombonist Andy Martin and three bass guitarists, Karl McNeil, Sam Bates and Tony Whitfield. Always rhythmic, Ronny's music is simultaneously melodic and in addition to his performing ability it also demonstrates his composing and arranging skills. This new CD should help expand still further his ever-widening fan base. (Due for release May 2009 - Advance order this now ...)
Stephen Smith When Lights Are Low (American Vocal Heritage 101)
Despite a lifelong interest in music it was not until the last few years that Stephen Smith's love of singing led him to make his recording debut. His voice has a welcome maturity and he interprets a selection of standards with aplomb. Accompanied by an able rhythm section and tenor saxophonist Jay Sylva, Stephen performs a very agreeable selection of standards. While this CD might possibly be hard to find (if in difficulty ask), it is well worth the effort. (Buy this now ...)
Lisa Sokolov Presence (Laughing Horse LHR 1011)
Although this is Lisa Sokolov's third CD as leader, it is the first I have heard and only now realize what I have been missing. An uncompromising jazz singer, Lisa has worked extensively with instrumentalists on New York's contemporary jazz and improvised music scenes, notably William Parker. Lisa's repertoire draws from great song standards, reconstructed in her own distinctive manner, songs from contemporary pop, and her own compositions. Her intense and meaningful delivery of lyrics allied as it is to a clear and fluid vocal sound makes this singer one whose work is always accessible while simultaneously very much of the moment. Although most songs here are studio recordings, included in this set are excerpts from live recordings made in 2002 at the Tampere Jazz Happening, Finland, and at New York's Vision Festival. On some tracks, Lisa accompanies herself on piano and elsewhere is joined by pianist John DiMartino, bassist Cameron Brown and drummer Gerry Hemingway. (Buy this now ...)
Solar Suns Of Cosmic Consciousness (Aztac AZ 001)
This is a lively and rhythmic foray into contemporary jazz and Latin music by a trio of young musicians: pianist Eli Yamin, bassist Adam Bernstein and percussionist Andy Demos. From their stylistic approach and their repertoire, it is clear that these three are fully aware of the long history of the music they play. Although most of the music is their own, they also perform one work each by Charles Mingus and Thelonious Monk, and they close the set with a Sun Ra composition. Interesting and fiery, and very well played, this is a contemporary set of always accessible music. (Buy this now ...)
Chip Stephens Holding On To What Counts (Capri 7408-2)
An experienced teacher, with several years at the University of Colorado and Youngstown State University to his credit, Chip Stephens is also an in-demand sideman. He has played notably with Arturo Sandoval and has also backed musicians as varied as Tito Puente and Maynard Ferguson, Clark Terry and Ernie Krivda, Ingrid Jensen and Nelson Rangell. Here, he leads an able trio in a set that mingles his own compositions with pieces written by or associated with jazz masters such as Miles Davis, Thelonious Monk and Horace Silver. The result is an engaging and very well played demonstration of why Chip is held in such high regard in Colorado - and by the way showing how much those outside the state boundaries are missing. Chip's companions here are bassist Ken Walker and drummer Todd Reid and their contributions are apposite and swinging. Attractive music by talented players who deserve widespread attention. (Buy this now ...)
Bob Stewart I Concentrate On You (VWC Records CDVD 4114)
Bob Stewart Did I Remember (VWC Records VWCD 4110)
A meaningful name to older fans, Bob Stewart was noted for his fine work half a century ago but rock 'n' roll came along and Bob chose another life - captaining a charter boat. In the last few years, he has been singing for fun in and around New York and New Jersey and has found himself once again in demand. On the first of these CDs the music is drawn from two sessions, recorded in 2002 and 2004, on which Bob is backed by some very fine instrumentalists. On the earlier set, he is accompanied by Sir Roland Hanna (on what was to be one of the pianist's last dates), bassist Jay Leonhart and drummer Ronnie Zito, with saxophonist Gary Keller. The later set finds Bob with Hank Jones, ably proving that age has not taken anything from his fluid skills as one of the finest pianists jazz has known and one with special skills as a singer's accompanist, as well as bassist Chip Jackson and trumpeter Glenn Drewes, with Ronnie Z again on drums. The song selection is drawn from the Great American Song Book but there is never any sense that this is old ground being returned, rather, Bob and his accompanists find new touches that effectively refresh these familiar musical moments. This CD is accompanied by a DVD of Bob in concert, first with a trio led by Tedd Firth on piano, and then with a big band directed by Virgil Scott.
The second CD is assembled from four sessions, one with the Hollywood Sound Stage Orchestra, one with Angelo DiPippo and the Orion Strings, one with a quartet featuring Frank Wess, Hank Jones, Michael Moore and Mel Lewis, along with the Perricone Strings, and a couple of tracks setting Bob against the backdrop of the might Mel Lewis Jazz Orchestra. Together, these two CDs and DVD offer compelling evidence that Bob has considerable vocal skills and stage presence and that his years as a sailor have diminished his vocal skills and neither has his voice faded with the passing years. These recordings offer an invaluable opportunity to see and hear this fine singer of classic songs. (Buy these now ...)
Joan Stiles Love Call (ZoHo ZM200405)
A very pleasing mainstream session by Joan Stiles, a very good New York-based pianist. Ranging through solo tracks, trio and all the way up to a nonet, Joan offers a distinctive take on some well-known pieces from the Duke Ellington repertoire as well as some standards. Her solo playing is rich and evocative and on the trio sides she is ably supported by bassist John Webber and drummer Gregory Hutchinson. The guests making up the larger groups reads like an all-star band call: Clark Terry, Frank Wess, Jerry Dodgion, Benny Powell, Warren Vaché, Wayne Goodman and Joe Temperley. Whether in ensemble or soloing, all these veterans offer much to delight listeners who mourn the paucity these days of relaxed, loosely swinging mainstream music. (Buy this now ...)
Harri Stojka A Tribute To Gypsy Swing (ZoHo ZM200609)
The airily swinging music of Django Reinhardt lives on through the work of many musicians worldwide. This very satisfying set by Austrian gypsy guitarist Harri Stojka can rightly be set amidst the front runners in this specialist field. The audience for this kind of music seems as self-renewing as is the music and this CD should appeal to that audience, old and new. Harri's playing is deft and fleet; his single note lines are dramatic and swing fluently. Harri is backed superbly by the rhythm guitar of Claudius Jelinek, bassist Ivan Ruiz Machado and drummer Heimo Wiederhofer, while guest violinist Eva Berky appears on some tracks, including 'J'Attendrai', 'Sweet Sue' and Reinhardt's own 'Nuages'. Among the other pieces performed with the joie de vivre that always accompanied Reinhardt's music are 'Limehouse Blues', 'Avalon', 'Just One Of Those Things' and another Reinhardt composition 'Nuits De Saint-Germaine-Des-Pres'. There are also introspective explorations of Sidney Bechet's 'Petite Fleur' and Harri's own 'Song For My Daddy', a moving piece written for the guitarist's ailing parent. Exceptionally attractive music, played to perfection by this fine guitarist. (Buy this now ...)
Dave Stryker/Steve Slagle Live At The Jazz Standard (ZoHo ZM200509)
Dave Stryker The Chaser (Mel Bay MB 10212)
Dave Stryker/Steve Slagle Latest Outlook (ZoHo ZM200703)
Guitarist Dave Stryker and alto/soprano saxophonist Steve Slagle have worked together many times in the past two decades. Separately and together they have made more than 30 CDs and the first of these is their latest collaboration. It is a fine example of their work and was recorded over two nights at one of New York's leading jazz clubs, it is the first time that they have recorded together live. Fiery and exhilarating, the music here is testimony to their deep understanding of their music and of one another. It isn't all sturm und drang, though; there are also sensitive ballads, including the one non-original, George Gershwin's 'I Loves You, Porgy'. Joined by bassist Ed Howard and drummer Victor Lewis, Dave and Steve perform a set that consists mainly of originals (five by Steve, three by Dave) that display their musical inspiration in the full range of jazz, from the blues to bebop. Although the solo spotlight is mainly on Dave and Steve, there are also good solos from bassist and drummer and the group interplay is evidence of mutual respect and admiration.
The second CD finds Dave in the company of organist Jared Gold and drummer Tony Reedus delivering a striking set that reflects in a contemporary mirror the kind of thing Dave was doing in the time he spent with organist Brother Jack McDuff. Here this working band, regulars at many New Jersey jazz spots, swing through a set of originals that vividly demonstrate their individual and collective skills. Whether exploring tender ballads or burning through uptempo swingers, this CC, like the first, is a fine example of today's music from some of the leading musicians of the genre. On the third CD Dave and Steve join forces with bassist Jay Anderson and veteran drummer Billy Hart. This is not to suggest that the four men are new to one another. They have played together before, many times over the years and their rapport is evident from the start as they take a seasoned look at some exceptional themes, including Charles Mingus's 'Self-Portrait In Three Colors' as well as three originals each by Dave and Steve as well as one on which they collaborated. This is fluid, thought-provoking music for today. On two tracks, 'Bird Flew' and 'Dear Mr. Hicks', the quartet is joined by tenor saxophonist Joe Lovano. (Buy these now ...)
Maxine Sullivan The 1950's - Swinging Miss Loch Lomond (Baldwin Street Music BJH 314)
Elegance and poise are words that come to mind when hearing the seemingly effortless singing of Maxine Sullivan. Included on this attractive set are all of the tracks recorded by Maxine for a folksy LP back in the early 1950s, together with many other tracks, some of which reflect this aspect of her work - that aspect that helped make her name back in the late 1930s. As is swiftly apparent, Maxine's voice 20 years later had lost none of its charm; indeed, it never did. A measure of this singer's timelessness might be drawn from the fact that she can be heard often today singing behind a television commercial for a computer manufacturer. On this CD Maxine is accompanied by a variety of bands, big and small, and all showcasing her very special charm. (Buy this now ...)
Tierney Sutton Blue In Green (Telarc CD 835422)
Tierney Sutton Something Cool (Telarc CD 83548)
After more than a decade working in the Boston area, Tierney Sutton moved to California and very quickly began attracting attention and acclaim. Just as important, she also earned the respect of fellow musicians. A meeting with Jack Sheldon's big band resulted in her forming a regular quartet with the band's rhythm section: Christian Jacob (p), Trey Henry (b), and Ray Brinker (d). The advantages of this regular relationship is apparent in the manner in which they co-exist within their musical frame. Sharing arranging credits and solo spots, it is self-evident that, although Tierney's is the name above the title, they are a group and not a singer with a backing group. Tierney is a hugely talented singer with a light, tuneful voice; her phrasing and the apparently effortless swing of her work place her firmly among the very best of contemporary jazz singers. With these two CDs, the promise of earlier work and the aforementioned acclaim are fully realized. As the title suggests, Blue In Green is a tribute to the pianist Bill Evans, drawing upon music he either composed or played while the second CD effectively blends lesser known standards, a few show tunes by Lerner and Loewe, and some songs rarely sung by jazz singers. Among the latter are Duke Ellington's 'Reflections' and Willie Nelson's 'Crazy'. Tierney interprets her material with care and integrity, finding the emotional depths of the lyrics without ever sacrificing jazz feeling. (Buy these now ...)
Martin Taylor In Concert (Milestone MCD 9306-2)
An astonishing virtuoso display of solo guitar at its very best. Recorded at the Manchester Craftsmen's Guild in Pittsburgh, this fine set finds Martin Taylor in his customary excellent form. Deftly swinging, he plays clean simple lines and complex variations with equal aplomb. Drawing inspiration from past masters of jazz as varied as Earl Hines and Clifford Brown, Martin weaves magical patterns with powerful yet understated grace. It is hard to imagine any fan of jazz guitar being without this admirable set. It is not, however, just for guitar fans; throughout this is a demonstration of jazz playing of the highest order. Whatever your taste and inclination this must surely have something for you. (Buy this now ...)
Clare Teal That's The Way It Is (Candid CCD 79767)
Clare Teal Orsino's Songs (Candid CCD 79783)
Clare Teal The Road Less Travelled (Candid CCD 79794)
Clare Teal Don't Talk (Columbia 5186702)
Among the present flood of young singers, many of whom are very good indeed, Clare Teal stands out as an exceptional talent. Her maturity of sound, her understanding of the lyrics she sings, and the seemingly effortless swing of her performance, all add up to a rare and lasting quality. On the first of these CDs, she presents a nice mixture of standards and lesser-known songs that allows her to range through jazz and superior popular song styling. Following the appearance of this CD in 2001, Clare's reputation spread and her fan base was extended. Her future, and the future of jazz singing, was assured in late 2002 with the release of her second CD. Building delightfully upon that early promise, Clare delivers a mature, assured performance, mainly of standards, that vividly demonstrates that hers is not a passing talent. She is the real thing, an artist to delight in today, and to follow in the future. Confirmation of this, if needed, came with the third CD, released late in 2003, on which she again presents a selection of mainly standards, all performed with flair and affection. The success of these three CDs led to Clare signing with a major label and the first result of this deal came with the release of Don't Talk. On this attractive set the jazz content was not diluted as might have been feared. Indeed, on a couple of tracks Clare is backed by a fine big band drawn from leading London session and jazz musicians. The future for this young singer looks very bright and so too does the future for jazz singing in the UK. (Buy these now ...)
Clark Terry Porgy & Bess (Americana Music 9002)
When Gil Evans joined with Miles Davis in 1958 for a performance of George Gershwin's Porgy & Bess, the result was a landmark recording. Evans's arrangements and Davis's playing have withstood the years and numerous changes in jazz styles. Now, Jeff Lindberg, of the Chicago Jazz Orchestra, has revived the work and with remarkable prescience he chose as featured soloist a trumpet master vastly different from Davis but one who possesses qualities of wit and ingenuity in abundance, and whose playing remains gorgeously lyrical even though at the time of this recording he celebrated his 83rd birthday. Clark Terry unerringly finds the richly emotional depths of the work and while as different as can be from that of Davis the result is quite outstanding. The music is timeless, the arrangements are rightly legendary, and I do not think that this version pales beside the original. While that original will forever remain a masterpiece, it might well be that in time this performance will be recognized as one of the great achievements of Clark Terry's career. Both Terry and Davis cut to the emotional core of the music; different routes perhaps, certainly different sounds. Terry plays with a rich, burnished sound that contrasts vividly with Davis's biting, acerbic tone, but both are true to the musical conception and each has its own merits. This is a wholly admirable CD and one that I believe casts an alternative and equally valid light on the original. (Buy this now ...)
I must add that this CD and the recording company disappeared almost before anyone had a chance to buy this outstanding album. Hopefully, the tapes are still around and someone will reissue this wonderful music.
Laura Theodore What The World Needs Now Is Love (Bearcat OC 6054)
On this, her fifth CD, Laura Theodore displays her wide-ranging voice to very good effect on a nice selection of songs, most of which are standards. Forceful and dynamic, there is nothing half-hearted about this singer. She has a bold, take-charge way with a song and has a dynamic approach that never hurts the intentions of composers and lyricists. On one track she is accompanied only by bass player Chuck Bergeron, on a few others by a trio of pianist Brian Murphy, Bergeron, and drummer Lee Schwartz, but on most she has a fiery big band behind her. Led by Juliene Purefoy, the band rips into several driving charts that are designed not only to showcase the singer but also to lift her and Laura responds terrifically. (Buy this now ...)
Rob Thorsen Lasting Impression (Pacific Coast Jazz PJ 92342)
This well conceived and extremely well developed album presents bassist Rob Thorson heading various small groups in a selection of attractive themes. Rob plays acoustic upright bass and is clearly an accurate and swinging player. His fellow musicians include Geoff Keezer and Josh Nelson, who share duties at the piano, drummer Duncan Moore, trumpeter Gilbert Castellanos (flügelhorn on some tracks), and tenor saxophonist Ben Wendell (also on bassoon). The tracks include jazz standards such as John Coltrane's 'Giant Steps', Jackie McLean's 'Little Melonae' and Charlie Parker's 'Dexterity', popular standards like Cole Porter's 'It's All Right With Me' and George Gershwin's 'The Man I Love' (a notably driving version that features Duncan and guest conga drummer Charlie Chavez). There are also four of Rob's originals, one of which is the final track, 'Wish On Us', an unaccompanied bass solo, and 'Cigarones', that includes both horns as well as alto flautist John Rekovics. Throughout this set, the two main solo horns offer inventive solos as do both pianists while Rob and Duncan lay down a buoyant and propulsive rhythmic foundation. First rate musicianship throughout makes this a fine example of today's jazz that sustains the post-bop tradition with flair and understanding. (Due for release June 2009 - Advance order this now ...)
Lisa Thorson Out To Sea (Ellen Robin Music 103)
Rather than a review, here is an excerpt from my liner notes for Out To Sea:
"Extraordinary talent is needed today to focus the attention of audiences jaded by an unprecedented flood of jazz singers. Lisa Thorson has this kind of talent. Brimful of energy, Lisa's busy schedule is divided between performance and teaching. The latter includes a vocal class she conducts at prestigious Berklee College of Music, which is where she first met Korean-born pianist Cho Yoon Seung. 'I quickly recognized that he was a major talent,' Lisa says, adding gratefully, 'He loves playing with vocalists.'
Lisa's realization that this was a true meeting of musical minds is amply confirmed on Out To Sea. Throughout, the combination of Lisa's fluid vocal sound and Cho's remarkable command of his instrument coats the material, mostly ballads, with the rich patina of jazz history. Choose, if you wish, to explore these musical depths; or simply sit back and revel in a selection of good songs, superbly performed by two outstanding musicians . . .
. . . Through the medium of these lovely songs, the talents of two exceptionally gifted artists are vividly displayed. Taken separately, Lisa Thorson and Cho Yoon Seung are much more than merely worthy of acclaim - brought together as they are on Out To Sea, they are magical."
Sumi Tonooka & Erica Lindsay Initiation (Artists Recording Collective ARC 2000)
These hugely talented musicians have played together since 1994. Pianist Sumi Tonooka and tenor saxophonist Erica Lindsay have separately composed all the music offered here an intriguing insight into their distinctive and powerful yet subtle skills. Sumi's solo playing is compounded by her striking ability as an accompanist while Erica's ideas flow with seemingly effortless grace. Both musicians display throughout a profound and intense emotional and technical rapport. In all that the two principles do here, they are ably and skillfully abetted by bassist Rufus Reid and drummer Bob Braye. The music on this CD was recorded in October 2004 but is only now, January 2010, released. This album should appeal to all with a liking for superior very accessible contemporary jazz played by skilled, committed and thoroughly engaging musicians.(Buy this now ...)
Toph-E & The Pussycats Live In Detroit (M'Bubba Music 1001)
Lively and hugely entertaining, this band plays vibrant music that draws on R&B, bop and a few other linked genres along the way. The New York-based band's repertoire on this live date is mainly originals but there is also Miles Davis's 'All Blues' and Duke Ellington and Harry Carney's 'Rockin' In Rhythm'. The musicians involved are Chris Parker (drums), Will Lee (bass, vocals), Ralph MacDonald (percussion), Clifford Carter (piano, keyboards) and David Mann (tenor & soprano saxophones). The band has been in existence since 2000 and has developed considerable rapport. This, allied to the obvious love they have for the music they play makes for an exciting and thoroughly enjoyable CD that should appeal to many. (Buy this now ...)
Ike Turner Risin' With the Blues (Zoho Roots 200611)
Since his 2001 comeback to centre stage, Ike Turner has proved that there is a lot of life left in this old blues dog. Here, he presents a selection of blues and R&B pieces that carry enough hints of rock 'n' roll to demonstrate the ties that bind all these forms and how integrated with them all he has been throughout his rocky career. Listening to this exhilarating music it is hard to believe that this is a man in his seventies, or that he has subjected himself to so much damage over the years. In addition to his forceful vocals, Ike turns in some stinging guitar and hammers out some strong piano, everything making clear that he still has what it takes to live the blues. (Buy this now ...)
Various Artists Classic Jazz & Swing Guitar Masters (Avid/West End AVC 94 1)
This exceptional assembly of guitarists reminds us of many past giants. Admittedly some of them need no reminder - Charlie Christian, Eddie Lang, Django Reinhardt, for example - but some have tended to slip from the mind as the years have passed. This 2-CD set is an excellent opportunity to hear again exceptional musicians such as Mary Osborne, George VanEps, George Barnes, Carl Kress, Dick McDonough, Al Casey, Tiny Grimes and Oscar Moore. Perhaps the latter should be included in the first group as his presence is regularly before us but almost always as a member of the Nat King Cole Trio. Throughout this set, which is presented in Avid's by-now-customary excellent sound, there are fine examples of small group jazz from the late 20s to the late 50s. Anyone with even a passing interest in jazz guitar will want this album through which they can marvel at 13 musicians who clearly deserve our attention and admiration. (Buy this now ...)
(IMPORTANT NOTE: I reviewed the foregoing CD in the January 2009 issue of Jazz Journal International and although I expressed favourable comments, I now understand that my remarks about the sound quality might be open to misinterpretation. Let me make it clear now that what I say above - about this CD being excellent in its sound quality - is unreserved and I am sorry that my comments in JJI might have led to readers forming an incorrect view of the album's undoubted merits. 11 March 2009.)
Marlene VerPlanck My Impetuous Heart (DRG 8481)
Marlene VerPlanck What Are We Going To Do With All This Moonlight? (Audiophile ACD 304)
Marlene VerPlanck Speaking Of Love (Audiophile ACD 320)
Marlene VerPlanck It's How You Play The Game (Audiophile ACD 325)
Marlene VerPlanck Now! (Audiophile ACD 330)
Marlene VerPlanck Once There Was A Moon (Audiophile ACD 338)
Marlene VerPlanck's albums are never less than very good indeed; often they are breathtakingly excellent. On the first of these CDs, Marlene ably demonstrates why critics and fans alike rate her as one of the finest interpreters of American popular song in the world today. Superbly backed by a fine instrumental trio led by Hank Jones (with guest appearances by George Shearing and Marian McPartland), and with husband Billy VerPlanck's unerring arrangements putting the final gleam on a polished presentation, this album vividly demonstrates why Marlene's stature continues to grow. The second CD finds Marlene in company with the exceptional French band, Saxomania. This is a return engagement (an earlier teaming is on Audiophile ACD 288) and once again it swings like mad. The combination of the band's fiery playing, Billy's marvellous charts, and Marlene's pure and natural voice is irresistible.
The third of these CDs brings together the best of all possible worlds. On some of the tracks, Marlene is backed by the group that accompanies her for her UK appearances, the Roy Babbington Trio. It is clear from the intuitive rapport with which they blend why she revels in this association. For all but one of the other tracks, Roy has brought together some of the best British jazzmen to form a big band, which, under Billy's direction, play with crisp eloquence. There is one track from a slightly earlier date whereon Marlene is accompanied by the Tommy Flanagan Trio, performing one of the pianist's own compositions on what was probably his final recording date. As always with this remarkable husband and wife team of singer and arranger, the song selection is delightful drawing melodic gems from the 1920s through to the present day.
On the fourth of the CDs listed here, Marlene is accompanied by musicians from Diva (No Man's Band), and with more of Billy's masterly charts, she sings an engrossing selection of songs. As always, there are new songs, standards, and some almost-forgotten songs from the great treasury of American popular music. Marlene is in fine voice and clearly relishes every note that she sings. There are also well taken solos by Karolina Strassmayer, alto saxophone, Anat Cohen, tenor and clarinet, and Barbara Laronga, trumpet. Marlene and the horns are urged along by the rhythm section of Chihiro Yamanaka, piano, who also solos impressively, Noriko Ueda, bass, and Sherrie Maricle, drums and leader. Marlene has never made a record that was ever less than very good indeed, but even so, as I ended the liner notes I wrote for this particular CD, this is 'a superb example, perhaps the finest yet in her illustrious career, of the art of Marlene VerPlanck.'
The fourth of these CDs is Now! and once more there is a fascinating selection of songs, mostly little heard but all excellent. Admirably arranged by Billy and beautifully sung by Marlene, they form yet another object lesson in quality singing. The accompanying trio on most tracks is Tedd Firth, piano, Steve LaSpina, bass, and Richard DeRosa, drums, and all are in superb form. There is instrumental gilding to the album thanks to guest appearances by bassist Jerry Bruno, guitarist Bucky Pizzarelli, and pianists Norman Simmons and Billy Taylor. Another winner from the VerPlancks.
The most recent CD, Once There Was A Moon, has Marlene again accompanied by the trio of Tedd Firth, Steve LaSpina and Richard DeRosa. Also present are the imaginative treatments Billy VerPlanck brings to his concepts for the songs. And, as always, these songs are exceptionally well-chosen, if seldom heard gems from some of the classical composers (Berlin, Rodgers and Hammerstein, Porter, Mercer, Kern) comfortably joined by songs by Benny Carter, 'Evening Star', Peggy Lee and Cy Coleman and Bill Schluger, 'I'm In Love Again', and Billy V himself, 'Around About Half Past Nine' (with Ray Hoffman) and 'Once There Was A Moon' (with Leon Nock). I find it almost impossible to believe that this is her 20th album and comes after more than twice that number of years in the business. Listening to the bell-like freshness of her singing a newcomer to Marlene VerPlanck's work might well expect her to be a new kid on the block. The difference, though, lies in the assured maturity of her interpretations, which are as close to perfection as it gets. (Buy these now ...)
Jerry Vivino Walkin' With The Wazmo (Zoho ZM 200607)
Well known for his regular appearances with the band on late-night television chat shows, Jerry Vivino is an accomplished tenor saxophonist who here demonstrates that he is similarly skilled on alto saxophone as well as on flute. Add to this, Jerry has composed most of the tracks hereon and even sings on three songs. Accompanying him are pianist/organist Brian Charette, bassists Mike Merritt and Kermit Driscoll and drummers Shawn Pelton and James Wormworth along with several other instrumentalist. There is a lively sense of enthusiastic entertaining in Jerry's approach to music and throughout this set there is a strong sense that the musicians are having fun and this carries through infectiously to the listener. (Buy this now ...)
Roseanna Vitro Tropical Postcards (A-Records SAAL 73244)
One of the outstanding jazz singers of the day, Roseanna Vitro is uncompromising in her approach and ably displays her subtle skills on this very attractive selection of songs. These days, the definition of the term 'jazz singer' has widened until almost anything goes. Make no mistake, with Roseanna you have the real thing. Her vocal sound is strong with a wiry undertow that adds immeasurably to her performances. Highly musical and impressively skilled, she is always in command, swinging lithely, and improvising inventively and fluently. Deftly and excitingly, she trades ideas and harmonizes with her accompanists, who here include saxophonists Don Braden and Joe Lovano and pianist Kenny Werner. If you have heard Roseanna's other albums, that include Passion Dance and Catchin' Some Rays (both on Telarc) and Softly (Concord Jazz), you will need no more encouragement from me. If you have yet to hear this fine singer, Tropical Postcards is a good place to start but believe me, you won't stop here. (Buy this now ...)
Bea Wain Volume 1: You Can Depend On Me (Baldwin Street Music BJH 311)
Bea Wain Volume 2: That's How I Love The Blues (Baldwin Street Music BJH 315)
Very welcome reissues of performances by one of the best band singers of the 1930s. Yet Bea Wain is also one of the most often overlooked stars of that era. As these CDs ably prove, this is an entirely unjustified state of affairs. Bea had a thoroughly delightful and wholly distinctive way with a song. A possible reason for the oversight is that she spent the first part of her career with the Larry Clinton band. One of the most musical bands of the swing era, they awkwardly straddled the gap between the hot and sweet bands and hence are sometimes overlooked by followers of either camp. These sides, collated by Ted Takashi Ono, come from Bea's post-Clinton years and include numerous examples of her distinctive song styling. Together, these CDs also display her wide-ranging repertoire and show her ease at working with groups of all sizes from big bands down to intimate trios. In the latter case, the trio on four sides on Volume 2 is led by the elegantly masterful Ellis Larkins. (Buy these now ...)
Wayne Wallace Dedication (Patois PRCD 001)
Wayne Wallace The Reckless Search For Beauty (Patois PRCD 002)
Wayne Wallace The Nature Of The Beat (Patois PRCD 006)
Wayne Wallace Infinity (Patois PRCD 007)
Wayne Wallace ¡Bien Bien! (Patois PRCD 009)
A fluid and very melodic trombone player, Wayne Wallace here presents five very attractive sets of jazz-tinged Latin music. The music played on the first two sets is largely composed by Wayne, with pieces by John Coltrane and McCoy Tyner appearing on Dedication, and items from the pens of Bill Withers, Duke Ellington and Miles Davis coming on the second album. On the third set, Wayne has composer credit on just four tracks (one of which is in collaboration with John Santos), the rest originating with the likes of Gerry Mulligan, Herbie Hancock, the Gershwins ('Fascinatin' Rhythm') and Teddy Powell and Robert Sharp Jnr ('Unchain My Heart'). On the fourth of these CDs, Wayne's Latin Jazz Quintet sparkles through another selection that tastefully mingles jazz and Latin from composers who include Wayne himself ('Infinity', 'Songo Colorado'). Freddie Hubbard ('Straight Life'), the Gershwins again ('Love Walked In') and Bernice Petkere ('Close Your Eyes'). The last two named songs feature the excellent San Francisco-based singer, Jackie Ryan, some of whose CDs can be found earlier on this page. The fifth and most recent album again teams Wayne with his established Latin Jazz Quintet and also brings on fellow jazz trombonists Julian Priester and Dave Martell whose contributions on Duke Ellington's 'Going Up!' and Memo Acevedo's 'Burning Bridges' bring added fire to an already exciting band. Also appearing on this CD, on Eddie Harris's 'Freedom Jazz Dance', are vocalists Orlando Torriente and Kenny Washington, who stir into the mix some exciting scat choruses.
Wayne solos throughout these sets with smooth yet fiery élan. He is very ably joined by other excellent soloists and I must mention his core band: pianist Murray Low, bassist David Belove and percussionists Paul van Wageningen and Michael Spiro. All of these CDs by Wayne Wallace are filled with very attractive music, peaceful yet with inner fire and testimony to a talent that has been for too long known largely only to those who live in and around San Francisco. Nice to share in this Bay Area secret at long last. As is apparent from the foregoing, much of the music Wayne plays has a pronounced Latin tinge, ranging through samba, bolero and cha-cha, and also heard are echoes of Africa. Attractive music, played with flair and distinction. (Buy these now ...)
Rosella Washington & Tyrone Brown Rosella: A Good Place to Start (Creative Improvised Music Projects CIMP 224)
A remarkably gifted and distinctive young singer, here Rosella Washington is teamed with veteran bassist Tyrone Brown for a selection of striking duets. Her voice is rich and fluid and she has a wide vocal range which she uses with taste and skill. Ably complemented by dynamic bass playing, Rosella dances through many moods as she sings jazz classics, by Sonny Rollins and Wayne Shorter, and standards by Kern and the Gershwins. A talent to watch and hear; the title of this excellent CD says it all. (Buy this now ...)
Frank Weder Project ... Jazz (Sarasota Sunsets Jazz unnumbered)
This lithe and punchy big band offers here a selection of mainly standards dressed in contemporary fashion. The band is based in Florida and draws its personnel from the many fine musicians resident there. Among the soloists are leader Frank Weder and Don Scalietta on piano, trumpeters Gary Deary and Dan McMillion, trombonists Chris Clifton and Greg Nielson, and saxophonists Mike Gibilisco, Bobby DeAngelis and Kim Bock. There are also moments from Richard Drexler, bass, Jack Keeling, flute, and Ralph Rosen, harmonica. This set also offers two singers: Dee Weder, who has a mature vocal sound that fits admirably into the big band setting, and she sings on several tracks, including 'How High The Moon' and 'Second Time Around'. Fellow big band leader and pianist George W. Carroll also makes guest appearances, singing 'Round Midnight', 'Life Is Good', 'Out Of Nowhere' and 'Angel Eyes'. Among the instrumental features are 'Sweet Georgia Upside Down', a Phil Kelly variation on you know what, 'Jeannine' and 'You And The Night And The Music'. Altogether, this is good music, well arranged and played. Clearly the residents of Florida have more than just the sunshine to be thankful for. Now, thanks to releases such as this, others can hear this fine band (and George Carroll's, a CD of which appears on my A-L page). The CDs are, however, not likely to be on too many High Street store shelves. Those seeking to hear what Floridians have on their doorsteps should email George Carroll direct at Moonboy22@verizon.net.
Ezra Weiss Get Happy (Roark unnumbered)
Ezra Weiss is a young pianist who has earned a substantial reputation in the New York area and now his reputation is spreading thanks to CDs such as this. Ez offers a distinctly, and distinctively, contemporary touch and his treatment of familiar pieces such as 'Its You Or No One', 'Blue Room' and 'He Loves And She Loves'. He is also an accomplished ASCAP award-winning composer and among his originals on this CD are 'For Heather', 'What I Can Never Say' and 'Don't Need No Ticket'. Accompanying Ez on this session are, collectively, trumpeter Kevin Louis, trombonists Andy Hunter, on 'For Heather', and Andrae Murchison, saxophonists Antonio Hart, on 'What I Can Never Say', and Kelly Roberge, on 'It's You Or No One', bassist Corcoran Hall and drummers Jason Brown and Billy Hart. Also on hand are singers Heidi Krenn, ethereal on 'Once Upon A Time', Samantha Grabler, studiedly romantic on 'Blue Room', and Elif Caglar, scatting dramatically on Ez's original, 'Run Under The Fountain'. The leader's piano is everywhere, subtly supportive and soloing powerfully and imaginatively, his vivid and complex treatment of 'Get Happy' ably demonstrating his comprehensive grasp of the long traditional of jazz piano. (Buy this now ...)
Jens Wendelboe Inspirations (Rosa CD 6)
This is a powerful set by Jens Wendelboe's Big Crazy Energy New York Band, a 16-piece group recorded here in 2008. Included in the band are trumpeters Bob Millikan and Steve Jankowski, trombonists Dan Levine and Charley Gordon (and Jens, too), saxophonists Michael Migliore and Mark Fineberg, and the rhythm section of pianist Bill Heller, bassist David Anderson and drummer Lee Finkelstein. The music played here includes pieces by Jens as well as works by Billy Cobham, Joe Henderson and Scott LaFaro; Jens is also arranger for all the music played. This is tough-edged music, played with skill and verve with many sparkling solos and the CD should appeal to all who like big band jazz and especially fans of contemporary jazz. This certainly a name to look out for. (Buy this now ...)
Magni Wentzel Porgy & Bess (Hot Club HCRCD 2006)
A classical training is not always good for singer whose career moves into jazz. Fortunately, Magni has the skill to make that shift effectively. Her previous CDs all displayed her fine voice and her love of the jazz and popular repertoire. With this CD, she moves a step further into serious contention as a leading jazz singer. She also draws upon another talent; trained not only as an opera singer, but also as a classical (and Spanish) guitarist, she accompanies herself on some of the lesser-known songs from Gershwin's folk opera. Elsewhere, the backing is by a group of top-flight Scandinavian jazz instrumentalists. Overall, this is an exceptionally attractive CD. (Buy this now ...)
Wesla Whitfield September Songs (HighNote HCD 7114)
This new release by Wesla Whitfield finds her in fine eloquent form as she explores a selection of delightful songs, among them 'I Know Why And So Do You', 'September In The Rain', 'Lost In The Stars', 'While We're Young' and 'September Song'. Accompanied by Mike Greensill's trio on most tracks, together with guests, and by Tommy Flanagan's trio on three tracks, Wesla unerringly finds the lyrical core of all these songs, making this an album that will appeal to all those who admire singers who clearly love their work, their material and who also love making music. (Buy this now ...)
Carla White A Voice In The Night (Bright Moon unnumbered)
Although Carla White's career stretches back two decades, and this is her eighth album, she remains much less well known internationally than should be the case. Back in the 80s, Carla explored scat singing as a means of expressing herself musically, sometimes performing hour-long improvisations. Later, though, she changed her approach, and in so doing immensely broadened her appeal to the general audience. On this 2001 recording, she demonstrates that she had lost none of her immense vocal skill. On this set, some of the songs are standards, although not overdone ones, 'Time On My Hands', 'Sweet And Slow'; some are little known outside the jazz world, Duke Ellington's 'It's Kind Of Lonesome Out Tonight' and Wes Montgomery's 'Four On Six', and there is also an original by Carla, 'Peace Of Mind'. On the latter, Carla is joined by trumpeter Claudio Roditi, who also plays on six other tracks. The backing trio of guitarist John Hart, bassist Dean Johnson and drummer Matt Wilson play throughout with flair and skill. These are all very pleasing interpretations by Carla and her friends and should go a long way to bringing her intimate vocal sound to the attention of a wide audience. Sadly, Carla's career was upset in recent years by a life-threatening illness that eventually claimed her on 9 May 2007. (Buy this now ...)
Tommy Whittle Grace Notes (Spotlite SPJ 548)
The latest in a long line of recordings by this veteran of the UK jazz scene finds tenor saxophonist Tommy Whittle as richly rewarding as he ever was in the past. Accompanied by pianist Keith Ingham, guitarist Jeff Green, bassist Jim Richardson and drummer Bobby Worth, Tommy delivers a masterful set of jazz and popular standards along with some originals. Relaxed and seemingly effortless in execution, this is a highly entertaining master class in jazz tenor saxophone playing. Impossible to choose a best track as Tommy flows through standards such as 'Polka Dots And Moonbeams', 'My Ideal' and 'Stairway To The Stars' as well as compositions by other master saxophonists, including Hank Mobley's 'Funk In Deep Freeze', Lucky Thompson's 'Tom-Kattin'' and Lester Young's 'Lester Leaps In'. Not to be missed. (Buy this now ...)
Patti Wicks Love Locked Out (MaxJazz MXJ 501)
Patti Wicks & Claudio Chiara (Jazz Mates) Basic Feeling (Jazz Guests SFR JG 00104)
Patti Wicks Italian Sessions (Studiottanta-Fortuna SFRC-CD 021)
Patti Wicks Room At The Top Volume One (Recycled Notes 0817-1)
The first of these four CDs is a thoroughly delightful album from a singer-pianist who has too long been overlooked by many. In the main this is due to live appearances by Patti Wicks being predominantly on the eastern seaboard of the USA and the absence of a widely available record. Now, thanks to this 2003 CD, audiences around the world were able to hear a talented artist whose maturity is evident in every note that she sings and plays. The songs presented here include some standards, others that are less well known but of a similarly high quality, and all are given thoughtful and emotionally introspective interpretations. On all but two of the songs, Patti is joined by bassist Keter Betts and drummer Joe LaBarbera, who accompany her with discreet skill. A thoughtful, low-key album, sung and played with consummate skill and graceful intelligence. Recently, Patti has appeared in Italy to great acclaim and the second CD was recorded there in 2004. Under the banner, Jazz Mates, she and alto saxophonist Claudio Chiara team up with bassist and drummer Giovanni Sanguineti and Giovanni Gullino for a strong and varied set that strikingly attests not only to Patti's jazz skills as singer and pianist but also to the stature of these young Italian musicians.
The third listed CD reprises Patti's Italian venture, recorded this time in 2005. Once again she is joined by the two Giovannis on bass and drums, with special guest artist tenor saxophonist Gianni Basso. Here, Patti's repertoire is forged eloquently from strikingly reinterpreted familiar songs, such as 'Laura' and 'I've Got The World On A String', jazz compositions including 'Day Dream' and 'Baby Don't You Quit Now' as well as her own pieces, 'E Minor Waltz For Gavin' and 'Here's To Romance'. The instrumental solos here, especially from Patti and Gianni, is exceptional and the singing exemplary throughout, as indeed it always is. The fourth CD is a very welcome reissue of Patti's debut album (not sure of the date), which finds her teamed with Florida musical friends bassist Don Payne and drummer John Yarling. This time the repertoire has one original from Patti, 'Waltz For Rudy', two from Don, 'Promise Me' and 'Here And Now', with the remaining eleven tracks drawing largely upon standards, which include 'You Don't Know What Love Is', 'You Go To My Head' and 'You And The Night And The Music'.
Hard to know which to recommend if you plan to buy just one. Just a personal preference, but I would be tempted to name Italian Sessions closely followed by Basic Feeling, although any of these four CDs is an excellent introduction to this fine singer-pianist (Buy these now ...)
Lee Wiley Completists' Ultimate Collection Volumes 1, 2, 3 & 4 (Devil's Music DM 6001/2/3/4)
Like Mildred Bailey, of whom she was a close contemporary, Lee Wiley was a hugely talented artist and became a similarly significant influence on other singers of her era and beyond. One of the most striking qualities displayed by Lee throughout her career was the unadorned simplicity of her performances. Usually adhering closely to the melody, in her clear, ringing voice, she delivered affectionate interpretations of the lyrics of the songs she sang. Eschewing high drama, Lee created an atmosphere of controlled passion that had a lasting impact on her audiences. In many respects, her subtlety of phrasing suggested an almost simplistic approach to a song; this was misleading, because her interpretations continue to fascinate latterday listeners and offer invaluable lessons to singers whose careers, and lives, began long after Lee had left the stage.
On these four CDs, producer Ted Takashi Ono (this label is a stablemate of his Baldwin Street Music) has assembled many of her best performances between June 1931 and April 1940. In several instances alternate takes are offered, and there is a selection of her radio broadcasts. Lee's accompanists include Leo Reisman, with whom she began her career, Rudy Vallee, the Dorsey Brothers, Paul Whiteman, and Victor Young, who became her mentor. The third of these three volumes spotlights the songs of Richard Rodgers and Lorenz Hart; Lee vividly displays the kinship she clearly felt with these composers. The fourth CD presents master, alternative and incomplete takes from two sessions in the Spring of 1940 from which came Lee's Cole Porter album. On the earlier of these two April dates, Lee is teamed with a front-rank quartet: pianist Joe Bushkin, bassist Sid Weiss, drummer George Wettling, and the incomparable trumpeter Bunny Berigan. These four CDs are available separately. (Buy these now ...)
Joe Williams & Ben Webster Havin' A Good Time (Hyena TMF 9331)
In the winter of 1964 Joe Williams had a gig with a trio at Pio's, a club in Providence, Rhode Island. One night a blizzard raged and they kinda hoped no one would show up. Enough people did that they had to do the show. Not only that, who should be there sitting in a corner when the band arrived but Ben Webster who happened to be in town. He asked if he could sit in; he did. Fast forward three decades. After Joe died his widow handed over his effects to the Hamilton College Jazz Archive. Among these effects were tapes of previously unissued material including one recorded that night in Providence. Rename that Providential. Joe and the band, Junior Mance, piano, Bob Cranshaw, bass, Mickey Roker, drums, are all in fine form and Ben Webster is, well Ben Webster. Fans of either artist will not need any urging to lay hold of this fine set by two masters of their respective and wholly compatible arts. (Buy this now ...)
Deanna Witkowski Wide Open Window (Khaeon KWM 200303)
A strikingly gifted contemporary jazz pianist, Deanna Witkowski vividly demonstrates her talent here on an interesting song selection. Divided equally between standards and her own compositions, she is ably backed by bassist Jonathan Paul and drummer Tom Hipskind, with Donny McCaslin playing either tenor or soprano saxophone. Deanna's touch is sure, whether playing delicately introspective passages or digging deep into a blues-inflected groove, while her occasional outings in a Latin jazz mood are always exhilarating and stimulating. (Buy this now ...)
Andrea Wolper The Small Hours (VarisOne Jazz 402 4569 3101 2)
This is Andrea Wolper's second CD and it is very clear that she is a musician of considerable merit. She has a fluid voice and sings in an attractively low-key style, drawing subtle nuances from the lyrics, and shaping the vocal lines into jazz performances. For some years she has worked regularly with guitarist Ron Affif and bassist Ken Filiano and the interplay of the three makes clear that this is neither singer with band, nor band with singer but a cooperative trio of which every member is an equal part. The extent of Andrea's musicianship is apparent from the fact that she is also responsible for the arrangements and these are exemplary. None of the songs is overused and even a familiar one, like Rodgers and Hart's 'Dancing On The Ceiling', is given a new and relaxed slant, while Dietz and Schwartz's 'You And The Night And The Music' takes on a whole new ambience with its Middle Eastern undercurrent. On some tracks the core trio is abetted by drummers Victor Lewis or Jamey Haddad, and guests trumpeter Frank London and flautist Lou Marini also take part. Thoroughly entertaining and musicianly, this is a CD that should appeal to many. (Buy this now ...)
Libby York Here With You (Libby York Music)
A very pleasing set of standards from a talented singer. Libby York delivers songs in a warmly confident voice, swinging gently with considerable style. The songs include 'For All We Know', 'But Beautiful Friendship', 'Flamingo', 'Look For The Silver Lining' and 'The Things We Did Last Summer'. Libby's accompanists here are led by guitarist-arranger Howard Alden and include cornetist Warren Vaché, bassist Jon Burr and drummer Vanderlei Pereira, while Russell Malone steps in for Howard on three tracks. The instrumental playing is of a very high order indeed and there are many fine solos, mostly from cornet and both guitars. Although this is Libby's third album it is the first that I have heard. It certainly won't be the last. (Buy this now ...)
Denny Zeitlin Solo Voyage (MaxJazz MXJ 213)
A mature and immensely talented pianist, this new CD from Denny Zeitlin ranges through original compositions and acclaimed jazz standards, all played with flair and commitment. Reflective and absorbing, this CD makes clear why Denny has been held in such high regard since his recording debut back in the 1960s. Today, some 30 albums later, he plays with undiminished verve and inventiveness. On this set, in addition to his own pieces, such as 'Quiet Now' (recorded more than once by Bill Evans), Denny plays music by Thelonious Monk, Wayne Shorter, Dave Brubeck and J. J. Johnson. Eight of the tracks are structured as a suite, although they are separately tracked. As Denny explains in his liner notes, the suite was created for Bill Young, a friend of long standing whose life was drawing to a close. Fine music, extremely well and movingly performed, this CD should appeal to all who appreciate good contemporary jazz piano playing. (Buy this now ...)
Pete Zimmer Common Man (Tippin' TIP 1101)
Pete Zimmer Burnin' Live At The Jazz Standard (Tippin' TIP 1102)
Pete Zimmer Judgment (Tippin' TIP 1103)
Pete Zimmer Chillin' Live @ Jazz Factory (Tippin' TIP 1104)
Committed hard bop from young, up-coming musicians, all of whom have established enviable reputations on the contemporary jazz scene. Pete Zimmer is a take-charge drummer and on the first of these CDs he is ably complemented by alternating pianists Toru Dodo and Rick Germanson, bassist John Sullivan, tenor saxophonist Joel Frahm and trumpeter Michael Rodriguez. The repertoire on this fiery session consists almost entirely of originals by Pete that draw upon the special talents of the group's individualistic members. At times reflective, as on 'Time That Once Was' and 'Darn That Dream', or punchily outgoing as on 'Hustlin'', this CD ably demonstrates that this style of jazz remains alive and fresh and an ideal mode of expression for today's rising stars among whom can be numbered all members of this fine band.
The second CD, recorded live, is, if anything, even more urgent and impressive. This time the bassist is David Wong and Toru Dodo is the only pianist on hand - and is particularly impressive on the opening 'Woodside Blues' and his own composition, 'Brush Pitch'. The closing track, 'A Whole New You', is by Joel Frahm and all other tracks are by the leader. Some exceptional playing here and the album fully lives up to its title. On the third CD, the band is joined by tenor saxophonist George Garzone whose presence sparks an already fiery ensemble. There also strong contributions from Michael Rodriguez and Joel Frahm and Pete's rhythm section mates are again pianist Toru Dodo and bassists David Wong and John Sullivan. This time composing credits are shared by Pete (2 titles), Toru (1), George (3), with Pete collaborating with Toru and George on one titles each; and there is also room for a song from the past, 'Bye Bye Blackbird'. Mostly though, there are contemporary themes by a band that has grown in stature through recent releases.
The fourth and latest CD, was recorded live at Jazz Factory in Louisville, Kentucky, in September 2007. On this date, drummer Pete was joined again by bassist David Wong while newcomers to the foursome are guitarist Avi Rothbard and trumpeter Jeremy Pelt. This time, three of the six tracks are Pete's originals while the other three are Sonny Rollins's 'Doxy', Kenny Dorham 'Una Mas' and Cole Porter's 'From This Moment On'. Not only does this set capture the excitement of a live date, it also, unusually, offers a chance to hear the alacrity with which Avi and Jeremy eased into the task of playing charts with which they were unfamiliar until they were on the bandstand for the session. You would never have guessed, so together are the four men and the set serves to underline the startlingly good playing of some fine musicians. Altogether, these four CDs are fine examples of contemporary jazz played by some of the best young jazzmen around today. (Buy these now ...)
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... but don't forget to scroll down for a touch more of Braziliana ...
-ooOoo-
As already mentioned, the place to go for these albums is Amazon:
Although some CDs can only be obtained direct from the artists themselves or their record companies, using links where given.
Braziliana ----ooOoo---- Latin Jazz
Jazz-influenced music from Latin America & Latin-tinged jazz, mainly Brazilian
M - Z
Pablo Menéndez Havana Blues Mambo (Zoho Records ZM 200503)
Although born and raised in California, guitarist Pablo Menéndez has immersed himself thoroughly in the music of Cuba where he has studied and now resides. Blending contemporary jazz with Latin tinges of many kinds, this is exhilarating music played with skill and passion. In the mix with jazz and Afro-Cuban strains are also rock sounds, music that Pablo has brought to international audiences through his band Mezcla. This is Pablo's debut CD, one to savour and one that will also awaken listeners to the talented musician (who is, by no means incidentally, the son of blues and folk singer Barbara Dane). (Buy this now ...)
Hendrik Meurkens Amazon River (Blue Toucan unnumbered)
Hendrik Meurkens New York Samba Jazz Quintet (Zoho ZM 200701)
After taking up residence in Brazil and falling in love with the country's music, German jazz musician Hendrik Meurkens has become one of the most popular exponents of jazz-tinged samba and bossa nova and other popular Brazilian forms. On Amazon River, Hendrik is surrounded by a team of fine musicians, including guitarist Oscar Castro-Neves, clarinet D'Rivera, pianist Helio Alves and bassist Nilson Matta. Hendrik's solos, be they on vibraphone or harmonica, are fluidly graceful and this set is an admirable example of his musical skills. The CD also demonstrates quite clearly why this music appealed so much to him. On the second album, Hendrik confirms his love for the samba, bringing to it a subtle jazz touch that is ably expounded once again by pianist Helio Alves as well as tenor saxophonist Jed Levy, bassist Gustavo Amarante and drummer Adriano Santos. A thoroughly enjoyable set that mixes some known themes with some of Hendrik's own admirable compositions. (Buy these now ...)
Mozayik Haitian Creole Jazz (Zoho Records ZM 200506)
An entertaining and imaginative blending of jazz with the music of Haiti, the homeland of the musicians gathered here in New York. The core group (there is a handful of guests) are guitarist Eddy Bourjolly, bass guitarist Gene Torres, keyboardist Welmyr Jean-Pierre and percussionists Markus Schwartz and Gashford Guillaume. Steeped in their national musical traditions, these fine musicians perform with authority yet with a lightness and swing that takes the listener on an absorbing musical journey. (Buy this now ...)
Negroni's Trio piano/drums/bass (Universal Music Latino B0003043-02)
A driving set of mainly originals by pianist Jose Negroni who, with drummer Nomar Negroni co-leads this exciting group. They turn in dynamic performances, replete with vigorously solos, and throughout maintain a tight ensemble sound, in all of which they are aided and abetted by the third member of the trio, bassist Jaime Rivera. Guests on the set are Ed Calle, soprano saxophone on one track, tenor saxophone on another, and percussionist Sammy Figueroa on one track. While there is a strong post-bop jazz feel to the music, it is dominantly Latin tinged. The creative juxtaposition of these two forms is such that the audience for this CD is likely to be even wider than that for their debut album, Naturaleza, which was favourably received by critics and fans alike. (Buy this now ...)
Hilary Noble & Rebecca Cline Enclave (Zoho 200510)
Fiery and pulsating, this exhilarating set by Hilary Noble and Rebecca Cline blends the rhythmic excitement of Cuba and Brazil with adventurous post bop and free jazz. He is a multi-instrumentalist, playing tenor, alto and soprano saxophones, flute and an array of percussion instruments; she plays piano. Both are interesting composers, having written, mostly together, all save one of the tunes on this set. Hilary and Rebecca are ably supported by bass player Fernando Huergo and drummer Steve Langone. Dramatic, intense and burning with inner fire, this is music that makes the listener sit up and pay attention. (Buy this now ...)
Luis Mario Ochoa's Cimarrón Luis Mario Ochoa And Friends (LMO CD2)
Attractively played and sung, this set by Luis Mario Ochoa's Cimarrón blends the music of his Cuban homeland with standards from his new home in North America. Resident since 1990 in Canada, Luis plays guitar and sings and is accompanied here by formidable rhythm section players. There are also numerous guest horns, including clarinetist Paquito D'Rivera, trumpeters Guido Basso, Alexis Baró, Luis Deniz, Alex Brown, trombonists Yankar Gonzalez, Russ Little, and saxophonists John Johnson, Jeff King. This is Luis's third CD as leader of Cimarrón and will appeal not only to the band's followers but also to anyone with a liking for relaxed, melodic Cuban styling with a jazz bite. (Buy this now ...)
Bill O'Connell Latin Jazz Fantasy (Random Chance RCD 18)
An attractive mixture of small group and orchestral Latin jazz from Bill O'Connell, a gifted pianist and composer. Bill's charts, be they for duo, trio, quartet, quintet or full orchestra draw heavily upon the wonderful tradition of Afro-Caribbean music. All are overlaid with contemporary jazz sensibilities and here and there touches of Bill's classical training are also glimpsed. In addition to his own fine playing, there are several solo spots for Bob Malch's tenor saxophone and Dave Valentin's flute. Any Latin jazz performance places heavy demands upon the rhythm section and here Bill has chosen wisely and well with, primarily, bassists David Fink and Lincoln Goines and drummers Kim Plainfield and Steve Berrios. (Buy this now ...)
Arturo O'Farrill Live In Brooklyn (Zoho ZM 200507)
Recorded live at the Up Over Jazz Café in 2003, this exciting and always entertaining set features pianist Arturo O'Farrill along with bassist Andy Gonzalez and drummer Dafnis Prieto. Although latterly a significant figure on New York's Latin jazz scene, in his formative years Arturo was more interested in American hard bop and fusion music; this despite his father, Chico O'Farrill, being a distinguished Latin jazz composer-arranger. After making his name in the city's downtown loft scene, Arturo gradually begin to acknowledge his musical heritage and to incorporate elements of it into his own music. The result is a repertoire that blends rich melodies with thrusting hard bop and free jazz improvisation, all founded on a fiery and vigorous rhythmic base. (Buy this now ...) (Also scroll down for Arturo's set with Jim Seeley and Dafnis's own-name album.)
Luis Perdomo Focus Point (RKM Music RKM 004)
Fast making a name for himself in New York, Luis Perdomo is a Venezuelan-born pianist with considerable technical skills. Through this he is able to nimbly bring to life the concepts of a musical mind that is filled with the melodic sounds of Latin America. Fluid and engaging, Luis's music is rich with echoes of other lands, making it central to an emerging and very popular trend in contemporary jazz. (Buy this now ...)
Jorge Pescara Grooves In The Temple (JSR VPB 114 CD)
This first CD as leader by bassist Jorge Pescara demonstrates why he has built a strong following not only with audiences but also among his fellow musicians. Vibrant and exhilarating music making from a highly talented musician. There are many other fine musicians on this CD including drummer Dom Um Romão, singer Ithamara Koorax and saxophonist José Carlos Ramos. Jorge has drawn his repertoire for this set from an interesting mixture of sources, including music by Jimi Hendrix, Eumir Deodato (who also guests on the CD), Bob Dorough and Ben Tucker, as well as contributing some of his original compositions. (Buy this now ...)
Carlos Pingarilho Stories And Dreams (JSR 6043)
Although many of the compositions of Carlos Alberto Valle Pingarilho have been recorded over the years, this is his debut CD. An acclaimed and prize-winning architect, he is an accomplished guitarist. Here he is joined by several guests who enhance this attractive set: singer Ithamara Koorax, Eumir Deodato on keyboards, drummer Dom Um Romão, bassist Sergio Barroso among many. Romantic and evocative of Brazil, this is a a very enjoyable CD that will appeal to many for its musicality and freshness. (Buy this now ...)
Dafnis Prieto About The Monks (Zoho Music ZM 200502)
Dafnis Prieto Absolute Quintet (Zoho Music ZM 200606)
Among many young musicians helping fuel the New York-based exploration into Latin jazz and in particular Afro-Cuban sounds is drummer Dafnis Prieto. Born in Cuba, but resident in New York since 1999, Dafnis constantly sparks the band assembled for the first of these, which is his debut CD. The guests assembled for this entertaining CD include trumpeter Brian Lynch, saxophonist Yosvany Terry, and pianist Luis Perdomo. Whether soloing, accompanying or in ensemble, these skilled musicians build a compelling sound picture of this latest trend in the long history of Afro-Cuban jazz. For the second of these CDs, Dafnis' skills as a composer are again on display as he refers to his musical beginnings wherein he absorbed not only the music of his Cuban homeland but also the manner in which European chamber music of the 19th century had been absorbed and reshaped to suit the warm ambience of that particular part of the New World. Joining Dafnis' percussion are Jason Lindner, who plays piano and Hammond organ, violinist Christian Howes, cellist Dana Leong and Yosvany Terry on alto and tenor saxophones, with special guest alto saxophonist Henry Threadgill also making an appearance. Vivid and exciting music blending old and new to create something that is very much music of today. (Buy these now ...)
Glauco Sagebin When Baden Meets Trane (Blue Toucan unnumbered)
Although pianist Clauco Sagebin has dedicated this CD to the musical memory of fellow Brazilian Baden Powell and jazz master John Coltrane, the result is a very personal statement. Blending jazz and Brazilian song on five originals, he presents a warm-hearted yet coolly swinging sound. Ably accompanied by bassist Santo Debriano and drummer Paulo Braga, Glauco also offers his view of the work of other composers, including Antonio Carlos Jobim. Especially attractive tracks are Glauco's own 'When Baden Meets Trane' and 'Short Story', 'Fascinating Rhythm' and a limpid 'Laura'. Glauco is less well known internationally than should be the case, and this CD is a very good way to get to know him. (Buy this now ...)
Marcelo Salazar The Tropical Lounge Project (JSR 6049)
An exciting percussionist, Marcelo Salazar is presented here on a set mainly of his own compositions. Among the other musicians joining Marcelo are keyboard players Hudson Delduque, José Lourenço, Lulu Martin, singer Ithamara Koorax, guitarist Ricrdo Mendes, bassists Anna Ly, Marcelo Mariano and trumpeters Jessé Sadoc, Guilherme D. Gomes. Rich in the rhythms and ambience of Brazil, this is evocative and entertaining music which should appeal to audiences beyond the genre. (Buy this now ...)
Jim Seeley/Arturo O'Farrill Quintet (Zoho Music 200501)
Fiery trumpet playing by Jim Seeley and scintillating piano from Arturo O'Farrill combine in a heady mix of Latin music and jazz, with a hint of the blues for good measure. Jim is the composer of all the music on this CD, finding on some tracks new and interesting things to say in the well-mined field of the bossa nova. Joined here by tenor saxophonist Jed Levy, bassist Andy Gonzalez and drummer Phoenix Rivera, Jim and Arturo offer a musicianly and exciting taste of what happens when jazz meets Latin. (Buy this now ...)
Harvie S Funky Cha (Zoho Music 200605)
For some forty years, Harvie S has admired the music of Cuba as well as that of other regions that fall under the wide and far reaching label of Latin music. In recent times, Harvie has demonstrated through several fine CDs that his love for the music has not faded and his skill at blending it with his view of jazz is vibrant and original. Here, Harvie's bass playing is joined by fellow rhythm section players Daniel Kelly, piano, and William 'Beaver' Bausch, drums, as well as percussionists Wilson 'Chembo' Corniel and Ernie Colon. Rounding out the band are Jay Collins, tenor and soprano saxophones and flute, and guests Scott Robert Avidon, tenor saxophone, and Philip Dizack, trumpet. The band's approach is signalled by the unusual and potent take on Thelonious Monk's 'Rhythm-a-ning', which is here given a rumba setting by arranger Beaver Bausch, and maintained throughout a set that is dominated by Harvie's own compositions. Fascinating material and likely to appeal as much to jazz fans as it is to lovers of contemporary Latin music. (Buy this now ...)
Trio Da Paz Somewhere (Blue Toucan unnumbered)
For some 15 years this exceptional trio has built an international reputation and it is clear why from the scintillating playing on this CD. The three musicians are guitarist Romero Lubambo, bassist Nilson Matta, and drummer Duduka Da Fonseca and all are highly gifted players. Soloing with verve and distinction, they also blend superbly in ensemble. Above all, the music that this trio performs is melodic and graceful. All admirers of Brazilian music, and the form of jazz that has absorbed it, will find Somewhere a source of great delight. (Buy this now ...)
Trio Mundo Rides Again (Zoho ZM 200410)
Already well established on the national and international jazz scenes, Trio Mundo features guitarist Dave Stryker, bassist Andy McKee and drummer, percussionist, guitarist, vocalist Manolo Badrena; here joined by guest Steve Slagle on alto saxophone and flute. By turns burning fiercely and coolly limpid, the group, individually and collectively, display their instrumental mastery and inventiveness on a selection of original pieces written by band members. Enjoyable music, played with skill, enthusiasm and boundless energy. (Buy this now ...)
Ramana Vieira Lágrimas De Rainha (Tears Of A Queen) (Pacific Coast Jazz PJ 76101)
The long and noble tradition of Portuguese fado is ably updated by Ramana Vieira on this very good CD. Her fluid interpretation of low key lyrics brings out the melancholy soul of the music while never allowing the mood to become anything but uplifting. Some of the songs come from the established repertoire, some of them having also been sung by Amália Rodrigues, the singer to whom this album is dedicated and who is the queen referred to in the title. Seven of the songs were composed by Ramana, five of which also have her own lyrics - among these being Amália, O Peso Do Mundo (Weight Of The World) and My Country Portugal. The CD was recorded in California and Ramana, who also plays piano on a few tracks, is accompanied by musicians such as guitarist Jeffery Luiz, bassist Alberto Ramirez, cellist Marcie Brown and drummer Steve La Porta, along with a number of guest instrumentalists. For anyone new to fado, which has been likened to the blues for its lyrical tales of loss and separation, this CD will be an informative delight. The CD is due for release in late March 2009. (Order this now ...)
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If what you have read on this page, and on earlier pages of this site, has sparked your interest, then take a look at the Links that follow. Some of the artists reviewed on this page together with other artists have their own web sites and you can go directly to them.
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Bruce Crowther © 2002-10
Last updated January 2010
